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A 128-page collection of the black and white artwork from the smash-hit, critically acclaimed Blade Runner 2019 comic seris drawn by Andres Guinaldo, collecting together issues #1 - #4 of the Los Angeles arc. This collection of Andres Guinaldo's artwork, previously unpublished in this form, includes never-before-seen layouts, roughs, thumbnails, sketches and cover roughs, giving a unique glimpse into the process of the artist. The collection also includes an interview between Andres and the writers Michael Green (co-screenplay writer of Blade Runner 2049,Logan and Murder on the Orient Express) and Mike Johnson (New York Times-bestselling writer of Star Trek,Transformers,Superman/Batman and Picard).
Early in the 21 Century, the Tyrell Corporation advanced Robot evolution to the Nexus phase – a being virtually identical to a human – known as a Replicant. Replicants were used Off-World as slave labor, in the hazardous exploration and colonization of other planets. Replicants who escaped and returned to Earth were hunted by special police squads – Blade Runner Units – with orders to kill any trespassing Replicant upon detection. In 2022, radical elements with the Replicant Underground detonate an EMP device over Los Angeles, destroying Tyrell Corporation’s Nexus databases, and making it easier for escaped Replicants to resettle on Earth. Soon, all Replicants are banned and the Tyrell Corporation declares bankruptcy. In 2027, Aahna ‘Ash’ Ashina, a former Blade Runner rejoined the department to hunt down fugitive Replicants. Her superiors are unaware that her loyalties are divided.
From the rain-soaked dystopian future of Los Angeles comes a new saga set in the world of Blade Runner. LAPD’s best Blade Runner and detective, Aahna ‘Ash’ Ashina, has been assigned to investigate the mysterious disappearance of Isobel and Cleo Selwyn, the wife and daughter of business tycoon Alexander Selwyn – a close personal friend of Eldon Tyrell. Ash’s search will take her on a journey deep into the crime-ridden underbelly of Los Angeles – a slowly decaying megacity – as she uncovers a terrible secret and a desperate conspiracy that forces her to confront her own hatred for Replicants – the synthetic humans – that she hunts and kills with such vengeance. Collects Blade Runner 2019 #1-4. “Blade Runner 2019 hits the ground running in what looks to be a must-read new entry in the franchise.” – AIPT! “A worthy new Blade Runner tale with a new, very interesting lead character.” – Newsarama
Early in the 21st Century, the TYRELL CORPORATION advanced robot evolution to the NEXUS phase – creating artificial beings virtually identical to humans – known as REPLICANTS. Superior in strength and agility, the Replicants functioned primarily as Off-world slave labor or in hazardous, high-collateral combat situations. After replicants were declared illegal on Earth, special police operatives – called BLADE RUNNERS – had orders to kill or ‘RETIRE’ any trespassers upon detection. Detective AAHNA ASHINA of the Los Angeles Police Department was one of the first to qualify for the assignment. Her colleagues called her ASH. She was the best of them. Los Angeles, 2019
Early in the 21 Century, the Tyrell Corporation advanced robot evolution into the Nexus phase – a being virtually identical to a human – known as a Replicant. The early Nexus models were intended to reassure the public – and corporate interests – that Replicants were viable replacements to perform jobs considered too hazardous or mundane for humans. In Los Angeles, a child was diagnosed with a rare spinal affliction. Her mother departed for an Off-World colony, hoping to find employment to support her daughter back home. She was never heard of again. The grown of Off-world colonies fuelled the rapid development and construction of new Nexus models. By the time Nexus 5 Replicants were ready, they were superior in strength and agility, and at least equal in intelligence, to the genetic engineers who created them. The girl was raised by her grandmother. Over time, she learned to survive on the crowded streets of Los Angeles, among those too poor and infirm to leave Earth. After a bloody mutiny by a Nexus 6 combat team in an Off-world colony, Replicants were declared illegal on Earth – under penalty of death. Special police squads – Blade Runner units – had orders to shoot and kill, upon detection, any trespassing Replicant. The girl, now grown, calls herself ASH. She is the most capable Blade Runner in the city.
