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Director Joel Coen's and producer Ethan Coen's Blood Simple (1984, River Road Prods/Circle Releasing/Palace) is a contemporary noir thriller set in Texas. A taut, convoluted plot and imaginative direction made the independent release a word-of-mouth hit and established the Coen brothers' reputation for originality. Actors John Getz, Frances McDormand, and Dan Hedaya appear in the story in which a woman commits adultery, and her enraged husband hires a killer for revenge. Blackmail, violence, and mistaken assumptions lead to an edgy, exhilarating climax.
Skillman and Soriano weave a twisted tale of classic noir. The story keeps you guessing until the end, and the art delivers the right blend of pitch-black shadows and crisp, sexy line work. --Sean Phillips, artist of Criminal, Incognito, and Sleeper "Loved it. The dialogue crackles, the art's delicious, and the moral ambiguity hits you like a fist in the belly. This is noir at its best."--Charles Ardai, author of Songs of Innocence, Little Girl Lost, and publisher of the Hard Case Crime series THE WAY HE INVESTIGATES IS A CRIME IN ITSELF. Nick Archer isn't much of a detective, but he's managed to get himself one pretty sweet surveillance gig: once a week he sends a jealous millionaire the photos that prove his wife is faithful, leaving Nick plenty of free nights to spend making a liar of both himself and the client's wife. But when the client turns up dead, his cheating wife is the prime suspect and it's up to Nick to clear her-- except Nick has an agenda of his own, and connections to this case that go deeper than anyone realizes. An amazing crime noir debut!
WHO WILL BE THE LAST DRACULINA LEFT STANDING? "Blood Simple" reaches its crimson climax with Draculina and Vampirella fighting for their lives within the astral plane known as "The Dark World," where Draculina also confronts a shocking vision of her future. Meanwhile, in the "real" world, Draculina's two "alternate selves" - Katie, the preteen Vampirette, and Lilith's protege, Victory - find themselves caught up in a literal holy war between demons and angels. Which Draculina (if any) will survive?
These four early works by the internationally lauded filmmaking team deal with the subject for which they are best known: corruption and crime in situations that combine the real and the surreal with the hilarious. Of the scripts included here, Barton Fink--an intense look at the psychological ruin of a New York playwright trying to make it in 1940s Hollywood--is a masterful culmination of these themes.
An in-depth, eyewitness account of the creation of one of Bob Dylan's most celebrated, anguished albums, written by the album's guitarist and an acclaimed journalist
On March 25, 1911, the Triangle Shirtwaist Factory in New York City burst into flames. The factory was crowded. The doors were locked to ensure workers stay inside. One hundred forty-six people—mostly women—perished; it was one of the most lethal workplace fires in American history until September 11, 2001. But the story of the fire is not the story of one accidental moment in time. It is a story of immigration and hard work to make it in a new country, as Italians and Jews and others traveled to America to find a better life. It is the story of poor working conditions and greedy bosses, as garment workers discovered the endless sacrifices required to make ends meet. It is the story of unimaginable, but avoidable, disaster. And it the story of the unquenchable pride and activism of fearless immigrants and women who stood up to business, got America on their side, and finally changed working conditions for our entire nation, initiating radical new laws we take for granted today. With Flesh and Blood So Cheap, Albert Marrin has crafted a gripping, nuanced, and poignant account of one of America's defining tragedies.
In 1984 Joel and Ethan Coen burst onto the art-house film scene with their neo-noir Blood Simple and ever since then they have sharpened the cutting edge of independent film. Blending black humor and violence with unconventional narrative twists, their acclaimed movies evoke highly charged worlds of passion, absurdity, nightmare realms, and petty human failures, all the while revealing the filmmakers' penchant for visual jokes and bravura technical strokes. Their central characters may be blind to reality and individual flaws, but their illusions, dreams, fears, and desires map the boundaries of their worlds—worlds made stunningly memorable by the Coens. In The Brothers Grim: The Films of Ethan and Joel Coen, Erica Rowell unmasks the filmmakers as prankster mythmakers exploiting and subverting universal storytelling modes to further what seems to be their artistic agenda: to elicit laughs. Often employing satire and allegory, the Coens' movies hold a mirror up to American society, allowing viewers to both chuckle and gasp at its absurdities, hypocrisies, and foibles. From business partnerships (Blood Simple, The Ladykillers) to marriage (Intolerable Cruelty) to friendship and ethics (Miller's Crossing), the breakdowns of relationships are a steady focus in their work. Often the Coens' satires put broken social institutions in their cinematic crosshairs, exposing cracks in ineffective penal systems (Raising Arizona; O Brother, Where Art Thou?), unjust justice systems (The Man Who Wasn't There), a crooked corporate America (The Hudsucker Proxy), unnecessary wars (The Big Lebowski), a tyrannical Hollywood (Barton Fink), and the unbridled, fatuous pursuit of the American Dream (Fargo). While audiences may be excused for missing the duo's social commentary, the depth and breadth of the brothers' films bespeak an intelligence and cultural acuity that is rich, highly topical, and hard to pigeonhole.
25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
The steadfast and sturdy Continental Op has been summoned to the town of Personville—known as Poisonville—a dusty mining community splintered by competing factions of gangsters and petty criminals. The Op has been hired by Donald Willsson, publisher of the local newspaper, who gave little indication about the reason for the visit. No sooner does the Op arrive, than the body count begins to climb . . . starting with his client. With this last honest citizen of Poisonville murdered, the Op decides to stay on and force a reckoning—even if that means taking on an entire town. Red Harvest is more than a superb crime novel: it is a classic exploration of corruption and violence in the American grain.