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Author : Felix Mendelssohn-Bartholdy
Publisher : A-R Editions, Inc.
Page : 146 pages
File Size : 25,55 MB
Release : 1999-01-01
Category : Music
ISBN : 089579439X
Author : Stephan D. Lindeman
Publisher : Pendragon Press
Page : 368 pages
File Size : 27,87 MB
Release : 1999
Category : Juvenile Nonfiction
ISBN : 9781576470008
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
Author :
Publisher :
Page : pages
File Size : 28,64 MB
Release : 1999
Category :
ISBN :
Author : Michael Thomas Roeder
Publisher : Hal Leonard Corporation
Page : 487 pages
File Size : 46,77 MB
Release : 1994
Category : Concerto
ISBN : 0931340616
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
Author : Hamish MacCunn
Publisher : A-R Editions, Inc.
Page : 297 pages
File Size : 43,57 MB
Release : 2016-01-01
Category : Music
ISBN : 0895798409
Britain, long revered for its choral music and partsongs, had largely neglected art songs since the Elizabethan era. The middle of the nineteenth century witnessed efforts to revive the genre, particularly in the works of Sir C. Hubert Parry and Sir Charles Villiers Stanford. The following generation, including the Scottish composer Hamish MacCunn (18681916), built on the foundations laid by Parry and Stanford and served as the bridge to the vocal music of Ralph Vaughan Williams, Sir Edward Elgar, Ivor Gurney, John Ireland, and ultimately Benjamin Britten. Though best known for his Scottish-influenced compositions, MacCunn composed over 100 songs that, free from national constraints, are some of the most refined and sophisticated examples of his music. Almost no modern editions of MacCunns song exist, though many were published during the composers lifetime. The current two-part edition presents the composers 102 extant songs. Part 1 contains 53 individual songs; Part 2 presents the songs that were first published as small collections.
Author : Alice Mary Smith
Publisher : A-R Editions, Inc.
Page : 180 pages
File Size : 26,70 MB
Release : 2007-01-01
Category : Music
ISBN : 9780895796158
Actual pagination: xv + 153 pp.
Author : Franz Lachner
Publisher : A-R Editions, Inc.
Page : 170 pages
File Size : 44,12 MB
Release : 2004-01-01
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
ISBN : 0895795469
Enthält: Bläserquintette Nr. 1 in F-Dur ; Nr. 2 in Es-Dur.
Author : Stephan D. Lindeman
Publisher : Taylor & Francis
Page : 666 pages
File Size : 27,12 MB
Release : 2006
Category : Music
ISBN : 0415976197
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author : Niels Wilhelm Gade
Publisher : A-R Editions, Inc.
Page : 130 pages
File Size : 37,17 MB
Release : 2001-01-01
Category : Music
ISBN : 0895794802
Author : Charles Marie Widor
Publisher : A-R Editions, Inc.
Page : 154 pages
File Size : 42,35 MB
Release : 2002-01-01
Category : Music
ISBN : 0895795159
The Symphonie pour orgue et orchestre, opus 42[bis] has had spectacular moments in its history. In1880, the future king of England, Edward VII, requested that Widor compose a grand work for organand orchestra to be performed in London?s Royal Albert Hall. The American premiere in 1919, withthe Philadelphia Orchestra conducted by Leopold Stokowski and the great Wanamaker organ,attracted an audience of about 12,000 people. Using movements from his second and sixth symphonies for solo organ as the basis for this work,Widor created a masterpiece that launched a renaissance in the organ/orchestra combination. Thispremiere edition is based on Widor?s autograph manuscript as well as copies that he had made andwhich carry emendations and corrections in his own hand. The introduction includes details about theorigin of the Symphonie, manuscript sources, revisions, early performances, and performanceguidelines. Published in full score with separate organ part (and orchestral parts available byrequest), the edition reintroduces this legendary tour de force to the repertory for organ and orchestra.