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Learn how to mix potions, invoke Pagan deities, prepare Tarot meditation brews, use essential oils for healing, and much more . . . Wiccan expert Gerina Dunwich reveals the secrets, history, and art of potioncraft. Today’s modern witch will find magick, legend, and lore, and step-by-step instructions on how to prepare and use potions, teas, infusions, philtres, and oils for nearly every purpose imaginable. Illustrated throughout, this indispensable resource compiles the magickal methods, beliefs, and ethics of contemporary witches and completely addresses their magickal needs. Whether you seek a magick potion for love, riches, healing, divination, exorcism, Tarot work, or enchantment, you will find it, and more, in these pages. If your faith is strong and your magick true, successful results are guaranteed.
Circe Goodwin is a normal teenage girl who lives in Sunsport, Hibernia. She is loved by her adopted father, goes to school, hangs out with her friends, and can fire energy blasts from her hands. Wait... That’s not normal. Yeah, Circe doesn’t think so either. Attending Sunsport Super School’s basic hero training course to learn to control her new powers; Circe will learn a lot about herself, her past, and her powers, while making new friends and maybe more... However, Circe’s dreams warn of ancient forces from Hibernia’s past are planning a return. What do they want with Circe, and how does it link to a recent burglary at a museum? Get ready for a fun, exciting adventure, as Circe and her classmates are about to get a crash course in being a hero. But keep your eyes open, for secrets lurk everywhere, many of which will shape Circe’s past, present, and future.
This is the first monograph in English about Demades, an influential Athenian politician from the fourth century B.C. An orator whose fame outlived him for hundreds of years, he was an acquaintance and collaborator of many political and military leaders of classical Greece, including the Macedonian king Philip II, his son and successor Alexander III (the Great), and the orator Demosthenes. An overwhelming portion of the available evidence on Demades dates to at least three centuries after his death and, often, much later. Contextualizing the sources within their historical and cultural framework, The Orator Demades delineates how later rhetorical practices and social norms transformed his image to better reflect the educational needs and political realities of the Roman imperial and Byzantine periods. The evolving image of Demades illustrates the role that rhetoric, as the basis of education and edification under the Roman and Byzantine Empires, played in creating an alternate, inauthentic vision of the classical past that continues to dominate modern scholarship and popular culture. As a result, the book raises a general question about the problematic foundations of our knowledge of classical Greece.
Beginning with a detailed study of Homer's balance of negative and positive elements in the Circe-Odysseus myth, Judith Yarnall employs text and illustrations to demonstrate how Homer's Circe is connected with age-old traditions of goddess worship. She then examines how the image of a one-sided "witch," who first appeared in the commentary of Homer's allegorical interpreters, proved remarkably persistent, influencing Virgil and Ovid. Yarnall concludes with a discussion of work by Margaret Atwood and Eudora Welty in which the enchantress at last speaks in her own voice: that of a woman isolated by, but unashamed of, her power.
The Longer Ending of the Gospel of Mark (Mark 16:9-20) was appended to the Gospel of Mark in the first half of the second century. James A. Kelhoffer explores this passage's distinct witness to the use of gospel traditions and the development of Christian thought. Concerning the origin of this passage, he argues that a single author made use of the New Testament Gospels in forging a more satisfactory ending to Mark. He studies the passage's sometimes innovative literary forms as well. Also of interest is the passage's claim that the ascended Lord will help those who believe to perform miraculous signs - casting out demons, speaking in new languages, picking up snakes, drinking poison with impunity and healing the sick - when they preach the gospel (verses 17-18, 20). This expectation is compared with portraits of miracles, especially in the context of mission, in the New Testament, various apocryphal acts and Christian apologists of the second and third centuries. In the two final chapters the author interprets the signs of picking up snakes (verse 18a) and drinking a deadly substance with impunity (verse 18b) in their history of religions contexts. An Epilogue summarizes the findings of this study and explores what can be ascertained about the otherwise unknown Christian author of Mark 16:9-20.
