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Freud placed dreams at center stage of our psychic lives, relegating fantasy to a minor role, and even claiming that happy people do not fantasize. In this groundbreaking book, Dr. Person challenges this view, arguing that, far from being only a substitute gratification, fantasy is central to our lives and essential to our well-being.
In this book, first published in 1985, Ernest G. Bormann explores mass persuasion in America from 1620 to 1860, examining closely four rhetorical communities: the revivals of 1739-1740, the hot gospel of the postrevolutionary period, the evangelical revival and reform of the 1830s, and the Free Soil and Republican parties. Each community varies greatly, but Bormann asserts that each succeeding community shares a rhetorical vision of restoring the "American Dream" that is essentially a modification of the previous visions. Thus, they form a family of rhetorical visions that constitutes a rhetorical tradition of importance in nineteenth-century American popular culture.
Over a millennium ago, Erna, a seismically active yet beautiful world was settled by colonists from far-distant Earth. But the seemingly habitable planet was fraught with perils no one could have foretold. The colonists found themselves caught in a desperate battle for survival against the fae, a terrifying natural force with the power to prey upon the human mind itself, drawing forth a person's worst nightmare images or most treasured dreams and indiscriminately giving them life. Twelve centuries after fate first stranded the colonists on Erna, mankind has achieved an uneasy stalemate, and human sorcerers manipulate the fae for their own profit, little realizing that demonic forces which feed upon such efforts are rapidly gaining in strength. Now, as the hordes of the dark fae multiply, four people—Priest, Adept, Apprentice, and Sorcerer—are about to be drawn inexorably together for a mission which will force them to confront an evil beyond their imagining, in a conflict which will put not only their own lives but the very fate of humankind in jeopardy.
Tamsyn Muir's New York Times and USA Today bestselling Locked Tomb Series continues with Nona ...the Ninth? A Finalist for the Hugo and Locus Awards! An Indie Next Pick! The Locked Tomb is a 2023 Hugo Finalist for Best Series! “You will love Nona, and Nona loves you.” —Alix E. Harrow “Unlike anything I've ever read.” —V.E. Schwab on Gideon the Ninth “Deft, tense and atmospheric, compellingly immersive and wildly original.” —The New York Times on Gideon the Ninth Her city is under siege. The zombies are coming back. And all Nona wants is a birthday party. In many ways, Nona is like other people. She lives with her family, has a job at her local school, and loves walks on the beach and meeting new dogs. But Nona's not like other people. Six months ago she woke up in a stranger's body, and she's afraid she might have to give it back. The whole city is falling to pieces. A monstrous blue sphere hangs on the horizon, ready to tear the planet apart. Blood of Eden forces have surrounded the last Cohort facility and wait for the Emperor Undying to come calling. Their leaders want Nona to be the weapon that will save them from the Nine Houses. Nona would prefer to live an ordinary life with the people she loves, with Pyrrha and Camilla and Palamedes, but she also knows that nothing lasts forever. And each night, Nona dreams of a woman with a skull-painted face... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Daydreaming, our ability to give ‘to airy nothing a local habitation and a name’, remains one of the least understood aspects of human behaviour. As children we explore beyond the boundaries of our experience by projecting ourselves into the mysterious worlds outside our reach. As adolescents and adults we transcend frustration by dreams of achievement or escape, and use daydreaming as a way out of intolerable situations and to help survive boredom, drudgery or routine. In old age we turn back to happier memories as a relief from loneliness or frailty, or wistfully daydream about what we would do if we had our time over again. Why is it that we have the ability to alternate between fantasy and reality? Is it possible to have ambition or the ability to experiment, create or invent without the catalyst of fantasy? Are sexual fantasies an inherent part of human behaviour? Are they universal, healthy, destructive? Is daydreaming itself destructive? Or is it a force which facilitates change and which can even be harnessed to positive advantage? In this provocative book, originally published in 1975, the product of the previous twenty-five years of research, the author debates the nature and function of daydreaming in the light of his own experiments. As well as investigating what is a normal ‘fantasy-life’ and outlining patterns and types of daydreaming, he describes the role of daydreaming in schizophrenia and paranoia, examines the fantasies and hallucinations induced by drugs and also the nature of altered states of consciousness in Zen and Transcendental Meditation. Among the many topics covered, he explains how it is possible to help children enlarge their capacity for fantasy, how adults can make positive use of daydreaming and how people on the verge of disturbed behaviour are often unconscious of their own fantasies. Advances in scientific methods and new experimental techniques had made it possible at this time to monitor both conscious daydreaming and sub-conscious fantasies in a way not possible before. Professor Singer is one of the few scientists who have conducted substantial research in this area and it is his belief that the study of daydreaming and fantasy is of great importance if we are to understand the workings of the human mind.
