[PDF] Cadenzas In Transition eBook

Author : Joshua McKinnis
Publisher :
Page : 0 pages
File Size : 25,86 MB
Release : 2023
Category : Sonatas
ISBN :

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This paper compares the piano concertos of Rachmaninoff with Tchaikovsky, noting similarities and differences in the use of long-term structure, inclusion and function of cadenzas, and use of extended harmonies. As one of the last great Romantic composers, Rachmaninoff is often overlooked for his contributions to the Romantic framework, especially considering the massive influence of Tchaikovsky. Following the Soviet Revolution, Rachmaninoff fled to America, where he would be exposed directly to jazz and modern song forms. This paper compares the piano concertos of Rachmaninoff and Tchaikovsky, noting Rachmaninoff’s tendency to imitate his colleagues and effects on his harmonic and melodic language. This paper illuminates differences between the harmonic languages of Rachmaninoff and Tchaikovsky, confirming compositional frameworks advocated by scholars for Rachmaninoff’s piano concerti while refuting frameworks advocated for Tchaikovsky. It notes the progression of cadenza use as Rachmaninoff broke away from traditional ritornello forms. This paper progresses a framework for understanding Rachmaninoff’s form based on his use of the Neapolitan tonality in the apotheosis of sonata-form movements. Finally, this paper tracks harmonic tonalities throughout the concerti of Rachmaninoff, noting where Rachmaninoff brings in jazz influences to break away from the Romantic idiom. This paper fills a void in the research literature by examining the method of musical transfer across cultures through the piano concerto tradition. Analyzing the orchestral and pianistic works of Rachmaninoff with relation to those of the closest major Romantic composer, Tchaikovsky, helps scholars and music theorists understand the flow of musical intercourse during the early twentieth century.

Author : Andrea Poma
Publisher : Springer
Page : 253 pages
File Size : 37,74 MB
Release : 2017-04-24
Category : Philosophy
ISBN : 3319528122

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This book examines the concepts behind a philosophical project on postmodernism: the social and cultural condition of our time, the age of the achieved capitalism. It proposes an original theory of postmodern humanism based on the absence of form and describes the development of philosophical thought as a musical “cadenza” that produces meaning in the empty space between the past of the modern and the future of the postmodern. The book focuses on three main postmodernist themes: the denial of identity and the assertion of the differences, the shattered subject, and the absence of teleology in history and politics.

Author : David Beach
Publisher : Routledge
Page : 386 pages
File Size : 37,15 MB
Release : 2012-05-04
Category : Music
ISBN : 1136329757

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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music—the formal, harmonic, rhythmic, and voice-leading organizations—as well as its unique features. It develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms. The book begins with foundational chapters in music theory, starting with basic diatonic harmony and progressing rapidly to more advanced topics, such as phrase design, phrase expansion, and chromatic harmony. The second part contains analyses of complete musical works and movements. The text features over 150 musical examples, including numerous complete annotated scores. Suggested assignments at the end of each chapter guide students in their own musical analysis.

Author : John Daverio
Publisher : Oxford University Press
Page : 323 pages
File Size : 27,50 MB
Release : 2002-10-03
Category : Music
ISBN : 0195350960

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In Crossing Paths, John Daverio explores the connections between art and life in the works of three giants of musical romanticism. Drawing on contemporary critical theory and a wide variety of nineteenth-century sources, he considers topics including Schubert and Schumann's uncanny ability to evoke memory in music, the supposed cryptographic practices of Schumann and Brahms, and the allure of the Hungarian Gypsy style for Brahms and others in the Schumann circle. The book offers a fresh perspective on the music of these composers, including a comprehensive discussion of the 19th century practice of cryptography, a debunking of the myth that Schumann and Brahms planted codes for "Clara Schumann" throughout their works, and attention to the late works of Schumann not as evidence of the composer's descent into madness but as inspiration for his successors. Daverio portrays the book's three key players as musical storytellers, each in his own way simulating the structure of lived experience in works of art. As an intimate study of three composers that combines cultural history and literary criticism with deep musicological understanding, Crossing Paths is a rich exploration of memory, the re-creation of artistic tradition, and the value of artistic influence.

