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In this masterful portrait of the poet who dazzled an era and prefigured the modern age of celebrity, noted biographer Benita Eisler offers a fuller and more complex vision than we have yet been afforded of George Gordon, Lord Byron. Eisler reexamines his poetic achievement in the context of his extraordinary life: the shameful and traumatic childhood; the swashbuckling adventures in the East; the instant stardom achieved with the publication ofChilde Harold's Pilgrimage; his passionate and destructive love affairs, including an incestuous liaison with his half-sister; and finally his tragic death in the cause of Greek independence. This magnificent record of a towering figure is sure to become the new standard biography of Byron.
Benita Eisler's Byron is a masterful portrait of the poet who dazzled an era and pre-figured the modern age of celebrity--an absorbing, illuminating, and wonderfully entertaining account of Lord Byron's spectacular life, monumental work, and lasting heroic legacy. Drawing on previously unavailable material--including family papers only recently brought to light--Eisler offers us a more complex vision of Byron than any we've had before: a man who rose from the depths of poverty and the humiliation of childhood lameness to a pinnacle of success and fame unlike anything the world had ever seen, and whose bravura identity as renegade aristocrat, political revolutionary, mythic lover, and Romanticism's galvanizing hero and antihero was surpassed in brilliance only by his poetic genius. With grace, erudition, and insight, Eisler captures the passions and obsessions that consumed Byron, the fierce devotions and the outsized ego that fired his work, and the despair and self-loathing that plagued his short life. Eisler gives us a richly detailed drama of a childhood of abandonment and shame; of Byron's early days at Harrow and Cambridge; of his humiliating entry into the House of Lords at eighteen; of his adventures in the East, where he consorted with pashas and prostitutes; of his relationships with his contemporaries, among them the twenty-four-year-old Shelley and his wife, Mary; of the instant celebrity that attended the publication of the first cantos of Childe Harold's Pilgrimage; and of the almost vengeful determination with which Byron recast himself as the elegant figure that glided through Regency drawing rooms, plotted with Italian Carbonari, loved men and women, and drewsensation to him like a cloak until his death, alone and in exile, at the age of thirty-six. Here also are the first in-depth portraits of the women--and men--Byron loved: his guilty relations with John Edleston, a young Cambridge chorister; his tempestuous affair with Lady Caroline Lamb, who was driven to madness by her love for him; his catastrophic marriage to the lovely Annabella Milbanke; his passionate incestuous relationship with his half sister, Augusta, and the tormented menage a trois they shared with his young wife; and the gentler love of his later life, Teresa Guiccioli, whom he abandoned for his life's last adventure in Missolonghi. Throughout, Eisler offers incisive analysis of Byron's poetry in the context of his extraordinary life--as hero and martyr, aristocratic aesthete and dandy, transgressive rebel fueled by forbidden substances and exiled for forbidden passions--examining in detail the stanzas that inspired his own and succeeding generations as no other writer has since Shakespeare. A magnificent record of a towering figure, sure to stand as the definitive biography for years to come.
Fiona MacCarthy makes a breakthrough in interpreting Byron's life and poetry drawing on John Murray's world-famous archive. She brings a fresh eye to his early years: his childhood in Scotland, embattled relations with his mother, the effect of his deformed foot on his development. She traces his early travels in the Mediterranean and the East, throwing light on his relationships with adolescent boys - a hidden subject in earlier biographies. While paying due attention to the compelling tragicomedy of Byron's marriage, his incestuous love for his half-sister Augusta and the clamorous attention of his female fans, she gives a new importance to his close male friendships, in particular that with his publisher John Murray. She tells the full story of their famous disagreement, ending as a rift between them as Byron's poetry became more recklessly controversial. Byron was a celebrity in his own lifetime, becoming a 'superstar' in 1812, after the publication of Childe Harold. The Byron legend grew to unprecedented proportions after his death in the Greek War of Independence at the age of thirty-six. The problem for a biographer is sifting the truth from the sentimental, the self-serving and the spurious. Fiona MacCarthy has overcome this to produce an immaculately researched biography, which is also her refreshing personal view.
In 1815, the clever and courted Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron’s little girl was introduced to mathematics as a means of calming her wild spirits. As a child invalid, Ada dreamed of building a steam-driven flying horse. As an exuberant and boldly unconventional young woman, she amplified her explanations of Charles Babbage’s unbuilt calculating engine to predict the dawn of the modern computer age.During her life, Lady Byron was praised as a paragon of virtue; within ten years of her death, she was vilified as a disgrace to her sex. Well over a hundred years later, Annabella Milbanke is still perceived as a prudish wife and cruelly controlling mother. But her hidden devotion to Byron and her tender ambitions for his mercurial, brilliant daughter reveal a deeply complex but unexpectedly sympathetic personality.Drawing on fascinating new material, Seymour reveals the ways in which Byron, long after his death, continued to shape the lives and reputations both of his wife and his daughter.
This illuminating biography reveals how the daughter of Lord Byron, Britain’s most infamous Romantic poet, became the world’s first computer programmer. Even by 1800s standards, Ada Byron Lovelace had an unusual upbringing. Her strict mother worked hard at cultivating her own role as the long-suffering ex-wife of bad-boy poet Lord Byron while raising Ada in isolation. Tutored by the brightest minds, Ada developed a hunger for mental puzzles, mathematical conundrums, and scientific discovery that kept pace with the breathtaking advances of the industrial and social revolutions taking place in Europe. At seventeen, Ada met eccentric inventor Charles Babbage, a kindred spirit. Their ensuing collaborations resulted in ideas and concepts that presaged computer programming by almost two hundred years, and Ada Lovelace is now recognized as a pioneer and prophet of the information age. Award-winning author Emily Arnold McCully opens the window on a peculiar and singular intellect, shaped — and hampered — by history, social norms, and family dysfunction. The result is a portrait that is at once remarkable and fascinating, tragic and triumphant.
'Brand's meticulous research brings to life the colourful characters of the Georgian era's most notorious families with all the verve and skill of the era's finest novelists ... A powdered and pomaded, sordid and silk-swathed adventure' Hallie Rubenhold
Byron is rarely thought of as a spiritual writer. However, as this bold new collection shows, this is the result of an impoverished notion of the ‘spiritual’ and a reflection of biased priorities in Romantic studies. Reflecting on the poet’s claim that ‘immaterialism’s a serious matter’, this interdisciplinary collection of essays, from British and American scholars, calls into question the prevailing ‘materialist’ consensus, and offers a fresh and theoretically inflected reading of Byron’s poetry. Byron’s Ghosts is the first book-length examination of spectrality in Byron’s work. It is on the one hand concerned with what Mary Shelley in her essay ‘On Ghosts’ refers to as ‘the true old-fashioned, foretelling, flitting, gliding ghost’, though it is also a postmodern response to the ‘spectral turn’ in critical theory, which brings into view a range of phantom effects and ‘non-Gothic’ spectres. Focusing attention on these diverse modalities of the ghostly, the specially assembled essays complicate the popular image of Byron as a sceptical or ‘anti-Romantic’ poet and reveal a great deal about his work that could not be uncovered in any other way.
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