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Japan is one of the most urbanised and industrialised countries in the world. Yet the Japanese continue to practise a variety of religious rituals and ceremonies despite the high-tech, highly regimented nature of Japanese society. Ceremony and Ritual in Japan focuses on the traditional and religious aspects of Japanese society from an anthropological perspective, presenting new material and making cross-cultural comparisons. The chapters in this collection cover topics as diverse as funerals and mourning, sweeping, women's roles in ritual, the division of ceremonial foods into bitter and sweet, the history of a shrine, the playing of games, the exchange of towels and the relationship between ceremony and the workplace. The book provides an overview of the meaning of tradition, and looks at the way in which new ceremonies have sprung up in changing circumstances, while old ones have been preserved, or have developed new meanings.
In premodern Japan, legitimization of power and knowledge in various contexts was sanctioned by consecration rituals (kanjō) of Buddhist origin. This is the first book to address in a comprehensive way the multiple forms and aspects of these rituals also in relation to other Asian contexts. The multidisciplinary chapters in the book address the origins of these rituals in ancient Persia and India and their developments in China and Tibet, before discussing in depth their transformations in medieval Japan. In particular, kanjō rituals are examined from various perspectives: imperial ceremonies, Buddhist monastic rituals, vernacular religious forms (Shugendō mountain cults, Shinto lineages), rituals of bodily transformation involving sexual practice, and the performing arts: a history of these developments, descriptions of actual rituals, and reference to religious and intellectual arguments based on under-examined primary sources. No other book presents so many cases of kanjō in such depth and breadth. This book is relevant to readers interested in Buddhist studies, Japanese religions, the history of Japanese culture, and in the intersections between religious doctrines, rituals, legitimization, and performance.
National surveys indicate that most Japanese, while professing no religious commitment, frequently perform rituals: They regularly tend their family home altars, look after family graves, participate in neighborhood festivals, and visit Shinto shrines and Buddhist temples. Are these rituals mere formalities? Based on fourteen months of fieldwork in Kamakura city near Tokyo, Satsuki Kawano examines the power of ritual and its relevance for modern urbanites. She reveals the indebtedness of ritual to forms that create an elevated context and infuse the mundane with a sense of moral order. By employing acts and environments common to everyday life, Kawano argues, ritual evokes morally positive values such as purity, gratitude, respect, and indebtedness. Rather than objectify morality in a sacred text or religious doctrine, ritual embodies and emplaces a sense of what it means to be a good person and creates moments of personal significance and engagement. In Kamakura, belief is therefore a consequence and not a prerequisite of ritual engagement. Ritual Practice in Modern Japan effectively challenges the widespread assumption that ritual in non-Western societies has little moral significance and that, with modernization, "traditional" practices inevitably disappear. This is a book that will interest scholars and students of cultural anthropology, ritual studies, and Japanese studies.
Healing lies at the heart of Zen in the home, as Paula Arai discovered in her pioneering research on the ritual lives of Zen Buddhist laywomen. She reveals a vital stream of religious practice that flourishes outside the bounds of formal institutions through sacred rites that women develop and transmit to one another. Everyday objects and common materials are used in inventive ways. For example, polishing cloths, vivified by prayer and mantra recitation, become potent tools. The creation of beauty through the arts of tea ceremony, calligraphy, poetry, and flower arrangement become rites of healing. Bringing Zen Home brings a fresh perspective to Zen scholarship by uncovering a previously unrecognized but nonetheless vibrant strand of lay practice. The creativity of domestic Zen is evident in the ritual activities that women fashion, weaving tradition and innovation, to gain a sense of wholeness and balance in the midst of illness, loss, and anguish. Their rituals include chanting, ingesting elixirs and consecrated substances, and contemplative approaches that elevate cleaning, cooking, child-rearing, and caring for the sick and dying into spiritual disciplines. Creating beauty is central to domestic Zen and figures prominently in Arai’s analyses. She also discovers a novel application of the concept of Buddha nature as the women honor deceased loved ones as “personal Buddhas.” One of the hallmarks of the study is its longitudinal nature, spanning fourteen years of fieldwork. Arai developed a “second-person,” or relational, approach to ethnographic research prompted by recent trends in psychobiology. This allowed her to cultivate relationships of trust and mutual vulnerability over many years to inquire into not only the practices but also their ongoing and changing roles. The women in her study entrusted her with their life stories, personal reflections, and religious insights, yielding an ethnography rich in descriptive and narrative detail as well as nuanced explorations of the experiential dimensions and effects of rituals. In Bringing Zen Home, the first study of the ritual lives of Zen laywomen, Arai applies a cutting-edge ethnographic method to reveal a thriving domain of religious practice. Her work represents an important contribution on a number of fronts—to Zen studies, ritual studies, scholarship on women and religion, and the cross-cultural study of healing.
