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Modern and Contemporary Irish Drama

Author : John P. Harrington
Publisher : W. W. Norton
Page : 0 pages
File Size : 27,6 MB
Release : 2009
Category : Drama
ISBN : 9780393932430

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Modern and Contemporary Irish Drama is the ideal focal point for the study of Irish literature and culture and, because of its many great twentieth-century works, for the study of drama more generally.

Contemporary Irish Drama

Author : Anthony Roche
Publisher : Palgrave Macmillan
Page : 321 pages
File Size : 27,68 MB
Release : 1995
Category : Literary Criticism
ISBN : 9780312123260

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Contemporary Irish Drama & Cultural Identity

Author : Margaret Llewellyn-Jones
Publisher : Intellect Books
Page : 192 pages
File Size : 15,83 MB
Release : 2002
Category : Drama
ISBN :

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Exploring the works of Brian Friel, Frank McGuinness, Tom Murphy, and Thomas Kilroy, the author presents an introduction on the historical context of Irish culture, with particular attention being paid to the works performed in the 1990s.

Masculinities and Manhood in Contemporary Irish Drama

Author : Cormac O'Brien
Publisher : Springer Nature
Page : 295 pages
File Size : 27,69 MB
Release : 2021-12-10
Category : Performing Arts
ISBN : 3030840751

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This book charts the journey, in terms of both stasis and change, that masculinities and manhood have made in Irish drama, and by extension in the broader culture and society, from the 1960s to the present. Examining a diverse corpus of drama and theatre events, both mainstream and on the fringe, this study critically elaborates a seismic shift in Irish masculinities. This book argues, then, that Irish manhood has shifted from embodying and enacting post-colonial concerns of nationalism and national identity, to performing models of masculinity that are driven and moulded by the political and cultural practices of neoliberal capitalism. Masculinities and Manhood in Contemporary Irish Drama charts this shift through chapters on performing masculinity in plays set in both the Irish Republic and Northern Ireland, and through several chapters that focus on Women’s and Queer drama. It thus takes its readers on a journey: a journey that begins with an overtly patriarchal, nationalist manhood that often made direct comment on the state of the nation, and ultimately arrives at several arguably regressive forms of globalised masculinity, which are couched in misaligned notions of individualism and free-choice and that frequently perceive themselves as being in crisis.

A Century of Irish Drama

Author : Stephen Watt
Publisher : Indiana University Press
Page : 366 pages
File Size : 32,75 MB
Release : 2000
Category : History
ISBN : 9780253214195

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This book traces a significant shift in 20th century Irish theatre from the largely national plays produced in Dublin to a more expansive international art form. Confirmed by the recent success outside of Ireland of the "third wave" of Irish playwrights writing in the 1990s, the new Irish drama has encouraged critics to reconsider both the early national theatre and the dramatic tradition it fostered. On the occasion of the centenary of the first professional production of the Irish Literary Theatre, the contributors to this volume investigate contemporary Irish drama's aesthetic features and socio-political commitments and re-read the plays produced earlier in the century. Although these essayists cover a wide range of topics, from the productions and objectives of the Abbey Theatre's first rivals to mid-century theatre festivals, to plays about the "Troubles" in the North, they all reassess the oppositions so commonplace in critical discussions of Irish drama: nationalism vs. internationalism, high vs. low culture, urban experience vs. rural or peasant life. A Century of Irish Drama includes essays on such figures as W. B. Yeats, Lady Gregory, J. M. Synge, Sean O'Casey, Brendan Behan, Samuel Beckett, Marina Carr, Brian Friel, Frank McGuinness, Christina Read, Martin McDonagh, and many more. Stephen Watt is Professor of English and Cultural Studies at Indiana University-Bloomington, and author of Postmodern/Drama: Reading the Contemporary Stage, Joyce, O'Casey, and the Irish Popular Theatre, and essays on Irish and Irish-American culture. He has also written extensively on higher education, most recently Academic Keywords: A Devil's Dictionary for Higher Education (with Cary Nelson). Eileen M. Morgan is a lecturer in English and Irish Studies at the University of Michigan, Ann Arbor. She is currently working on Sean O'Faolain's biographies of De Valera and on Edna O'Brien's 1990s trilogy, and is preparing a book-length study on the influence of radio in Ireland. Shakir Mustafa is a Visiting Instructor in the English department at Indiana University. His work has appeared in such journals as New Hibernia Review and The Canadian Journal of Irish Studies, and he is now translating Arabic short stories into English. Drama and Performance Studies--Timothy Wiles, general editor

Oscar Wilde and Contemporary Irish Drama

Author : Graham Price
Publisher : Springer
Page : 249 pages
File Size : 24,99 MB
Release : 2018-10-23
Category : Performing Arts
ISBN : 3319933450

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This book is about the Wildean aesthetic in contemporary Irish drama. Through elucidating a discernible Wildean strand in the plays of Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness, it demonstrates that Oscar Wilde's importance to Ireland's theatrical canon is equal to that of W. B. Yeats, J. M. Synge and Samuel Beckett. The study examines key areas of the Wildean aesthetic: his aestheticizing of experience via language and self-conscious performance; the notion of the dandy in Wildean texts and how such a figure is engaged with in today's dramas; and how his contribution to the concept of a ‘verbal theatre’ has influenced his dramatic successors. It is of particular pertinence to academics and postgraduate students in the fields of Irish drama and Irish literature, and for those interested in the work of Oscar Wilde, Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness. okokpoj

Gender and Modern Irish Drama

Author : Susan Cannon Harris
Publisher : Indiana University Press
Page : 332 pages
File Size : 16,74 MB
Release : 2002-09-06
Category : Literary Criticism
ISBN : 9780253109736

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Gender and Modern Irish Drama argues that the representations of sacrificial violence central to the work of the Abbey playwrights are intimately linked with constructions of gender and sexuality. Susan Cannon Harris goes beyond an examination of the relationship between Irish national drama and Irish nationalist politics to the larger question of the way national identity and gender identity are constructed through each other. Radically redefining the context in which the Abbey plays were performed, Harris documents the material and discursive forces that produced Irish conceptions of gender. She looks at cultural constructions of the human body and their influence on nationalist rhetoric, linking the production and reception of the plays to conversations about public health, popular culture, economic policy, and racial identity that were taking place inside and outside the nationalist community. The book is both a crucial intervention in Irish studies and an important contribution to the ongoing feminist project of theorizing the production of gender and the body.

Contemporary Irish Drama

Author : Anthony Roche
Publisher :
Page : 344 pages
File Size : 30,16 MB
Release : 1994
Category : History
ISBN :

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By comparing the theatre of Samuel Beckett to more culturally specific Irish plays, the book establishes a greater international and theatrically experimental context for the field than has been recognised. Its three central chapters offer close and contextualised readings of the careers of Brian Friel, Tom Murphy and Thomas Kilroy across a span of more than four decades. The drama of Northern Ireland and its theatrical response to political violence receives sustained attention through a wide range of playwrights, including Frank McGuinness, Gary Mitchell, Christina Reid and Anne Devlin. A new chapter considers the work of such younger playwrights as Martin McDonagh and Marina Carr who emerged in the 1990s to probe the shortcomings of the 'Celtic Tiger' phenomenon.