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Where do you go when you've saved the world but given up everything and everyone you love in the process? The home of the blues, of course! Quincy Harker has retreated to Memphis to lick his wounds and get started on building a new life for himself. He's determined to be a normal guy (almost) living a (mostly) normal life working as a bouncer in a (not even a little bit) normal bar. But it all goes sideways when someone asks for his help with a little demon problem. Harker knows there's no such thing as a little demon problem. He's right, of course, because his demon problem includes hellhounds, dragons, djinn, angels, artifacts, secret government agencies, and a high school prom. This could absolutely be Quincy Harker's most dangerous outing yet, and that's before we even mention the explosions!
In 1996, Patterson Hood recruited friends and fellow musicians in Athens, Georgia, to form his dream band: a group with no set lineup that specialized in rowdy rock and roll. The Drive-By Truckers, as they named themselves, grew into one of the best and most consequential rock bands of the twenty-first century, a great live act whose songs deliver the truth and nuance rarely bestowed on Southerners, so often reduced to stereotypes. Where the Devil Don’t Stay tells the band’s unlikely story not chronologically but geographically. Seeing the Truckers’ albums as roadmaps through a landscape that is half-real, half-imagined, their fellow Southerner Stephen Deusner travels to the places the band’s members have lived in and written about. Tracking the band from Muscle Shoals, Alabama, to Richmond, Virginia, to the author’s hometown in McNairy County, Tennessee, Deusner explores the Truckers’ complex relationship to the South and the issues of class, race, history, and religion that run through their music. Drawing on new interviews with past and present band members, including Jason Isbell, Where the Devil Don’t Stay is more than the story of a great American band; it’s a reflection on the power of music and how it can frame and shape a larger culture.
United States. Congress. House. Committee on Education and Labor. Ad Hoc Hearing Task Force on Poverty
Author : United States. Congress. House. Committee on Education and Labor. Ad Hoc Hearing Task Force on Poverty Publisher : Page : 692 pages File Size : 36,50 MB Release : 1969 Category : Economic assistance, Domestic ISBN :
Everything an expectant music-lover needs to know about the lyrics, band trivia, and other rock-and-roll factoids linked to thousands of popular baby names. What do we know about Caroline? Neil Diamond says she's sweet and The Beach Boys say she prefers short hair when she's older. And what about guys named Victor? Prince and Blondie say Victor is possibly a saint, but also flees from the law. Offering the rock-and-roll definitions of these and dozens more popular names, the wildly popular Rock 'n' Roll Baby Name Dictionary post on Flavorwire drew over fifty thousand hits days after it was launched. Now its creator, pop-culture writer Margaret Eby, rolls out the complete encyclopedia, from Alison to Ziggy and everyone in between. Rock and Roll Baby Names lets every music-savvy parent discover a name's role in rock history. Each entry explains a classical definition and a definition of the name from song lyrics, along with fun "liner notes" about the featured song or band. Sidebars include Best Punk Rock Names for Boys and Weirdest Rock Star Children's Names, with quizzes such as Which Rebel Name Should You Give Your Girl? Every modern baby-from the Girl Next Door to the Rebels and Renegades-will find a legendary legacy in these pages.
Both a love story and a mystery, this book features a runaway girl, a down-at-its-heels roadhouse, a hot-headed sax player, a tormented recordman, a drop-in from Elvis Presley, and a magical car. It is tinged with magic and mojo and goes far behind the music to tell one of the great lost stories of rock 'n' roll.
The definitive biography of Chuck Berry, legendary performer and inventor of rock and roll Best known as the groundbreaking artist behind classics like “Johnny B. Goode,” “Maybellene,” “You Never Can Tell” and “Roll Over Beethoven,” Chuck Berry was a man of wild contradictions, whose motives and motivations were often shrouded in mystery. After all, how did a teenage delinquent come to write so many songs that transformed American culture? And, once he achieved fame and recognition, why did he put his career in danger with a lifetime’s worth of reckless personal behavior? Throughout his life, Berry refused to shed light on either the mastery or the missteps, leaving the complexity that encapsulated his life and underscored his music largely unexplored—until now. In Chuck Berry, biographer RJ Smith crafts a comprehensive portrait of one of the great American entertainers, guitarists, and lyricists of the 20th century, bringing Chuck Berry to life in vivid detail. Based on interviews, archival research, legal documents, and a deep understanding of Berry’s St. Louis (his birthplace, and the place where he died in March 2017), Smith sheds new light on a man few have ever really understood. By placing his life within the context of the American culture he made and eventually withdrew from, we understand how Berry became such a groundbreaking figure in music, erasing racial boundaries, crafting subtle political commentary, and paying a great price for his success. While celebrating his accomplishments, the book also does not shy away from troubling aspects of his public and private life, asking profound questions about how and why we separate the art from the artist. Berry declined to call himself an artist, shrugging that he was good at what he did. But the man's achievement was the rarest kind, the kind that had social and political resonance, the kind that made America want to get up and dance. At long last, Chuck Berry brings the man and the music together.