[PDF] Blade Runner 2019 Vol 1 Los Angeles Artists Edition Graphic Novel eBook
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A 128-page collection of the black and white artwork from the smash-hit, critically acclaimed Blade Runner 2019 comic seris drawn by Andres Guinaldo, collecting together issues #1 - #4 of the Los Angeles arc. This collection of Andres Guinaldo's artwork, previously unpublished in this form, includes never-before-seen layouts, roughs, thumbnails, sketches and cover roughs, giving a unique glimpse into the process of the artist. The collection also includes an interview between Andres and the writers Michael Green (co-screenplay writer of Blade Runner 2049,Logan and Murder on the Orient Express) and Mike Johnson (New York Times-bestselling writer of Star Trek,Transformers,Superman/Batman and Picard).
From the rain-soaked dystopian future of Los Angeles comes a new saga set in the world of Blade Runner. LAPD’s best Blade Runner and detective, Aahna ‘Ash’ Ashina, has been assigned to investigate the mysterious disappearance of Isobel and Cleo Selwyn, the wife and daughter of business tycoon Alexander Selwyn – a close personal friend of Eldon Tyrell. Ash’s search will take her on a journey deep into the crime-ridden underbelly of Los Angeles – a slowly decaying megacity – as she uncovers a terrible secret and a desperate conspiracy that forces her to confront her own hatred for Replicants – the synthetic humans – that she hunts and kills with such vengeance. Collects Blade Runner 2019 #1-4. “Blade Runner 2019 hits the ground running in what looks to be a must-read new entry in the franchise.” – AIPT! “A worthy new Blade Runner tale with a new, very interesting lead character.” – Newsarama
Early in the 21 Century, the Tyrell Corporation advanced Robot evolution to the Nexus phase – a being virtually identical to a human – known as a Replicant. Replicants were used Off-World as slave labor, in the hazardous exploration and colonization of other planets. Replicants who escaped and returned to Earth were hunted by special police squads – Blade Runner Units – with orders to kill any trespassing Replicant upon detection. In 2022, radical elements with the Replicant Underground detonate an EMP device over Los Angeles, destroying Tyrell Corporation’s Nexus databases, and making it easier for escaped Replicants to resettle on Earth. Soon, all Replicants are banned and the Tyrell Corporation declares bankruptcy. In 2027, Aahna ‘Ash’ Ashina, a former Blade Runner rejoined the department to hunt down fugitive Replicants. Her superiors are unaware that her loyalties are divided.
Los Angeles, 2009 When the body of a Tyrell Corporation scientist working on an experimental new type of Replicant is discovered in her laboratory, an apparent suicide, LAPD detective Cal Moreaux is assigned to the case. Determined to find the truth behind the seemingly routine suicide, he encounters a deadly conspiracy within the Tyrell Corporation itself. Set ten years before the events of the critically acclaimed Blade Runner 2019 comic book series and the original Ridley Scott film, this in-canon prequel sees the birth of the Blade Runner department and introduces a new hero to the Blade Runner pantheon. Featuring stunning art by Fernando Dagnino and Marco Lesko, and a grippng story by K. Perkins & Mellow Brown, and Mike Johnson. “It is simply perfect! An absolute must-have for Blade Runner and cyberpunk fans alike.” – Big Comic Page “From the distinct cityscape to the 1920s look of the police station, it looks perfect. Top marks to the art team.” – The Pullbox
The suppression of family history is the initial thread that ties together The Love Bunglers, featuring Hernandez's longtime Love and Rockets heroine Maggie. Because these secrets can't be dealt with openly, their lingering effect is even more powerful. But Maggie's ability to navigate and find meaning in her life - despite losing her culture, her brother, her profession, and her friends - is what's made her a compelling character. After a lifetime of losses, Maggie finds, in the second half, her longtime off and on lover, Ray Dominguez. Much like John Updike in his four Rabbitnovels, Jaime Hernandez has been following his longtime character Maggie around for several decades, all of which has seemed to be building towards this book in particular.
