[PDF] Burnt Cork eBook

Author : Stephen Burge Johnson
Publisher : Univ of Massachusetts Press
Page : 282 pages
File Size : 49,56 MB
Release : 2012
Category : Biography & Autobiography
ISBN : 1558499342

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Beginning in the 1830s and continuing for more than a century, blackface minstrelsy--stage performances that claimed to represent the culture of black Americans--remained arguably the most popular entertainment in North America. A renewed scholarly interest in this contentious form of entertainment has produced studies treating a range of issues: its contradictory depictions of class, race, and gender; its role in the development of racial stereotyping; and its legacy in humor, dance, and music, and in live performance, film, and television. The style and substance of minstrelsy persist in popular music, tap and hip-hop dance, the language of the standup comic, and everyday rituals of contemporary culture. The blackface makeup all but disappeared for a time, though its influence never diminished--and recently, even the makeup has been making a comeback. This collection of original essays brings together a group of prominent scholars of blackface performance to reflect on this complex and troublesome tradition. Essays consider the early relationship of the blackface performer with American politics and the antislavery movement; the relationship of minstrels to the commonplace compromises of the touring "show" business and to the mechanization of the industrial revolution; the exploration and exploitation of blackface in the mass media, by D. W. Griffith and Spike Lee, in early sound animation, and in reality television; and the recent reappropriation of the form at home and abroad. In addition to the editor, contributors include Dale Cockrell, Catherine Cole, Louis Chude-Sokei, W. T. Lhamon, Alice Maurice, Nicholas Sammond, and Linda Williams.

Author : William John Mahar
Publisher : University of Illinois Press
Page : 476 pages
File Size : 43,43 MB
Release : 1999
Category : History
ISBN : 9780252066962

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The songs, dances, jokes, parodies, spoofs, and skits of blackface groups such as the Virginia Minstrels and Buckley's Serenaders became wildly popular in antebellum America. Behind the Burnt Cork Mask not only explores the racist practices of these entertainers but considers their performances as troubled representations of ethnicity, class, gender, and culture in the nineteenth century. William J. Mahar's unprecedented archival study of playbills, newspapers, sketches, monologues, and music engages new sources previously not considered in twentieth-century scholarship. More than any other study of its kind, Behind the Burnt Cork Mask investigates the relationships between blackface comedy and other Western genres and traditions; between the music of minstrel shows and its European sources; and between "popular" and "elite" constructions of culture. By locating minstrel performances within their complex sites of production, Mahar offers a significant reassessment of the historiography of the field. Behind the Burnt Cork Mask promises to redefine the study of blackface minstrelsy, charting new directions for future inquiries by scholars in American studies, popular culture, and musicology.

Author : Camille F. Forbes
Publisher : Civitas Books
Page : 418 pages
File Size : 10,88 MB
Release : 2008-08-01
Category : Performing Arts
ISBN : 0786722355

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It is not hard to argue that every black performer in show business owes something to Bert Williams. Discovered in California in 1890 by a minstrel troupe manager, Williams swiftly became a regular player in the troupe. Traveling on from the rough-and-ready "medicine shows" that then dotted the West, he rose through the ranks of big-time vaudeville in New York City, and finally ascended to the previously all-white pinnacle of live-stage success: the fabled Ziegfeld Follies on Broadway. Inspite of his triumphs-he brought the first musical with an all-black cast to Broadway in 1903-he was often viewed by the black community with more critical suspicion than admiration because of his controversial decision to perform in blackface. Modest, private, and conservative in his personal life, Williams left political activism and soapbox thumping to others. More than the simple narration of a remarkable life, Introducing Bert Williams offers a fascinating window into the fraught issues surrounding race and artistic expression in American culture. The story of Williams's long and varied career is a whirlwind of inner turmoil, racial tension, glamour, and striving-nothing less than the birth of American show business.

Author : William L. Slout
Publisher : Wildside Press LLC
Page : 282 pages
File Size : 18,40 MB
Release : 2007-09-01
Category :
ISBN : 089370458X

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Includes the seminal "Early History of Negro Minstrelsy," by Col. T. Allston Brown, together with pen-and-ink portraits of the major minstrels, and a comprehensive index.

Author : Gerry White
Publisher : Mercier Press Ltd
Page : 257 pages
File Size : 40,31 MB
Release : 2006
Category : History
ISBN : 1856355225

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On the night of 11 December 1920 Cork City was to experience an unprecedented night of terror and destruction at the hands of the British forces of law and order. The Irish War of Independence was raging out of control and Cork was in the eye of the storm. It was a guerrilla war fuelled by reprisal and counter reprisal - the city streets became the battleground of a bloody and personalised war of attrition. With over five acres of the city destroyed and an estimated 20 million pounds worth of damage, the burning of Cork is recognised as the most extensive single act of vandalism in the entire period of the nationalist struggle. The burning of Cork cannot be regarded as an isolated incident. In the nine months leading up to the night, Cork city witnessed an ever escalating cycle of violence as attacks by the Volunteers were answered by the predictable reprisal by the crown forces.

Author : Frank Dumont
Publisher : Wentworth Press
Page : 170 pages
File Size : 41,24 MB
Release : 2019-04-04
Category :
ISBN : 9781012176990

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author : Annemarie Bean
Publisher : Wesleyan University Press
Page : 332 pages
File Size : 27,39 MB
Release : 1996-11-29
Category : History
ISBN : 9780819563002

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A sourcebook of contemporary and historical commentary on America's first popular mass entertainment.