[PDF] Contemporary And Fine Art eBook

Author : Art Galaxie
Publisher :
Page : 0 pages
File Size : 24,78 MB
Release : 2016-03-17
Category : Art, Modern
ISBN : 9781483561271

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"Masters of Contemporary Fine Art" is the first edition of an annual publication dedicated to the promotion and dissemination of high quality Contemporary Art. Painting, Sculpture, Drawing and Digital Art are the categories that we have chosen to publish in this art book. The vast range of expressive techniques and also the different styles in each category add value, depict fascinating rhythm and captivate diversity. The book is also a powerful tool for research, consultation or study for Artists, Collectors, Galleries, Art Dealers and Art Lovers.

Author : John B. Ravenal
Publisher :
Page : 264 pages
File Size : 37,60 MB
Release : 2007
Category : Art
ISBN :

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"From Jackson Pollock's dynamic 1948 drip painting to Kehinde Wiley's colorful 2006 hip-hop portrait, 114 works--paintings, sculpture, video art, prints, drawings, photographs, and collage--offer art enthusiasts their old favorites, hidden treasures, and exciting new acquisitions."--Cover.

Author : Gwen Blakley Kinsler
Publisher : AuthorHouse
Page : 110 pages
File Size : 19,58 MB
Release : 2013-06-17
Category : Art
ISBN : 1481731874

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Fiber artists around the world have embraced crochet as an inventive medium like never before. Expanding on the creative possibilities and using sculpture, immense site-specific installations, performance, and mixed-media objects, they have used crochet techniques to explore feminine craft and heritage, dissect gender codes, and show the primal creative expression represented by crochet. In The Fine Art of Crochet, author Gwen Blakley Kinsler looks at the art-crochet movement from 1915 onward to the crochet revolution of the 1960s, profiling twenty of the most innovative practitioners working today. Offering insight to those who may not have otherwise thought to go beyond the purely practical aspect of crochet, she features internationally known artists such as Arline Fisch, Leslie Pontz, Carol Hummel, Tracy Krumm, Bonnie Meltzer, and Soonran Youn. Gwen Blakley Kinslerthe founder of the Crochet Guild of America and a fiber-art practitioner in her own rightexamines the concepts and diverse works of these artists, in whose hands the magic of crochet creates cutting-edge art for the twenty-first century. Each artist approaches the medium with wonder and the desire to explore its full potential. This study and collection of images presents an exploration of the diverse styles, unusual shapes, and exquisite textures that characterize crocheted art today.

Author : Richard Meyer
Publisher : MIT Press
Page : 374 pages
File Size : 50,39 MB
Release : 2013
Category : Art
ISBN : 0262135086

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"Contemporary art in the early twenty-first century is often discussed as though it were a radically new phenomenon unmoored from history. Yet all works of art were once contemporary to the artist and culture that produced them. In What Was Contemporary Art? Richard Meyer reclaims the contemporary from historical amnesia, exploring episodes in the study, exhibition, and reception of early twentieth-century art and visual culture.

Author : Jeannine Tang
Publisher : CCS Bard and Dancing Foxes Press
Page : 304 pages
File Size : 35,16 MB
Release : 2018-08-28
Category : Art
ISBN : 9780998632667

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The Conditions of Being Art is the first book to examine the activities of groundbreaking contemporary art galleries Pat Hearn Gallery and American Fine Arts, Co. (1983-2004), and the transnational milieu of artists, dealers and critics that surrounded them. Drawing on the archives of dealers Pat Hearn and Colin de Land--both, independently, legendary players on the New York art scene of the 1980s and '90s, and one of the great love stories of the art world--this publication illustrates their distinctive artistic practices, significant exhibitions and events, and daily business. Hearn and de Land championed art that challenged the business of running an art gallery; artists like Renée Green and Susan Hiller, Andrea Fraser and Cady Noland, who employed conceptualism and installation, social and institutional critique. Contributing to the history of exhibitions, institutions and curating, The Conditions of Being Art addresses a significant gap in this literature around experimental commercial spaces in recent art history. This publication is the first book-length critical account of the alternative commercial gallery practices of the 1990s, a moment and a scene that is extremely influential to many of today's art dealers, curators and artists. Hearn and de Land's gallery practices explored new experimental and ethical possibilities within the selling of art, testing the relationship of contemporary art to its markets. In this volume, full-color images, in-depth scholarly investigations and detailed gallery histories vibrantly document how Hearn and de Land tested new notions of what an art gallery could be.

Author : James Elkins
Publisher : Routledge
Page : 154 pages
File Size : 50,91 MB
Release : 2004-12-15
Category : Art
ISBN : 1135879702

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Can contemporary art say anything about spirituality? John Updike calls modern art "a religion assembled from the fragments of our daily life," but does that mean that contemporary art is spiritual? What might it mean to say that the art you make expresses your spiritual belief? On the Strange Place of Religion in Contemporary Art explores the curious disconnection between spirituality and current art. This book will enable you to walk into a museum and talk about the spirituality that is or is not visible in the art you see.

Author : Terry E. Smith
Publisher : University of Chicago Press
Page : 345 pages
File Size : 45,29 MB
Release : 2009-10-15
Category : Art
ISBN : 0226764311

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Who gets to say what counts as contemporary art? Artists, critics, curators, gallerists, auctioneers, collectors, or the public? Revealing how all of these groups have shaped today’s multifaceted definition, Terry Smith brilliantly shows that an historical approach offers the best answer to the question: What is Contemporary Art? Smith argues that the most recognizable kind is characterized by a return to mainstream modernism in the work of such artists as Richard Serra and Gerhard Richter, as well as the retro-sensationalism of figures like Damien Hirst and Takashi Murakami. At the same time, Smith reveals, postcolonial artists are engaged in a different kind of practice: one that builds on local concerns and tackles questions of identity, history, and globalization. A younger generation embodies yet a third approach to contemporaneity by investigating time, place, mediation, and ethics through small-scale, closely connective art making. Inviting readers into these diverse yet overlapping art worlds, Smith offers a behind-the-scenes introduction to the institutions, the personalities, the biennials, and of course the works that together are defining the contemporary. The resulting map of where art is now illuminates not only where it has been but also where it is going.

Author : Paul Sloman
Publisher : Black Dog Publishing
Page : 232 pages
File Size : 14,5 MB
Release : 2009
Category : Art
ISBN :

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This is the first in the cutting-edge ARTWORLD series which opens up the most challenging and underexposed art scenes in the world, which contains a collection of essays and art works, showcasing artists from the Middle East, in a collection that defies fixed categories, shifting instead through different artistic registers according to more subtle themes.

Author : Jane Fenlon
Publisher :
Page : 0 pages
File Size : 40,84 MB
Release : 2016
Category : Art
ISBN : 9781911024354

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This richly illustrated book presents the latest research into Irish fine art from the 17th and 18th centuries. It is comprised of a rich selection of case studies into artistic practice that showcase the burgeoning nature of fine art media in Ireland, the quality of production, and the breadth of patronage. Investigating these signifiers of a 'cultured' lifestyle - their production, consumption, appreciation, display, and discourse - provides fascinating insights into the sensibility of Ireland's minority-rule elites, and the practitioners it fostered. Featuring contributions from emergent and established art historians, 'Irish Fine Art in the Early Modern Period' takes its subject matter beyond the realms of academic journals, exhibitions and conferences, and presents it within a lavishly designed and vital publication that presents substantial new insights into Ireland's artistic and social history.