Author : David Gramit
Publisher : University Rochester Press
Page : 302 pages
File Size : 35,11 MB
Release : 2008
Category : Biography & Autobiography
ISBN : 9781580462501

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Carl Czerny was a highly successful composer of popular piano music, and his pedagogical works remain fundamental to the training of pianists. But Czerny's reputation in these areas has obscured the remarkable breadth of his activity, and especially his work as a composer of serious music. This collection aims to address this.

Author : Gavin Dixon
Publisher : Routledge
Page : 475 pages
File Size : 48,49 MB
Release : 2022-01-31
Category : Music
ISBN : 1000512207

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The Routledge Handbook to the Music of Alfred Schnittke is a comprehensive study of the work of one of the most important Russian composers of the late 20th century. Each piece is discussed in detail, with particular attention to the composer’s groundbreaking polystylism, as well as his unique approach to musical symbolism and his deep engagement with Christian themes. This is the first publication to look at Schnittke’s output in its entirety, and for most works it represents either the first ever published analysis or the first in a language other than Russian. The volume presents new research from the Ivashkin-Schnittke Archive at Goldsmiths, University of London and the collection of Schnittke’s compositional sketches at the Julliard Library in New York. It also draws on the substantial research on Schnittke’s music published in the Russian language. Including a work list and bibliography of primary and secondary sources, this is an essential reference for all those interested in Russian music, 20th-century music and performance studies.

Author : Albert R. Rice
Publisher : Oxford University Press
Page : 300 pages
File Size : 18,37 MB
Release : 2016-12-12
Category : Music
ISBN : 0190205245

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Notes for Clarinetists: A Guide to the Repertoire offers important historical and analytical information about thirty-five of the best-known pieces written for the instrument. Numerous contextual and theoretical insights make it an essential resource for professional, amateur, and student clarinetists. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and informative analyses to help clarinetists gain a more complete understanding of Three Pieces for Clarinet Solo by Igor Stravinsky, Aaron Copland's Concerto for Clarinet, String Orchestra, Harp, and Piano, Robert Schumann's Fantasy Pieces for Clarinet and Piano, Op. 73. and Time Pieces for Clarinet and Piano, Op. 43. by Robert Muczynski, among many others. With close attention to matters of context, style, and harmonic and formal analysis, Albert Rice explores a significant portion of the repertoire, and offers a faithful and comprehensive guide that includes works by Boulez, Brahms, and Mozart to Hindemith, Poulenc, and Stamitz. Rice includes biographical information on each composer and highlights history's impact on the creation and performance of important works for clarinet. Intended as a starting point for connecting performance studies with scholarship, Rice's analysis will help clarinetists gain a more complete picture of a given work. Its valuable insights make it essential to musicians preparing and presenting programs, and its detailed historical information about the work and composer will encourage readers to explore other works in a similarly analytical way. Covering concertos, chamber pieces, and works for solo clarinet, Rice presents Notes for Clarinetists as an indispensable handbook for students and professionals alike.

Author : Walter van de Leur
Publisher : Oxford University Press
Page : 353 pages
File Size : 18,32 MB
Release : 2002-01-31
Category : Biography & Autobiography
ISBN : 0198028857

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Duke Ellington was one of jazz's greatest figures, a composer and bandleader of unparalleled importance and influence. But little attention has been given to his chief musical collaborator, Billy Strayhorn, who created hundreds of compositions and arrangements for his musical partner, and without whom the sound of Ellington's orchestra would have been very different. Now, in Walter van de Leur's provocative new book, Something To Live For, Billy Strayhorn steps out from Ellington's shadow and into the spotlight. Van de Leur argues that far from being merely a follower of Ellington or his alter ego, Strayhorn brought a radically new and visionary way of writing to the Ellington orchestra. Making extensive use, for the first time, of over 3,000 autograph scores, Van de Leur separates Strayhorn from Ellington, establishes who wrote what, and clearly distinguishes between their distinctive musical styles. "Both Strayhorn's and Ellington's oeuvres," writes Van de Leur, "though historically intertwined, nevertheless form coherent, separate musical entities, especially in terms of harmonic, melodic, and structural design." Indeed, Something to Live For allows us to see the characteristic features of Strayhorn's compositions and arrangements, his "musical fingerprints," and to analyze and evaluate his music on its own terms. The book also makes clear that Strayhorn's contribution to the band was much larger, and more original, than has been previously acknowledged. Based on a decade of research and offering detailed analyses of over 70 musical examples, Something to Live For casts new light--and will surely arouse intense debate--on two of the most important composers in the history of jazz.