[PDF] Chinese Painting And Its Audiences eBook

Author : Craig Clunas
Publisher : Princeton University Press
Page : 304 pages
File Size : 24,88 MB
Release : 2017-02-28
Category : Art
ISBN : 0691171939

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What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years.

Author : Craig Clunas
Publisher : Princeton University Press
Page : 304 pages
File Size : 19,75 MB
Release : 2023-10-17
Category : Art
ISBN : 0691253021

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A history of the reception of Chinese painting from the sixteenth century to the present What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.

Author : Alison Stilwell Cameron
Publisher : Courier Corporation
Page : 232 pages
File Size : 12,4 MB
Release : 2012-06-19
Category : Art
ISBN : 0486136086

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Over thousands of years, the art of Chinese paintings has been refined into an exquisitely developed system of visual representation. But until the publication of this volume, there was no single source that bridged the gap between the philosophical and imitative methods of instruction. Alison Stilwell Cameron, daughter of famed World War II General Joseph Stilwell, spent her early childhood and teenage years in China where she studied under two renowned Chinese artists — Yu Fei-am and Prince P'u Ju of the imperial family. Having achieved wide recognition for her mastery of Chinese painting, she distilled her knowledge in this book, providing step-by-step instruction for those with no art training at all. Starting with an explanation of the physical tools of the art, she describes the basic strokes and the creation of Chinese characters before moving on to demonstrate the use of these strokes to represent trees, flowers, rocks, boats, insects, birds, and other subjects. These elements are then combined to produce finished Chinese paintings, "the kind of pleasing and satisfying pictures that thousands of amateurs have been producing in China for centuries." Enhanced with hundreds of illustrations, including 36 in full color, this handsome volume also contains a chapter on the mounting process, a valuable bibliography, and an index. It is an invaluable guide to an art, which — once mastered — will not only delight viewing audiences but will bring satisfaction throughout the artist's lifetime.

Author : Richard King
Publisher : UBC Press
Page : 318 pages
File Size : 21,67 MB
Release : 2010
Category : Art
ISBN : 0774815426

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Chapters by scholars of Chinese history and art and by artists whose careers were shaped by the Cultural Revolution decode the rhetoric of China's turbulent decade. The many illustrations in the book, some familiar and some never seen before, also offer new insights into works that have transcended their times."--BOOK JACKET.

Author : Maxwell K. Hearn
Publisher : Metropolitan Museum of Art
Page : 185 pages
File Size : 32,35 MB
Release : 2008
Category : Art
ISBN : 1588392813

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"Together the text and illustrations gradually reveal many of the major themes and characteristics of Chinese painting. To "read" these works is to enter a dialogue with the past. Slowly perusing a scroll or album, one shares an intimate experience that has been repeated over the centuries. And it is through such readings that meaning is gradually revealed."--BOOK JACKET.

Author : Craig Clunas
Publisher : Oxford University Press, USA
Page : 260 pages
File Size : 27,6 MB
Release : 1997
Category : Art
ISBN : 9780192842077

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China can boast a history of art lasting 5,000 years and embracing a huge diversity of images and objects - jade tablets, painted silk handscrolls and fans, ink and lacquer painting, porcelain-ware, sculptures, and calligraphy. They range in scale from the vast 'terracotta army' with its 7,000or so life-size figures, to the exquisitely delicate writing of fourth-century masters such as Wang Xizhin and his teacher, 'Lady Wei'. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, downplaying art more highlyprized by the Chinese themselves such as calligraphy. Art in China marks a breakthrough in the study of the subject. Drawing on recent innovative scholarship and on newly-accessible studies in China itself Craig Clunas surveys the full spectrum of the visual arts in China. He ranges from the Neolithic period to the art scene of the 1980s and 1990s,examining art in a variety of contexts as it has been designed for tombs, commissioned by rulers, displayed in temples, created for the men and women of the educated ilite, and bought and sold in the marketplace. Many of the objects illustrated in this book have previously been known only to a fewspecialists, and will be totally new to a general audience.

Author : Wu Hung
Publisher : Princeton University Press
Page : 352 pages
File Size : 12,22 MB
Release : 2022-05-03
Category : Art
ISBN : 069123101X

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A sweeping look at Chinese art across the millennia that upends traditional perspectives and offers new pathways for art history Throughout Chinese history, dynastic time—the organization of history through the lens of successive dynasties—has been the dominant mode of narrating the story of Chinese art, even though there has been little examination of this concept in discourse and practice until now. Chinese Art and Dynastic Time uncovers how the development of Chinese art was described in its original cultural, sociopolitical, and artistic contexts, and how these narratives were interwoven with contemporaneous artistic creation. In doing so, leading art historian Wu Hung opens up new pathways for the consideration of not only Chinese art, but also the whole of art history. Wu Hung brings together ten case studies, ranging from the third millennium BCE to the early twentieth century CE, and spanning ritual and religious art, painting, sculpture, the built environment, and popular art in order to examine the deep-rooted patterns in the historical conceptualization of Chinese art. Elucidating the changing notions of dynastic time in various contexts, he also challenges the preoccupation with this concept as the default mode in art historical writing. This critical investigation of dynastic time thus constitutes an essential foundation to pursue new narrative and interpretative frameworks in thinking about art history. Remarkable for the sweep and scope of its arguments and lucid style, Chinese Art and Dynastic Time probes the roots of the collective imagination in Chinese art and frees us from long-held perspectives on how this art should be understood. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC

Author : Kunfeng Huang
Publisher : Shanghai Press
Page : 409 pages
File Size : 15,29 MB
Release : 2021-11-15
Category : Art
ISBN : 1938368711

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Over thousands of years, the art of Chinese painting has evolved, while also staying loyal to its traditional roots. Despite various schools of thought, styles and techniques, three primary categories have emerged across the discipline: landscape, figure and bird-and-flower. Using fine ink and water brush strokes on paper or silk, Chinese artists have developed a unique style—one that's famous throughout the world.This book highlights 50 Chinese paintings, pulled from museum collections in China and around the world, including British Museum (London), Museum of Fine Arts (Boston), Metropolitan Museum of Art (New York), Nelson-Atkins Museum of Art (Kansas), Osaka City Museum of Art (Osaka), Palace Museum (Beijing), Palace Museum (Taibei) and Shanghai Museum. The paintings shown are representative of the categories, historical periods and styles of this artistic tradition.Detailed professional interpretations and notes allow readers to learn more about the pieces themselves, the artists and the context in which they were created. Plus, photo enlargements of key details get readers up close to these masterpieces.As one of the world's oldest continuous art forms, Chinese painting has a truly special history. This comprehensive guide allows modern readers to travel through time, experiencing important moments in Chinese history and society through beautiful pieces of artwork.

Author : Ming Deng
Publisher :
Page : 450 pages
File Size : 38,26 MB
Release : 2006
Category : Painting, Chinese
ISBN :

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An introduction to a millennium's worth of Chinese paintings features 400 classical works by more than 240 artists that represent their different historical periods, in a volume that offers insight into how Chinese art uniquely reflects cultural perspectives and the natural world.