An eminent psychiatarist unravels the meaning and purpose of fantasies (which we all have, even if we don't realize it) and shows how they are vital to our emotional and psychological wellbeing
“A darkly suspenseful dive into friendship, fame, murder, and the thrilling power of rock music. I couldn’t put it down.” —Meg Gardiner, New York Times–bestselling author of the UNSUB series Gal, a talented musician, has returned to Boston to play a memorial for her late friend. But when she sees a particular face in the crowd, she freezes on stage. The next day, she learns that the man she saw has been beaten to death behind the venue—and her friend’s widower, Walter, is being charged in connection with his murder. When Walter refuses to defend himself, Gal wonders if he is guilty, and as memories of the past begin to flood back, she starts her own investigation. To uncover the truth, she must re-examine her own life, her perception of the past, and an industry with a dark underbelly. But what she discovers may prove hard to swallow . . . “In electric prose, Simon conjures the rock-and-roll world, its drink, drugs, and band-dynamics, and the twin seductresses of excess and success, as she makes a penetrating portrait of friendship.” —The Boston Globe “Lyrical, layered, and full of surprises. . . . A raw and emotional thriller with a heartbeat, about lost dreams and missing friends, regrets and buried memories, the final note reminding us that it’s never too late to start again.” —Lisa Unger, New York Times-bestselling author of Last Girl Ghosted and Confessions on the 7:45 “[This] devastatingly powerful mystery hits you like a punch in the heart.” —Caroline Leavitt, New York Times–bestselling author of Days of Wonder and Pictures of You “Compulsively readable. . . . Part murder mystery and part wistful history of a one-time rock star and her deeply buried secrets.” —Dave Zeltserman, Shamus Award–winning author of Small Crimes
There's more to writing a successful fantasy story than building a unique world or inventing new magic. How exactly is a plot put together? How do you know if your idea will support an entire novel? How do you grab reader attention and keep it? How do you create dynamic, multi-dimensional characters? What is viewpoint and do you handle it differently in urban fantasy than in traditional epics? What should you do if you're lost in the middle? How do you make your plot end up where you intend it to go? From the writing of strong, action-packed scenes to the handling of emotions, let award-winning fantasy author Deborah Chester guide you through the process of putting a book together. Convinced there's no need to shroud the writing process under a veil of mystery, Chester supplies tips that are both practical and proven. They are exactly what she uses in writing her own novels and what she teaches in her writing courses at the University of Oklahoma. Along with explaining story construction step-by-step, Chester illustrates each technique with examples drawn from both traditional and urban fantasy. The technique chapters include exercises to assist novices in mastering the craft of writing fantasy as well as suggestions for avoiding or solving plot problems. More experienced writers will find tips for taking their work to the next level. With an introduction by author Jim Butcher, The fantasy fiction formula provides the information you need to gain skill and proficiency in writing fantasy like a pro.
An epic fantasy like no other, Adrian Selby's debut takes an unblinking look at the price we pay for our pasts, the art of war and the people who make it their business. Enter a violent world of revenge and bloody combat with characters you'll never forget. They called them Kailen's Twenty, a legendary band of ruthless mercenaries who gave no quarter. Living only by the code of steel, blood and coin, and aided by fightbrews that gave them the edge in battle, whoever met their price won. Now, broken up and seemingly forgotten, they are being hunted down, one by one. Drawn from multiple accounts compiled by a scholar investigating the legendary group's demise, who is also the son of one of the Twenty, Snakewood is fantasy at its most inventive and rewarding.