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The Victorians wrote some of the best and most enduring erotica. For such a reputedly tightly-laced age, people were certainly spending a lot of time thinking about all things carnal. The rich and slightly decadent visuals of the steam age lend themselves perfectly to the new carnality of the post-punk era. And, of course, what was formerly repressed is even more exciting once the corset is unlaced! Carnal Machines, a heady collection of steampunk erotica, shows sex at its steamiest - literally!
The Victorians wrote some of the best and most enduring erotica. For such a tightly-laced age, people spent a lot of time thinking about things carnal. Jules Verne, Sir Arthur Conan Doyle, Mary Shelley, H.G. Wells, et al enthralled us with their visions of new possibilities. The rich and slightly decadent visuals of the steam age lend themselves perfectly to the new carnality of post-punk era. And, of course, what is repressed will be even more exciting once the corset is unlaced. Steampunk, even without sex, is erotic; with sex, it’s over-the-top hot. A widowed lady engineer invents a small device that can store the energy from sexual frustration and convert it to electricity to help power a home. Teresa Noelle Roberts shows us what it can do, confronted with sexual fulfillment. What volume of steampunk would be complete without a tale of sailing ships and the men who sail them? If your taste runs to sexy pirates in space, Poe Von Page will delight you with the mutinous crew of the Danika Blue and their new captain. Then there’s the very special room on the top floor in the House of the Sable Locks, a brothel where sexually discriminating men go to have their fantasies fulfilled. Even if a man daren’t put those fantasies into words, Elizabeth Schechter’s “Succubus” will give the madam all the information she needs with which to make her clients happy. There are brothels, flying machines, steam-powered conveyances, manor houses, spiritualist societies. The following stories afford intelligently written, beautifully crafted glimpses into other worlds, where the Carnal Machines won’t fail to seduce you, get you wet or make you hard so, lie back, relax; a happy ending is guaranteed.
"The Machine Stops" is a science fiction short story (12,300 words) by E. M. Forster. After initial publication in The Oxford and Cambridge Review (November 1909), the story was republished in Forster's The Eternal Moment and Other Stories in 1928. After being voted one of the best novellas up to 1965, it was included that same year in the populist anthology Modern Short Stories.[1] In 1973 it was also included in The Science Fiction Hall of Fame, Volume Two. The story, set in a world where humanity lives underground and relies on a giant machine to provide its needs, predicted technologies such as instant messaging and the Internet.
The author of this volume explores questions of mind, reality, knowledge and signification in a provocative, stimulating and humorous way. Drawing on various domains such as systems research, semiotics, philosophy, and complexity sciences, he touches basic questions of our Being-in-the-World as cognate creatures, and presents a novel theory of the mind as a boundary phenomenon.
When crime hits Manhattan’s rarefied circles, Stone Barrington finds himself in the bull’s-eye in this #1 New York Times bestseller. Stone Barrington seems to have a knack for being in the wrong place at the wrong time. When Manhattan’s elite are beset by a series of clever crimes—and Stone is a material witness—he and his former partner Dino Bacchetti find themselves drawn into the world of high-end security and fraud, where insider knowledge and access are limited to a privileged few, and the wealthy are made vulnerable by the very systems meant to keep them safe. As Stone and Dino delve deeper into their investigation, they learn that the mastermind behind the incidents may have some intimate ties to Stone...and that the biggest heist is still to come.
Carnal Knowledge is an outcome of the renewed energy and interest in moving beyond the discursive construction of reality to understand the relationship between what is conceived of as reality and materiality, described as the 'material turn'. It draws together established and emerging writers, whose research spans dance, music, film, fashion, design, photography, literature, painting and stereo-immersive VR, to demonstrate how art allows us to map the complex relations between nature and culture, between the body, language and knowledge. These writings are unique in the field because they represent the authors' commitment to a new materialism through the creative arts. The questions they address include: Does the material turn in the creative arts take a different turn from continental epistemology, philosophy and the humanities? How does the agency of matter, the material nature of artistic practice and the notion of 'truth to materials' affect what we understand as the 'new materialism'? In engaging with these questions the book offers perspectives on the emergence of this exciting fresh field of new materialism.
"Science fiction" can be translated into "real unreality." More than a genre like fantasy, which creates entirely new realms of possibility, science fiction constructs its possibilities from what is real, from what is, indeed, possible, or conceivably so. This collection, then, looks to understand and explore the "unreal reality," to note ways in which our culture's continually changing and evolving mores of sex and sexuality are reflected in, dissected by, and deconstructed through the genre of science fiction. This book is a collection of new essays, with the general objective of filling a gap in the literature about sex and science fiction (although some work has gone before, none of it is recent). The essays herein explore the myriad ways in which authors--regardless of format (print, film, television, etc.)--envision very different beings expressing this most fundamental of human behaviors.
Desi expects a fresh university start with an abundance of friends, sunshine, and independence. The center of her unorthodox group, the oft cantankerous, and suddenly alluring Evan edges her way to the forefront as ringleader over her friends and holder of Desi's heart. Will Desi obey or will she break the rules for the people she loves?
WARNING: THIS BOOK IS FOR MATURE AUDIENCES. His name was Francis Collinwood and all he ever wanted was Maxine. Maxine wanted something else, though. Perhaps that's why he became Frankie Wood. All Frankie Wood wanted was to make the greatest porno ever made. Some things are harder than they seem. Follow Frankie as he undertakes this journey and spirals downward with ambition (or love) as well as deals with his friends and loved ones who are forced to deal with him.
The first graphic novel in the Carnal series, 'Pride of the Lions' takes place on the continent of New Africa and focuses on three main species of humanistic animals.