[PDF] Catholic Horror And Rhetorical Dialectics eBook

Author : Gavin F. Hurley
Publisher : Rowman & Littlefield
Page : 203 pages
File Size : 31,31 MB
Release : 2024-06-15
Category : Literary Criticism
ISBN : 1611463637

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Identifying an important subgenre of horror literature, this book argues that Catholic horror fiction works distinctively to inspire the philosophical, theological, and spiritual imaginations of readers from all backgrounds and faith traditions. Hurley analyzes four novels that are foundational to the genre of Catholic horror: J.K. Huysmans’s Là-Bas (1891), Robert Hugh Benson’s The Light Invisible (1903) and A Mirror of Shalott (1907), and William Peter Blatty’s The Exorcist (1971). Putting these texts in conversation with the classical liberal arts, the book shows how Catholic horror fiction coheres in a commitment to dialectical thinking that aims both to resolve—and to accommodate—contrasting world views. Given its use of this methodology, Catholic horror literature is uniquely positioned to draw readers into a contemplative mindset. In presenting ghost stories, tales of possession, and narratives about evil, Catholic horror invites audiences to confront and reflect on profound existential questions—questions about the line between life and death, the nature of being, and the meaning of reality.

Author : Kyle Brett
Publisher : Rowman & Littlefield
Page : 171 pages
File Size : 22,30 MB
Release : 2024-11-15
Category : Performing Arts
ISBN : 1611463424

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Focusing on programs from the 1970s to the early 2000s, this volume explores televised youth horror as a distinctive genre that affords children productive experiences of fear. Led by intrepid teenage investigators and storytellers, series such as Scooby-Doo! Mystery Incorporated and Are You Afraid of the Dark? show how young people can effectively confront the terrifying, alienating, and disruptive aspects of human existence. The contributors analyze how televised youth horror is uniquely positioned to encourage young viewers to interrogate—and often reimagine—constructs of normativity. Approaching the home as a particularly dynamic viewing space for young audiences, this book attests to the power of televised horror as a domain that enables children to explore larger questions about justice, human identity, and the preconceptions of the adult world.

Author : Ralph Beliveau
Publisher : Rowman & Littlefield
Page : 161 pages
File Size : 44,54 MB
Release : 2024-06-25
Category : Social Science
ISBN : 1666947679

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Catholic Horror on Television: Haunting Faith explores the significant intersection of horror media and the Catholic Church. Religious themes enjoy a long history in film and television, with narratives featuring the supernatural, science fiction, and horror making use of Roman Catholicism in particular. The horror genre frequently tells fantastic stories about the mysteries that we seek to understand, helping to come to terms with the destructive and the monstrous. This book analyzes the genre of Catholic horror in the current television and streaming media environment, exploring its treatment of physical mortality, the metaphysics of meaning, and morality. Catholic Horror on Television: Haunting Faith offers a fresh take on how television and streaming horror series critique, expand, and interrogate Catholicism and its place in the modern world. In doing so, this book contributes to conversations in several disciplines including media, cultural, television, and religious studies.

Author : Cynthia J. Miller
Publisher : McFarland
Page : 254 pages
File Size : 23,81 MB
Release : 2017-05-15
Category : Performing Arts
ISBN : 1476629846

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From Rosemary's Baby (1968) to The Witch (2015), horror films use religious entities to both inspire and combat fear and to call into question or affirm the moral order. Churches provide sanctuary, clergy cast out evil, religious icons become weapons, holy ground becomes battleground--but all of these may be turned from their original purpose. This collection of new essays explores fifty years of genre horror in which manifestations of the sacred or profane play a material role. The contributors explore portrayals of the war between good and evil and their archetypes in such classics as The Omen (1976), The Exorcist (1973) and Dracula Has Risen from the Grave (1968), as well as in popular franchises like Hellraiser and Hellboy and cult films such as God Told Me To (1976), Thirst (2009) and Frailty (2001).

