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A speckled horse wonders why he was made a horse and discovers that everything in the world has purpose, created to bring joy to someone or something else.
Collected here for the first time are the beautiful and exotic paintings of Clare Rojas. One of the San Francisco Bay Area's most beloved art stars, Rojas is influenced by craft, folk art, and the beauty and wisdom of the garden. Her work weaves together flowers, plants, animals, and various folk figures to create mysterious narratives. Through the language of flowersdelicate yet resilient, powerful yet flexibleRojas tells enchanting stories with color.
Here, for the first time, is a collection of the artist Clare Rojas' abstract paintings, completed between 2012 and 2015. Known for her association with a generation of San Francisco artists that became internationally prominent through the exhibition "Beautiful Losers," much of Rojas' earlier work drew from various Russian and Eastern European folkloric subjects. While the figures have been removed from this newer body of work, it is not hard to see their lasting impact on Rojas' practice; these paintings are equally evocative of folk art, sign painting and the formalist reductions of artists like Alexander Calder, Matisse or Ellsworth Kelly. Accompanying these works is an essay by the curator and writer Jens Hoffmann.Clare Rojas (b. 1976) lives and works in San Francisco. Recent solo and group exhibitions include Everyone Has Those Spaces at Kavi Gupta, Chicago; Carved, Cast, Crumpled: Sculpture All Ways at the Smart Museum of Art in Chicago; Caerulea at Paule Anglim in San Francisco, Clare Rojas at Vladmir Restoin Roitfeld in New York; Clare Rojas at Galleri Nicolai Wallner in Copenhagen, and Pith at Prism in Los Angeles. Solo museum shows include the Museum of Craft and Folk Art, San Francisco; Riverside Art Museum, CA; The Rose Art Museum, Boston; Museo De Arte Comtemporaneo De Castilla y Leon; Museum Het Domein, Sittard; Ulrich Museum of Art, Wichita; Knoxville Museum of Art and the Museum of Contemporary Art, Chicago.
Wildly acclaimed in Canada, this book marks the debut of a remarkable young writer first published by McSweeney's when she was twenty-three and living at home with her dad and brother. The Middle Stories is a strikingly original collection of stories, fables, and short brutalities that are alternately heartwarming, cruel, and hilarious. This edition, marking the 10th anniversary of The Middle Stories, will be designed in the newly iconic McSweeney's paperback style, and will be published shortly before Heti's newest novel, How Should A Person Be?, emigrates from Canada via Henry Holt & Co.
Ricci's book ranges widely over Calvino's oeuvre to illustrate the accuracy of the idea articulated by Calvino himself that a visual image lies at the origin of all his narrative. The book's main theme is the difficult interface between word and image that Calvino struggled with throughout his career, the act of perception that rendered visible that which was invisible and transformed what was seen into what is read. Ricci holds that Calvino's narrative has an 'imagocentric' program and that his literary strategy is 'ekphrastic' i.e. it is characterized by literary description of visual representation, real or imaginary. The book is interdisciplinary in nature and will interest not only scholars of literature but also those who work with the visual arts and with information technology.
From the award-winning, bestselling author of The Circle comes an exciting new follow-up. When the world’s largest search engine/social media company, the Circle, merges with the planet’s dominant ecommerce site, it creates the richest and most dangerous—and, oddly enough, most beloved—monopoly ever known: the Every. Delaney Wells is an unlikely new hire at the Every. A former forest ranger and unwavering tech skeptic, she charms her way into an entry-level job with one goal in mind: to take down the company from within. With her compatriot, the not-at-all-ambitious Wes Makazian, they look for the Every's weaknesses, hoping to free humanity from all-encompassing surveillance and the emoji-driven infantilization of the species. But does anyone want what Delaney is fighting to save? Does humanity truly want to be free? Studded with unforgettable characters, outrageous outfits, and lacerating set-pieces, this companion to The Circle blends absurdity and terror, satire and suspense, while keeping the reader in apprehensive excitement about the fate of the company—and the human animal.