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This work explores how the new medium of television changed America's pastime and traces the sometimes contentious but mutually beneficial relationship between baseball and television, from the first televised game in 1939 to the modern-day world of Internet broadcasts, satellite radio, and high-definition television. Original.
In the summer of 1932, at the beginning of the turbulent decade that would remake America, baseball fans were treated to one of the most thrilling seasons in the history of the sport. As the nation drifted deeper into the Great Depression and reeled from social unrest, baseball was a diversion for a troubled country—and yet the world of baseball was marked by the same edginess that pervaded the national scene. On-the-field fights were as common as double plays. Amid the National League pennant race, Cubs’ shortstop Billy Jurges was shot by showgirl Violet Popovich in a Chicago hotel room. When the regular season ended, the Cubs and Yankees clashed in what would be Babe Ruth’s last appearance in the fall classic. After the Cubs lost the first two games in New York, the series resumed in Chicago at Wrigley Field, with Democratic presidential candidate Franklin Roosevelt cheering for the visiting Yankees from the box seats behind the Yankees’ dugout. In the top of the fifth inning the game took a historic turn. As Ruth was jeered mercilessly by Cubs players and fans, he gestured toward the outfield and then blasted a long home run. After Ruth circled the bases, Roosevelt exclaimed, “Unbelievable!” Ruth’s homer set off one of baseball’s longest-running and most intense debates: did Ruth, in fact, call his famous home run? Rich with historical context and detail, The Called Shot dramatizes the excitement of a baseball season during one of America’s most chaotic summers.
Author : Society for American Baseball Research (SABR) Publisher : U of Nebraska Press Page : 396 pages File Size : 29,53 MB Release : 2012-04-01 Category : Sports & Recreation ISBN : 0803240252
Of all the teams in the annals of baseball, only a select few can lay claim to historic significance. One of those teams is the 1947 Brooklyn Dodgers, the first racially integrated Major League team of the twentieth century. The addition of Jackie Robinson to its roster changed not only baseball but also the nation. Yet Robinson was just one member of that memorable club, which included Carl Furillo, Gil Hodges, Pee Wee Reese, Pete Reiser, Duke Snider, Eddie Stanky, Arky Vaughan, and Dixie Walker. Also present was a quartet of baseball’s most unforgettable characters: co-owners Branch Rickey and Walter O’Malley, suspended manager Leo Durocher, and radio announcer Red Barber. This book is the first to offer biographies of everyone on that incomparable team as well as accounts of the moments and events that marked the Dodgers’ 1947 season: Commissioner Happy Chandler suspending Durocher, Rickey luring his old friend Burt Shotton out of retirement to replace Durocher, and brilliant outfielder Reiser being sidelined after running into a fence. In spite of all this, the Dodgers went on to win the National League pennant over the heavily favored St. Louis Cardinals. And of course, there is the biggest story of the season, where history and biography coalesce: Jackie Robinson, who overcame widespread hostility to become Rookie of the Year—and to help the Dodgers set single-game attendance records in cities around the National League.
2020 SABR Baseball Research Award In the mid-nineteenth century, two industries arrived on the American scene. One was strictly a business, yet it helped create, define, and disseminate American culture. The other was ostensibly just a game, yet it soon became emblematic of what it meant to be American, aiding in the creation of a national identity. Today, whenever the AT&T call to the bullpen is heard, fans enter Minute Maid Park, or vote for favorite All-Stars (brought to us by MasterCard), we are reminded that advertising has become inseparable from the MLB experience. Here’s the Pitch examines this connection between baseball and advertising, as both constructors and reflectors of culture. Roberta J. Newman considers the simultaneous development of both industries from the birth of the partnership, paying particular attention to the ways in which advertising spread the gospel of baseball at the same time professional baseball helped develop a body of consumers ready for the messages of advertising. Newman considers the role of product endorsements in the creation of the culture of celebrity, and of celebrity baseball players in particular, as well as the ways in which new technologies have impacted the intersection of the two industries. From Ty Cobb to Babe Ruth in the 1920s and 1930s to Mickey Mantle, Yogi Berra, and Willie Mays in the postwar years, to Derek Jeter, Rafael Palmeiro, and David Ortiz in the twenty-first century, Newman looks at many of baseball’s celebrated players and shows what qualities made them the perfect pitchmen for new products at key moments. Here’s the Pitch tells the story of the development of American and an increasingly international culture through the marriage between Mad Men and The Boys of Summer that made for great copy, notable TV advertisements, and lively social media, and shows how baseball’s relationship with advertising is stronger than ever.
A history of baseball as a sport and business during the middle of the twentieth century, examining the game on and off the field and tracing its development within the broader contours of American history.
The anticipation of another showdown with the Bambino transformed Wrigley Field. Temporary bleachers held the overflow of the 50,000-strong crowd that bright September day. Game 3 of the 1932 World Series between the Cubs and Yankees stood locked at 4-4. An angry mob, rocking the ballpark with pent-up fury, aimed itself squarely at him. He had never experienced anything like it. But above the almost deafening noise, the slugger could hear the tide of barbs pouring at him from the Cubs’ dugout. They called him a busher, a fat slob, and other names not fit to print at the time. He took the first pitch for a strike, stepped out of the box, and collected himself. Cubs pitcher Charlie Root threw two balls, and Ruth watched a fastball cut the corner to set the count at 2 and 2. On the on-deck circle, Lou Gehrig heard Ruth call out to Root: “I’m going to knock the next one down your goddamn throat.” Ruth took a deep breath, raised his arm, and held out two fingers toward centerfield. As Root wound up, the crowd roared in expectation. It was a change-up curve, low and away, but it came in flat and without bite. The ball compressed on impact with Ruth’s bat and began its long journey into history, whizzing past the centerfield flag pole. No one had ever gone that far at Wrigley—not even Cubs hitter Hack Wilson. Estimates put its distance at nearly 500 feet. Ruth practically sprinted around the bases. Video cameras of the day raced to catch up with him, his teammates cracking that they hadn’t seen him run that fast in a long time. Then he flashed four fingers at the Cubs infielders and their dugout: The series was going to be over in four games. In that moment, the legend of the Called Shot was born, but the debate over what Ruth had actually done on the afternoon of October 1, 1932, had just begun.
The tape measure home run is the greatest single act of power in the game of baseball, and the tales of these homers are the most cherished legacies players and fans hand down through the generations. Fully illustrated with photos of the players and aerial ballpark photos showing the landing spots of each stadium's longest homers.