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Community Filmmaking

Author : Sarita Malik
Publisher : Taylor & Francis
Page : 305 pages
File Size : 45,44 MB
Release : 2017-04-28
Category : Business & Economics
ISBN : 1317283872

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This book examines the role of community filmmaking in society and its connection with issues of cultural diversity, innovation, policy and practice in various places. Deploying a range of examples from Europe, North America, Australia and Hong Kong, the chapters show that film emerging from outside the mainstream film industries and within community contexts can lead to innovation in terms of both content and processes and a better representation of the cultural diversity of a range of communities and places. The book aims to situate the community filmmaker as the central node in the complex network of relationships between diverse communities, funding bodies, policy and the film industries.

Cinema and Community

Author : Moya Luckett
Publisher :
Page : 420 pages
File Size : 10,11 MB
Release : 2014
Category : History
ISBN : 9780814337257

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Investigates how progressivism structured many aspects of understudied era of cinema.

Filmmaking for Change, 2nd Edition

Author : Jon Fitzgerald
Publisher :
Page : 0 pages
File Size : 37,34 MB
Release : 2017
Category : Performing Arts
ISBN : 9781615932771

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"Storytelling through entertainment is one of the most powerful forms of mass communication--informing, enlightening, and inspiring audiences to get involved. Filmmaking for Change shows artists how to produce movies that matter--from story ideas to production, film festivals to distribution."--Back cover.

Documentary Film Festivals

Author : Carole Roy
Publisher : Springer
Page : 149 pages
File Size : 20,78 MB
Release : 2016-03-22
Category : Education
ISBN : 9463004807

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Documentary film festivals do more than provide a venue for watching films: they have the potential to foster critical thinking, especially toward mainstream media. The film festivals discussed in this book also help build a sense of community locally, as well as promote solidarity with people involved in struggles for social justice and ecological integrity around the world. Documentaries by independent filmmakers reveal stories ignored by mass media, stories at times tragic but more often than not inspiring. It can be said that documentary film festivals create a public space for citizens to listen together and to become informed on current issues in greater depth than newscast bulletins offer. This book shows how documentary films create a liminal space with transformative potential, a space that challenges assumptions, supports the development of empathy, and often stimulates engagement and action. In viewing documentaries together and engaging in critical reflection and dialogue, citizens can imagine alternative possibilities and consider solutions. Documentary Film Festivals: Transformative Learning, Community Building & Solidarity offers the voices of attendees, sponsors, and organizers who shared their thoughts and experiences of documentary film festivals and the impact on their views and engagement. Activists and organizers of various social movements who are seeking ways to inform and inspire will see evidence in this text that documentary film festivals are a means of drawing diverse audiences, engaging differences and respectfully promoting hope and preferred visions of the future. Documentary Film Festivals: Transformative Learning, Community Building & Solidarity includes concrete examples of creative and courageous struggles that have led to victories often ignored by the media. This book is bound to inspire.

Chainsaws, Slackers, and Spy Kids

Author : Alison Macor
Publisher : University of Texas Press
Page : 393 pages
File Size : 45,59 MB
Release : 2010-02-22
Category : Performing Arts
ISBN : 0292778295

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During the 1990s, Austin achieved "overnight" success and celebrity as a vital place for independent filmmaking. Directors Richard Linklater and Robert Rodriguez proved that locally made films with regional themes such as Slacker and El Mariachi could capture a national audience. Their success helped transform Austin's homegrown film community into a professional film industry staffed with talented, experienced filmmakers and equipped with state-of-the art-production facilities. Today, Austin struggles to balance the growth and expansion of its film community with an ongoing commitment to nurture the next generation of independent filmmakers. Chainsaws, Slackers, and Spy Kids chronicles the evolution of this struggle by re-creating Austin's colorful movie history. Based on revealing interviews with Richard Linklater, Robert Rodriguez, Mike Judge, Quentin Tarantino, Matthew McConaughey, George Lucas, and more than one hundred other players in the local and national film industries, Alison Macor explores how Austin has become a proving ground for contemporary independent cinema. She begins in the early 1970s with Tobe Hooper's horror classic, The Texas Chainsaw Massacre, and follows the development of the Austin film scene through 2001 with the production and release of Rodriguez's $100-million blockbuster, Spy Kids. Each chapter explores the behind-the-scenes story of a specific movie, such as Linklater's Dazed and Confused and Judge's Office Space, against the backdrop of Austin's ever-expanding film community.

The Self-Sustaining Filmmaker

Author : Marty Lang
Publisher : Taylor & Francis
Page : 162 pages
File Size : 23,73 MB
Release : 2024-06-13
Category : Performing Arts
ISBN : 1040045022

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This book provides guidance on how to build an independent, financially sustainable filmmaking career through channels such as crowdsourcing, crowdfunding, and community filmmaking concepts. Through real-life experiences, Marty Lang provides insight on how to use these key concepts through every stage of a film’s lifecycle – from distribution (the stage that should be figured out first), through development, screenwriting, prep, production and post, all the way through marketing and the film’s release. By thinking of filmmaking as a start-up company, and looking at how businesses make money, Lang creates a completely independent financial model for films, turning filmmakers into businesspeople, conscious of the needs of their audiences, and empowered to use their creative work to make their living. Using interviews with leaders in the field, case studies, and practical experience gained from 20 years of community filmmaking, this book unveils an exciting, new way to make films that prioritizes a collaborative, entrepreneurial mindset at every stage. This is an essential guide for aspiring and seasoned filmmakers alike looking to understand and apply crowdsourcing as an effective tool in their career.