In this illustrated study Richard Buxton analyses Greek literary narratives and visual representations of the metamorphosis of humans and gods, as evidenced from Homer to Nonnos. Such tales have become familiar in their Ovidian dress, as in the best-selling translation by Ted Hughes; Buxton explores their Greek antecedents. He investigates such issues as: How do different contexts shape the way in which metamorphosis is narrated? How do the assumptions of commentators about 'strangeness' affect how metamorphosis is interpreted? How far should an interpreter allow 'contextual charity' to render more acceptable a belief such as that in metamorphosis? What are the implications of the notions of 'astonishment' (Greek: thambos) in a range of narratives about transformation? Throughout Forms of Astonishment Buxton draws comparisons between the Greek evidence and data from other religious traditions, ancient and modern; he also introduces comparative material from the sciences, from modern painting and literature, and from the cinema and computer graphics. In investigating metamorphoses of gods Buxton revisits the concept of anthropomorphism, arguing that the fact that Greek divinities were believed to change shape does not undermine the fundamentally humanlike form of Greek divinity. He also examines certain strands of Greek tradition, particularly among the philosophers, which called metamorphosis into question, whether in relation to the gods or to humans. Individual chapters deal with transformations into the landscape and into plants or trees—in the latter case transformation stories are set against a background of cultural beliefs about 'seminal' substances such as blood and tears. Overall, Forms of Astonishment raises issues relevant to an understanding of broad aspects of Greek culture, and illuminates issues explored by anthropologists and students of religion.
Myth into Art is a comparative study of mythological narrative in Greek poetry and the visual arts. Thirty of the major myths are surveyed, focusing on Homer, lyric poetry and Attic tragedy. On the artistic side, the emphasis is on Athenian and South Italian vases. The book offers undergraduate students an introduction both to mythology and to the use of visual sources in the study of Greek myth.
Pharmakon: Plato, Drug Culture, and Identity in Ancient Athens examines the emerging concern for controlling states of psychological ecstasy in the history of western thought, focusing on ancient Greece (c. 750-146 BCE), particularly the Classical Period (c. 500-336 BCE) and especially the dialogues of the Athenian philosopher Plato (427-347 BCE). Employing a diverse array of materials ranging from literature, philosophy, medicine, botany, pharmacology, religion, magic, and law, Pharmakon fundamentally reframes the conceptual context of how we read and interpret Plato's dialogues. Michael A. Rinella demonstrates how the power and truth claims of philosophy, repeatedly likened to a pharmakon, opposes itself to the cultural authority of a host of other occupations in ancient Greek society who derived their powers from, or likened their authority to, some pharmakon. These included Dionysian and Eleusinian religion, physicians and other healers, magicians and other magic workers, poets, sophists, rhetoricians, as well as others. Accessible to the general reader, yet challenging to the specialist, Pharmakon is a comprehensive examination of the place of drugs in ancient thought that will compel the reader to understand Plato in a new way.
This #1 New York Times bestseller is a "bold and subversive retelling of the goddess's story" that brilliantly reimagines the life of Circe, formidable sorceress of The Odyssey (Alexandra Alter, TheNew York Times). In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child -- not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power -- the power of witchcraft, which can transform rivals into monsters and menace the gods themselves. Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus. But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from, or the mortals she has come to love. With unforgettably vivid characters, mesmerizing language, and page-turning suspense, Circe is a triumph of storytelling, an intoxicating epic of family rivalry, palace intrigue, love and loss, as well as a celebration of indomitable female strength in a man's world. #1 New York Times Bestseller -- named one of the Best Books of the Year by NPR, the Washington Post, People, Time, Amazon, Entertainment Weekly, Bustle, Newsweek, the A.V. Club, Christian Science Monitor, Refinery 29, Buzzfeed, Paste, Audible, Kirkus, Publishers Weekly, Thrillist, NYPL, Self, Real Simple, Goodreads, Boston Globe, Electric Literature, BookPage, the Guardian, Book Riot, Seattle Times, and Business Insider.