Author : T. Denean Sharpley-Whiting
Publisher : SUNY Press
Page : 400 pages
File Size : 37,81 MB
Release : 2015-02-01
Category : History
ISBN : 1438455011
Tells the fascinating story of African American women who traveled to France to seek freedom of expression. During the Jazz Age, France became a place where an African American woman could realize personal freedom and creativity, in narrative or in performance, in clay or on canvas, in life and in love. These women were participants in the life of the American expatriate colony, which included F. Scott Fitzgerald, Gertrude Stein, and Cole Porter, and they commingled with bohemian avant-garde writers and artists like Picasso, Breton, Colette, and Matisse. Bricktops Paris introduces the reader to twenty-five of these women and the city they encountered. Following this nonfiction account, T. Denean Sharpley-Whiting provides a fictionalized autobiography of Ada Bricktop Smith, which brings the players from the world of nonfiction into a Paris whose elegance masks a thriving underworld. Bricktops Paris vibrantly recreates and reimagines the fascinating world of Jazz Age Paris by placing black women at the center of the story. T. Denean Sharpley-Whiting gives us a valuable new perspective on Ada Bricktop Smith, giving her the prominence usually attributed to Josephine Baker. She also provides detailed portraits of other singers, musicians, writers, and artists who left America for the French capital. Written with enthusiasm and insight, Bricktops Paris underscores the importance of women to transatlantic black modernity. Tyler Stovall, author of Paris Noir: African Americans in the City of Light Bricktops Paris is a remarkable feat. Sharpley-Whitings book is a womans story about dreaming and making dreams happen. It is a political story, a story about migration, and re-creation. It is a dazzling account of bold women reshaping their lives as New Women/Modern Women and black women in Europe. A womans place is not only viewed in the sphere of domesticity through Sharpley-Whitings writing, she also reimagines the complexity of life far away from home and on stage, in the studio, and in the nightclub. She captures their spirit and desires and walks us through this history arm and arm, singing, writing, dancing, and making art. I fell in love with these women as I empathized with their struggles, some of them I knew through other writings but through Sharpley-Whiting I felt as if I knew them intimately as they made their lives count some fifty years after Reconstruction. She restores their voices and their bodies and makes them present for the contemporary reader. Brilliant! Deborah Willis, author of Posing Beauty: African American Images from the 1890s to the Present Bricktops Paris is a marvelous book that further consolidates Sharpley-Whitings record of pioneering research, a meticulous archeological excavation of the artistic, cultural, political, and social contributions made by African American women in Paris during the interwar years. This was a period that increasingly linked racial advocacy with colonial emancipation and during which African American women achieved unprecedented levels of creative and personal freedom while shaping broader conversations on identity and race. Bricktops Paris promises to inspire a new generation of researchers and will become an incontrovertible point of reference in assessing the intellectual history of the era. Dominic Thomas, Madeleine L. Letessier Professor of French and Francophone Studies, University of California, Los Angeles