In premodern Japan, legitimization of power and knowledge in various contexts was sanctioned by consecration rituals (kanjō) of Buddhist origin. This is the first book to address in a comprehensive way the multiple forms and aspects of these rituals also in relation to other Asian contexts. The multidisciplinary chapters in the book address the origins of these rituals in ancient Persia and India and their developments in China and Tibet, before discussing in depth their transformations in medieval Japan. In particular, kanjō rituals are examined from various perspectives: imperial ceremonies, Buddhist monastic rituals, vernacular religious forms (Shugendō mountain cults, Shinto lineages), rituals of bodily transformation involving sexual practice, and the performing arts: a history of these developments, descriptions of actual rituals, and reference to religious and intellectual arguments based on under-examined primary sources. No other book presents so many cases of kanjō in such depth and breadth. This book is relevant to readers interested in Buddhist studies, Japanese religions, the history of Japanese culture, and in the intersections between religious doctrines, rituals, legitimization, and performance.
First published in 2002. What is Shinto? is the key question asked by all who seek to understand Japan and the Japanese, answered in this volume by Sir Ernest Satow, the great British scholar and diplomat. Shinto is the unique and little-known religious beliefs that flourished in Japan before the introduction of Buddhism and Confucianism, but there are many versions - which is the pure form? Satow begins with a detailed study of core Shinto rituals as revealed in ancient texts, which embody the deepest and oldest traditions of Shinto belief in divinity, national destiny and, above all, Japan's special favored status as 'the country of the gods', beliefs that endure today behind the facade of Japan Inc. Shinto rites, incantations, sacred objects and symbols are described meticulously, with illustrations and translations by Karl Florenz. Satow then describes how the Ancient Way of Shinto survived centuries of foreign influence to be revived during the Meiji era, when it became the driving force behind the transformation of Japan into a world power. Unrivalled for its scholarship and elegance, this is a classic in Japanese studies.
Women, Rites, and Ritual Objects in Premodern Japan, edited by Karen M. Gerhart, is a multidisciplinary examination of rituals featuring women, in which significant attention is paid to objects produced for and utilized in these rites as a lens through which larger cultural concerns, such as gender politics, the female body, and the materiality of the ritual objects, are explored. The ten chapters encounter women, rites, and ritual objects in many new and interactive ways and constitute a pioneering attempt to combine ritual and gendered analysis with the study of objects. Contributors include: Anna Andreeva, Monica Bethe, Patricia Fister, Sherry Fowler, Karen M. Gerhart, Hank Glassman, Naoko Gunji, Elizabeth Morrissey, Chari Pradel, Barbara Ruch, Elizabeth Self.
"A fascinating backstage look at the wedding industry, one which the author views as a window on contemporary values. While the book is written to rigorous academic standards, its lucid and witty style makes it appealing to the general reader."--John H. Boyle, "Eastern Economic Review." (Anthropology)
How has Confucius, quintessentially and symbolically Chinese, been received throughout Japanese history? The Worship of Confucius in Japan provides the first overview of the richly documented and colorful Japanese version of the East Asian ritual to venerate Confucius, known in Japan as the sekiten. The original Chinese political liturgy embodied assumptions about sociopolitical order different from those of Japan. Over more than thirteen centuries, Japanese in power expressed a persistently ambivalent response to the ritual’s challenges and often tended to interpret the ceremony in cultural rather than political terms. Like many rituals, the sekiten self-referentially reinterpreted earlier versions of itself. James McMullen adopts a diachronic and comparative perspective. Focusing on the relationship of the ritual to political authority in the premodern period, McMullen sheds fresh light on Sino–Japanese cultural relations and on the distinctive political, cultural, and social history of Confucianism in Japan. Successive sections of The Worship of Confucius in Japan trace the vicissitudes of the ceremony through two major cycles of adoption, modification, and decline, first in ancient and medieval Japan, then in the late feudal period culminating in its rejection at the Meiji Restoration. An epilogue sketches the history of the ceremony in the altered conditions of post-Restoration Japan and up to the present.