[PDF] Contemporary Anthropologies Of The Arts In China eBook
Contemporary Anthropologies Of The Arts In China Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Contemporary Anthropologies Of The Arts In China book. This book definitely worth reading, it is an incredibly well-written.
The anthropology of art in China includes studies of popular arts among the Han in both rural and urban settings, and of folk arts among minority peoples. The country is currently experiencing rapid social change and aesthetic values are being transformed. Chinese scholars have both an exciting range of dramatic case studies to present and their own distinctive theories to offer on these processes. This volume is the first to present an overview of the anthropology of art in China to researchers in the English-speaking world. The essays are written by leading Chinese professors in the fields of visual art, dance, music and art theory.
How contemporary Chinese art is creating “a philosophy of life, a philosophy of politics, and a natural philosophy,” as artist Qiu Zhijie says it must, is explored in this collection of essays by philosophers and art historians from America and China.
This book explores the author's ten-year ethnographic journey in different locations in Shanghai. His immersion in China’s art world is grounded in a topology of places and new ways of writing and deploying history today. The ethnographic approaches to experiencing, analysing and representing space offer a critical tool to explore a different version of realism invisible in the nominal art and art history paradigms. As the market and institutional norms are still being defined, this book also documents and analyses how individuals have strived to negotiate boundaries in the art world and thus create unique selfhood. Instead of conventional methods of periodisation and stylistic analysis, this book presents a historiographic strategy emphasising the philosophical significance of spatial realism to offer insights into history, subjectivities and political institutions.
A redefinition of contemporary Chinese art from the last forty years in the context of unprecedented cultural, political, and urban transformation, written by an authority on the subject. Contemporary Chinese art is a subject of sustained and growing significance in present-day culture across the globe. This new volume in the World of Art series reframes Chinese art since the end of China’s Cultural Revolution more than four decades ago, placing it in the context of the nation’s unprecedented cultural, political, and urban transformation. Based on original research by writer, curator, and leading scholar in the field of contemporary Chinese art, Jiang Jiehong, this volume explores the area through firsthand materials and in-depth interviews with more than thirty artists. Providing the most up-to-date understanding of contemporary Chinese art, Jiang includes a variety of media, ranging from painting, printmaking, sculpture, and photography to installation, video, performance, and participatory art. Featuring over 150 color images of artworks by more than fifty internationally renowned Chinese artists, including Ai Weiwei and Zhang Peili, as well as emerging artists, such as Zhao Zhao, The Art of Contemporary China presents a wide variety of practices through curatorial discussions and images of original installation views and historical art events. What emerges are revelations on art, and new insights into contemporary China. Fulfilling a need for an accessible, affordable introduction to contemporary Chinese art, this volume offers a concise but far-reaching survey of the movement.
This book explores the relationship between the ongoing urbanization in China and the production of contemporary Chinese art since the beginning of the twenty-first century. Wang provides a detailed analysis of artworks and methodologies of art-making from eight contemporary artists who employ a wide range of mediums, including painting, sculpture, photography, installation, video, and performance. She also sheds light on the relationship between these artists and their sociocultural origins, investigating their provocative responses to various processes and problems brought about by Chinese urbanization. With this urbanization comes a fundamental shift of the philosophical and aesthetic foundations in the practice of Chinese art: from a strong affiliation with nature and countryside to one that is complexly associated with the city and the urban world.
* AWARDED BEST ANTHOLOGY BY THE ART ASSOCIATION OF AUSTRALIA AND NEW ZEALAND *How has Asia been imagined, represented and transferred both literally and visually across linguistic, geopolitical and cultural boundaries? This book explores the shifting roles of those who produce, critique and translate creative forms and practices, for which distinctions of geography, ethnicity, tradition and modernity have become fluid. Drawing on accounts of modern and contemporary art, film, literature, fashion and performance, it challenges established assumptions of the cultural products of Asia.Special attention is given to the role of cultural translators or 'long-distance cultural specialists' whose works bridge or traverse different worlds, with the inclusion of essays by three important artists who share personal accounts of their experiences creating and showing artworks that negotiate diverse cultural contexts.With contributions from key scholars of Asian art and culture, including art historian John Clark and anthropologist Clare Harris, alongside fresh voices in the field, Asia Through Art and Anthropology will be essential reading for students and scholars of anthropology, art history, Asian studies, visual and cultural studies.----------------------------------------------------------------------------------------------------------The publication of the color plates of works by Phaptawan Suwannakudt and Savanhdary Vongpoothorn is funded by the Australian Government.
Author : Julia F. Andrews Publisher : Univ of California Press Page : 383 pages File Size : 10,16 MB Release : 2012-09-24 Category : Art ISBN : 0520238141
“The Art of Modern China is a long-awaited, much-needed survey. The authors’ combined experience in this field is exceptional. In addition to presenting key arguments for students and arts professionals, Andrews and Shen enliven modern Chinese art for all readers. The Art of Modern China gives just treatment to an expanded field of overlooked artworks that confront the challenges of modernization.”—De-nin Deanna Lee, author of The Night Banquet: A Chinese Scroll through Time.
The book is a collection of fifteen introductory essays excerpted from the Annual of Contemporary Art in China, covering the years from 2005 to 2019, showcasing the development and changing landscapes of contemporary art in China. The Annual documents exhibitions, events, creative practices, and critical literature concerning contemporary art in China since 2005. Based on archival documentation and statistics data from these annuals, notable phenomena, events, and discourses from a given year, as well as key works and artists are reviewed in each introduction, with no ideological or market-driven undertone. The author unravels industrial and institutional factors, while also broaching important issues of abstract art, new media art and so on, and probing the historical and socio-cultural context as well. In this regard, the book offers a panorama of contemporary Chinese art and critically engages with the art scene in China, including Hongkong, Taiwan, and among the Chinese diaspora. The title will appeal to scholars, students and general readers interested in contemporary art history, art criticism, contemporary Chinese art, iconography, and contemporary art theory.
Drawing on the exciting developments that have occurred in the anthropology of art over the last twenty years, this study uses ethnographic methods to explore shifts in the art market and global contemporary art. Recognizing that the huge diversity of global phenomena requires research on the ground, An Anthropology of Contemporary Art examines the local art markets, biennials, networks of collectors, curators, artists, patrons, auction houses, and museums that constitute the global art world.Divided into four parts – Picture and Medium; World Art Studies and Global Art; Art Markets, Maecenas and Collectors; Participatory Art and Collaboration – chapters go beyond the standard emphasis on Europe and North America to present first-hand fieldwork from a wide range of areas, including Brazil, Turkey, and Asia and the Pacific.With contributions from distinguished anthropologists such as Philippe Descola and Roger Sansi Roca, this book provides a fresh approach to key topics in the discipline. A model for demonstrating how contemporary art can be studied ethnographically, this is a vital read for students in anthropology of art, visual anthropology, visual culture, and related fields.