[PDF] Circus And The Avant Gardes eBook

Author : Anna-Sophie Jürgens
Publisher : Routledge
Page : 304 pages
File Size : 37,30 MB
Release : 2022-03-15
Category : Performing Arts
ISBN : 1000552365

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This book examines how circus and circus imaginary have shaped the historical avant-gardes at the beginning of the 20th century and the cultures they help constitute, to what extent this is a mutual shaping, and why this is still relevant today. This book aims to produce a better sense of the artistic work and cultural achievements that have emerged from the interplay of circus and avant-garde artists and projects, and to clarify both their transhistorical and trans-medial presence, and their scope for interdisciplinary expansion. Across 14 chapters written by leading scholars – from fields as varied as circus, theatre and performance studies, art, media studies, film and cultural history – some of which are written together with performers and circus practitioners, the book examines to what extent circus and avant-garde connections contribute to a better understanding of early 20th century artistic movements and their enduring legacy, of the history of popular entertainment, and the cultural relevance of circus arts. Circus and the Avant-Gardes elucidates how the realm of the circus as a model, or rather a blueprint for modernist experiment, innovation and (re)negotiation of bodies, has become fully integrated in our ways of perceiving avant-gardes today. The book does not only map the significance of circus/avant-garde phenomena for the past, but, through an exploration of their contemporary actualisations (in different media), also carves out their achievements, relevance, and impact, both cultural and aesthetic, on the present time.

Author : Richard Thomson
Publisher : Metropolitan Museum of Art
Page : 146 pages
File Size : 18,83 MB
Release : 2017-02-15
Category : Art
ISBN : 1588396150

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Georges Seurat (1859–1891) created just six major figure paintings during his lifetime, one of which, the alluring Circus Sideshow (Parade de cirque), has remained the most challenging to interpret since it first intrigued viewers at the 1888 Salon des Indépendants in Paris. Unlike Seurat’s earlier sunlit scenes, Circus Sideshow presents a nighttime tableau depicting a parade—a street show enticing passersby to purchase tickets. With its geometrically precise composition, muted colors, and elements of abstraction, the painting stands apart as a masterpiece of Neo-Impressionism and heralds Seurat’s subsequent depictions of popular entertainments. This book, the first comprehensive study of Circus Sideshow, situates the painting in the context of nineteenth-century Paris and of the many social changes France was undergoing. Renowned art historian Richard Thomson illuminates the roles of caricature, naturalist and avant-garde painting, and circus advertising; examines Seurat’s use of contemporary aesthetic theory; and discusses how artists ranging from Rouault to Picasso mined the sideshow theme into the twentieth century. Illustrated with Seurat’s related drawings, works by other artists, and period posters and broadsides, Seurat’s Circus Sideshow delves into the history of traveling circuses and seasonal fairs in France, exploring the ongoing appeal of this traditional form of popular entertainment through the fin de siècle. Two additional essays describe the painting’s enthusiastic reception in New York upon its 1929 debut and present the results of a fresh technical examination of the canvas, making this volume the definitive resource on one of Seurat’s most captivating works.

Author : Maki Sasaki
Publisher : Breakdown Press Limited
Page : 0 pages
File Size : 39,97 MB
Release : 2015
Category : Comic books, strips, etc
ISBN : 9780957438125

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Ding Dong Circus collects the best of Sasaki Maki's work from alt-manga super magazine Garo. Drawn between 1967 and 1974, the fifteen stories within follow Sasaki's unprecedented exploration of collage methods in comics storytelling. Weaving through references to the Beatles, the Vietnam War, and Andy Warhol, Ding Dong Circus demonstrates that Sasaki was not only a manga pioneer, but also an essential figure in Japanese Pop Art and the critical avant-garde art scene of the 1960s.

Author : Samuil Marshak
Publisher : Tate
Page : 0 pages
File Size : 43,6 MB
Release : 2013-05-28
Category : Juvenile Fiction
ISBN : 9781849761024

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Collects four stories, including "The Circus," in which rhyming text describes different circus performances.

Author : James M. Harding
Publisher : University of Michigan Press
Page : 247 pages
File Size : 45,42 MB
Release : 2015-10-22
Category : Art
ISBN : 0472036106

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Pronouncements such as “the avant-garde is dead,” argues James M. Harding, have suggested a unified history or theory of the avant-garde. His book examines the diversity and plurality of avant-garde gestures and expressions to suggest “avant-garde pluralities” and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. The Ghosts of the Avant-Garde(s) offers a strikingly new perspective not only on key controversies and debates within avant-garde studies but also on contemporary forms of avant-garde expression within a global political economy.

Author : Graham M. Jones
Publisher : University of Chicago Press
Page : 219 pages
File Size : 33,8 MB
Release : 2017-12-06
Category : History
ISBN : 022651871X

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In Magic’s Reason, Graham M. Jones tells the entwined stories of anthropology and entertainment magic. The two pursuits are not as separate as they may seem at first. As Jones shows, they not only matured around the same time, but they also shared mutually reinforcing stances toward modernity and rationality. It is no historical accident, for example, that colonial ethnographers drew analogies between Western magicians and native ritual performers, who, in their view, hoodwinked gullible people into believing their sleight of hand was divine. Using French magicians’ engagements with North African ritual performers as a case study, Jones shows how magic became enshrined in anthropological reasoning. Acknowledging the residue of magic’s colonial origins doesn’t require us to dispense with it. Rather, through this radical reassessment of classic anthropological ideas, Magic’s Reason develops a new perspective on the promise and peril of cross-cultural comparison.

Author : Robert Knopf
Publisher :
Page : 554 pages
File Size : 46,29 MB
Release : 2011
Category : Performing Arts
ISBN : 9780300134230

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Features a collection of significant avant-garde plays from around the world, along with essays that explore the evolution, objectives, and concerns facing the art form during the second half of the twentieth century.

Author : Anna-Sophie Jürgens
Publisher : Springer Nature
Page : 203 pages
File Size : 21,86 MB
Release : 2020-06-22
Category : Performing Arts
ISBN : 303043298X

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This book explores the circus as a site in and through which science and technology are represented in popular culture. Across eight chapters written by leading scholars – from fields as varied as performance and circus studies, art, media and cultural history, and engineering – the book discusses to what extent the engineering of circus and performing bodies can be understood as a strategy to promote awe, how technological inventions have shaped circus and the cultures it helps constitute, and how much of a mutual shaping this is. What kind of cultural and aesthetic effects does engineering in circus contexts achieve? How do technological inventions and innovations impact on the circus? How does the link between circus and technology manifest in representations and interpretations – imaginaries – of the circus in other media and popular culture? Circus, Science and Technology examines the ways circus can provide a versatile frame for interpreting our relationship with technology.