Blade Runner Aahna ‘Ash’ Ashina of the Los Angeles Police Department has been assigned to investigate the disappearance of Isobel and Cleo Selwyn, the wife and daughter of business tycoon, Alexandra Selwyn. Using data retrieved from Isobel’s abandoned Spinner, Ash followed Isobel’s trail and found herself confronting a replicant who had genetically ‘aged himself up’ as an old man to avoid detection. Ash shot and wounded him after he attacked her, but he was still able to escape, telling Ash, as he fled, to: “Ask Alexander Selwyn why he wants his daughter dead.” Meanwhile, Isobel and Cleo have made contact with an underworld community that lives beneath the streets of Los Angeles and its leader, Malik, who also runs an underground railway that helps Replicants to escape. After Ash reported back to Selwyn on the progress of her investigation, her own Spinner was attacked in mid-air by another craft, which sent her crashing and burning towards the streets of the city below…
From the bestselling author of The Rules of Supervillainy: Cassius Mass was the greatest star pilot of the Crius Archduchy. He fought fiercely for his cause, only to watch his nation fall to the Interstellar Commonwealth. It was only after that he realized the side he'd been fighting for was the wrong one. Now a semi-functional navigator on an interstellar freight hauler, he tries to hide who he was and escape his past. Unfortunately, some things refuse to stay buried and he ends up conscripted by the very people who destroyed his homeland. LUCIFER'S STAR is the first novel of the Lucifer's Star series, a dark science fiction space opera set in a world of aliens, war, politics, and slavery.
"Tying in with the events of Ice Nine Kills' next cinematic album, 'The Silver Scream,' 'Inked in blood' follows a bullied teen super-fan who's convinced that her favorite frontman could never have committed the grotesque crimes for which he's now standing trial"--Page 4 of cover.
Blade Runner 2049 is a 2017 sequel to the 1982 movie Blade Runner, about a world in which some human-looking replicants have become dangerous, so that other human-looking replicants, as well as humans, have the job of hunting down the dangerous models and “retiring” (destroying) them. Both films have been widely hailed as among the greatest science-fiction movies of all time, and Ridley Scott, director of the original Blade Runner, has announced that there will be a third Blade Runner movie. Blade Runner 2049 and Philosophy is a collection of entertaining articles on both Blade Runner movies (and on the spin-off short films and Blade Runner novels) by twenty philosophers representing diverse backgrounds and philosophical perspectives. Among the issues addressed in the book: What does Blade Runner 2049 tell us about the interactions of state power and corporate power? Can machines ever become truly conscious, or will they always lack some essential human qualities? The most popular theory of personhood says that a person is defined by their memories, so what happens when memories can be manufactured and inserted at will? We already interact with non-human decision-makers via the Internet. When embodied AI becomes reality, how can we know what is human and what is simulation? Does it matter? Do AI-endowed human-looking replicants have civil and political rights, or can they be destroyed whenever “real” humans decide they are inconvenient? The blade runner Deckard (Harrison Ford) appears in both movies, and is generally assumed to be human, but some claim he may be a replicant. What’s the evidence on both sides? Is Niander Wallace (the-mad-scientist-cum-evil-corporate-CEO in Blade Runner 2049) himself a replicant? What motivates him? What are the impacts of decision-making AI entities on the world of business? Both Blade Runner and Blade Runner 2049 have been praised for their hauntingly beautiful depictions of a bleak future, but the two futures are very different (and the 2019 future imagined in the original Blade Runner is considerably different from the actual world of 2019). How have our expectations and visions of the future changed between the two movies? The “dream maker” character Ana Stelline in Blade Runner 2049 has a small but pivotal role. What are the implications of a person whose dedicated mission and task is to invent and install false memories? What are the social and psychological implications of human-AI sexual relations?