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Essays look at the characteristics, development, and artists of the bubblegum pop music genre, from the Archies and the Cowsills in the 1960s to Tiffany in the 1980s and Britney Spears in the 1990s.
Los Angeles, 1929: a glittering metropolis on the crest of an epic crash. A mysterious prophetess and her alluring daughter have relieved an oil tycoon's nephew of his fortune. But the kid won't talk. To find the money, the old man calls on a trusted executive, Raymond Chandler, who in turn enlists the aid of his devoted secretary/mistress, Muriel Fischer, and their idealistic patrolman friend Tom James. Soon the nephew is revealed as a high-ranking member of a murderous cult of angel worshippers, and the trio plunges into an investigation that sends them careening across Southern California, from sinister sanitariums to roadside burger stands, decaying Bunker Hill mansions to sparkling cocktail parties, taxi dance halls to the morgue, all in search of the secretive Great Eleven. But when Muriel goes undercover to infiltrate the group's rural lair, she comes face to face with disturbing truths that threaten to spoil everything, not just for the cult's members, but for herself as well. A work of fiction inspired by actual events and featuring the real-life cop who is a likely model for the mature Chandler's greatest creation, private eye Philip Marlowe, Kim Cooper's The Kept Girl exposes a mystery so horrifying, it could only be true.
From Tin Pan Alley to The Monkees, Bay City Rollers, Spice Girls, and boy bands, "Bubblegum" showcases the rise of the Pop Idol phenomenon, in the process creating a witty, thorough history of what is arguably the most popular musical genre ever.
Pop music of the sixties and seventies embraced psychedelic youth culture yet appealed to listeners of all ages up and down the radio dial. Easy Listening Acid Trip explains the missing musical link between electric guitars and orchestral strings, from the Beatles to Lawrence Welk, and why we just can't help but liking songs we hear in the elevator.
The best of the cult-favorite music magazine Roctobers conversations with overlooked or forgotten artists, from the Outlaw Country singer David Allan Coe to the frustrated interstellar glam act Zolar X.
An all-star lineup of rock-n-rollers relay the uproariously wild, sentimental, and unexpected pre-stardom stories behind their favorite records. Rock Stars on the Record is a collection of first-hand tales by artists of all ages, backgrounds, and musical influences, remembering the meaning behind the records that mattered most to them. From Laura Jane Grace to Ian MacKaye, Don McLean to Cherie Currie, Alice Bag to Mac DeMarco, Perry Farrell to Suzi Quatro and Verdine White, and many more, bestselling author Eric Spitznagel talks to rock stars across the sonic spectrum about the albums that changed them in ways only music can change someone. Everyone’s most cherished childhood record―be it a battered piece of vinyl, torn cassette tape, or scratched CD―has a story, and those stories can be more revealing about their owners than you might expect. Read about how “Weird Al” Yankovic refined his accordion skills by playing along to Elton John’s Goodbye Yellow Brick Road, or how Fishbone’s Angelo Moore saved his life with a boombox and a Bad Brains album. Or about how Wendy Melvoin and Lisa Coleman of Prince’s longtime band, The Revolution, fell in love while trading mixtapes. Each profile is more emotional, fascinating, and hilarious than the last. So place that needle in the groove, and prepare to hear something revelatory from your favorite rockers past and present. “Absolutely fascinating. It’s hard to believe that no one has done this before, but now that I’ve read it, it seems totally obvious―except that most journalists wouldn’t be able to get people to talk so openly and compellingly about something that, to an artist, may feel very private. I know these great musicians and their music better now. Thank you, Eric.” —Daniel J. Levitin, bestselling author of This Is Your Brain on Music, professor of Neuroscience and Music at McGill University in Montreal “In asking a slew of rock stars about the record that changed their lives, Eric Spitznagel also ferrets out fascinating backstories and unexpected anecdotes. Who knew that Tommy Roe’s granddaughter calls him ‘the Justin Bieber of the ‘60s’? Or that Perry Farrell entertained his older siblings’ friends’ by dancing the Hully Gully at their parties? Rock Stars on the Record is so much fun, and more illuminating that you’d expect.” —Caroline Sullivan, author of Bye Bye Baby: My Tragic Love Affair with the Bay City Rollers
City of Insomnia is a book about being lost and what you find when you’re lost. Poetry that explores the landscapes of California, Pennsylvania, and Massachusetts, Infante transforms city streets, love, America’s fractured politics, and his father’s death, unearthing questions about love and loss for which there are no good answers, but near endless emotional terrain to explore.
Geek Rock: An Exploration of Music and Subculture examines the relationship between geek culture and popular music, tracing a history from the late 1960s to the present day. The term “geek rock” refers to forms of popular music that celebrate all things campy, kitschy, and quirky. In this collection of essays, contributors explore the evolution of this music genre, from writing songs about poodles, girls, monster movies, and outer space to just what it means to be “white and nerdy.” Editors Alex DiBlasi and Victoria Willis have gathered eleven essays from across the world, covering every facet of geek culture from its earliest influences, including Frank Zappa Captain Beefheart Devo They Might Be Giants Weird Al Yankovic Present-day advocates of “Nerdcore” Geek Rock offers a working history of this subgenre, which has finally begun to come under academic study. The essays take a variety of scholarly approaches, encompassing musicology, race, gender studies, sociology, and Lacanian psychoanalysis. Geek Rock will be of interest to readers of all backgrounds: music scholars, college and university professors, sociologists, and die-hard fans.
“I'm a Barbie Girl, in a Barbie world,” the ubiquitous refrain that dominated the airwaves in summer 1997. Aqua's single from their debut album Aquarium spread like wildfire, topping charts across the globe. With their erotically charged lyrics and dance beats, Aqua moved beyond their Danish Eurodance beginnings and achieved global renown in the late 1990s. In the US, however, they are an infamous “one hit wonder,” remembered for their highly publicized lawsuit with Mattel. Although Aqua's fame waned at the turn of the millennium, the 25th anniversary of their debut precipitated a resurgence in their popularity. This book unwraps a bubblegum dance classic to offer the first in-depth examination of what lies beneath Aqua's sticky-sweet veneer. It traces the history of Aquarium alongside interpretations of the album's singles informed by queer theory and covers by contemporary musicians commissioned for the book. Peeling back the layers of Aquarium reveals a confection rife with unexpected contradictions and possibilities; videos permeated by seemingly innocuous articulates of heteronormativity are held in tension with suggestions of queerness, fetishism, and adolescent lust when heard through the ironic lens of camp.