Author : Mark Kreis
Publisher : Xulon Press
Page : 208 pages
File Size : 19,8 MB
Release : 2015-03-20
Category : Education
ISBN : 9781498429597

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This book broaches the theme of the profanation of the Eucharist in the very bosom of the Roman-Catholic Church in North America which has been going on for approximately a half century. The problem consists in pouring the remaining Eucharistic Blood of Christ into the sacrarium (a special sink usually located in the sacristy of the church) after the distribution of Holy Communion during Mass. The essence of the matter is that this practice is strictly prohibited in the Catholic Church, and those who pour the Consecrated Wine into the sacrarium incur an automatic penalty of excommunication reserved to the Apostolic See (Canon 1367 of the Code of Canon Law and Paragraph 107 of the instruction on the Eucharist Redemptionis Sacramentum issued by the Congregation for Divine Worship and the Discipline of the Sacraments). For Catholics, who believe in the real presence of the LORD Jesus Christ in the Eucharist, the aforementioned practice is a great liturgical and moral abuse. As a priest, I want to stir up the conscience of those who act contrary to the faith of the Catholic Church, and I dedicate the present book to this issue.

Author : Adrian Streete
Publisher : Cambridge University Press
Page : 303 pages
File Size : 23,59 MB
Release : 2017-08-17
Category : Literary Criticism
ISBN : 110824856X

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This book examines the many and varied uses of apocalyptic and anti-Catholic language in seventeenth-century English drama. Adrian Streete argues that this rhetoric is not simply an expression of religious bigotry, nor is it only deployed at moments of political crisis. Rather, it is an adaptable and flexible language with national and international implications. It offers a measure of cohesion and order in a volatile century. By rethinking the relationship between theatre, theology and polemic, Streete shows how playwrights exploited these connections for a diverse range of political ends. Chapters focus on playwrights like Marston, Middleton, Massinger, Shirley, Dryden and Lee, and on a range of topics including imperialism, reason of state, commerce, prostitution, resistance, prophecy, church reform and liberty. Drawing on important recent work in religious and political history, this is a major re-interpretation of how and why religious ideas are debated in the early modern theatre.

Author : Lorna Piatti-Farnell
Publisher : Rowman & Littlefield
Page : 248 pages
File Size : 14,85 MB
Release : 2019-09-13
Category : Literary Criticism
ISBN : 1498578233

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Gothic Afterlives examines the intersecting dimensions of contemporary Gothic horror and remakes scholarship, bringing together innovative perspectives from different areas of study. The research compiled in this collection covers a wide range of examples, including not only literature but also film, television, video games, and digital media remakes. Gothic Afterlives signals the cultural and conceptual impact of Gothic horror on transmedia production, with a focus on reimagining and remaking. While diverse in content and approach, all chapters pivot on two important points: first, they reflect some of the core preoccupations of Gothic horror by subverting cultural and social certainties about notions such as the body, technology, consumption, human nature, digitalization, scientific experimentation, national identity, memory, and gender and by challenging the boundaries between human and inhuman, self and Other, and good and evil. Second, and perhaps most important, all chapters in the collection collectively show what happens when well-known Gothic horror narratives are adapted and remade into different contexts, highlighting the implications of the mode-shifting registers, platforms, and chronologies in the process. As a collection, Gothic Afterlives hones in on contemporary sociocultural experiences and identities as they appear in contemporary popular culture and in the stories told and retold in the twenty-first century.

Author : Craig R. Smith
Publisher : Cambridge Scholars Publishing
Page : 349 pages
File Size : 49,22 MB
Release : 2018-11-07
Category : Nature
ISBN : 1527521141

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Relying on the author’s established expertise in rhetorical theory and political communication, this book re-contextualizes Romantic rhetorical theory in the late 18th and early 19th centuries to provide a foundation for a Neo-Romantic rhetorical theory for our own time. In the process, it uses a unique methodology to correct misconceptions about many Romantic writers. The methodology of the early chapters uses a dialectical approach to trace Romanticism and its opposition, the Enlightenment, back through Humanism and its opposition, Scholasticism, to St. Augustine. These chapters include a revisionist analysis of the church’s treatment of Galileo in the course of showing how difficult it was for scientific study to be accepted in the academic world. The study also re-conceptualizes Jean-Jacques Rousseau, David Hume, and Edmund Burke as bridge figures to the Romantic Era instead of as Enlightenment figures. This move throws new light on the major artists of the Romantic Era, who are examined in chapters seven and eight. Chapter nine focuses on Percy Bysshe Shelley and his development of the rhetorical poem, and thereby provides a new genre in the Romantic catalogue. Chapter ten uses the foregoing to analyse and reconceptualize the rhetorical theories of Hugh Blair and Thomas De Quincey. The concluding chapter then synthesizes their theories with relevant contemporary rhetorical theories thereby constructing a Neo-Romantic theory for our own time. In the process, this book links the Romantics’ love of nature to the current environmental crisis.