Los Angeles, 2029. Aahna ‘Ash’ Ashina is back with the LAPD Blade Runner Unit and has returned to the rain-soaked streets of a slowly crumbling Los Angeles, hunting for renegade Replicants. But this time she’s out to save as many of them as she can. Changed by her experiences, Ash is no longer the same cold, cynical killing machine as she was in 2019. Now she has a new agenda that, if discovered, will make her the enemy of humanity. When Ash is confronted by an old adversary, one long believed dead, she is drawn into a deadly cat-and-mouse game with a Replicant unlike any she has ever faced before – a Replicant with no fear of death and with a dream to finish off what the Blackout started in 2022… Collecting issues #1-4 of the critically acclaimed, smash hit series Blade Runner 2029. “We’re authentically back in the dystopian world of Blade Runner, and I couldn’t be happier. 9 out of 10.” – Sci-Fi Bulletin “Beautifully done… Demonstrates with potent skill that Blade Runner 2029 will stand definitively in its own right.” – Set the Tape “A must-read for Blade Runner and Cyberpunk fans everywhere.” – Monkeys Fighting Robots
A thrilling new saga set in the instantly recognizable, neo-noir world of Blade Runner. The LAPD’s top Blade Runner, Aahna ‘Ash’ Ashina, has been assigned to investigate the sudden disappearance of the wife and daughter of powerful business tycoon, Alexander Selwyn – a close personal friend of Eldon Tyrell. Ash’s search will take her on a dark, violent journey deep into the crime-ridden underbelly of an alternative, rain-soaked future Los Angeles, where she uncovers a horrifying secret and a desperate conspiracy… Showcasing the breathtaking black and white artwork of Andres Guinaldo, this exclusive artist’s edition presents issues 1-4 of the smash-hit Blade Runner 2019 series in a truly unique way. Includes never-before-seen concept sketches, issue thumbnails, and an exclusive interview with Guinaldo, conducted by Blade Runner 2019 writers, Michael Green and Mike Johnson.
"The self-aware computer defense system Skynet's years-long war on humanity nears completion, with only three-percent of the human population remaining. Seizing the opportunity for total annihilation, Skynet prepares a nuclear strike, even as a new model 808 Terminator sets its sights on John Connor and his resistance fighters. Their only hope is to take the fight to Skynet's mainframe at Thunder Mountain."--Publisher description.
Winner of the AIGA'S International Competition for Notable Graphic Design. “It’s both an architecture and movie fan’s dream.” - Los Angeles Times "Strikingly designed." - Publishers Weekly “Explores the cinematic tradition of antiheroes with architecturally significant private spaces." - Architectural Digest “A fascinating gift for that highbrow nerd in your life.” - Syfy Wire Why do bad guys live in good houses? From Atlantis in The Spy Who Loved Me to Nathan Bateman's ultra-modern abode in Ex Machina, big-screen villains often live in architectural splendor. From a design standpoint, the villain’s lair, as popularized in many of our favorite movies, is a stunning, sophisticated, envy-inducing expression of the warped drives and desires of its occupant. Lair: Radical Homes and Hideouts of Movie Villains, celebrates and considers several iconic villains’ lairs from recent film history. From futuristic fantasies to deathtrap-laden hives, from dwellings in space to those under the sea, pop culture and architecture join forces in these outlandish, primarily modern homes and in Lair, which features buildings from fifteen films, including: Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb Star Wars The Incredibles Blade Runner 2049 You Only Live Twice The Ghost Writer Body Double North by Northwest Edited by acclaimed architect Chad Oppenheim with Andrea Gollin, Lair includes interviews with production designers and other industry professionals such as Ralph Eggleston, Richard Donner, Roger Christian, David Scheunemann, Gregg Henry, and Mark Digby. Contributors include director Michael Mann, cultural critic Christopher Frayling, museum director Joseph Rosa, and architect Amy Murphy. Architectural illustrations and renderings by Carlos Fueyo provide multiple in-depth views of these spaces.
A designer’s deep dive into seven science fiction films, filled with “gloriously esoteric nerdery [and] observations as witty as they are keen” (Wired). In Typeset in the Future, blogger and designer Dave Addey invites sci-fi movie fans on a journey through seven genre-defining classics, discovering how they create compelling visions of the future through typography and design. The book delves deep into 2001: A Space Odyssey, Star Trek: The Motion Picture, Alien, Blade Runner, Total Recall, WALL·E, and Moon, studying the design tricks and inspirations that make each film transcend mere celluloid and become a believable reality. These studies are illustrated by film stills, concept art, type specimens, and ephemera, plus original interviews with Mike Okuda (Star Trek), Paul Verhoeven (Total Recall), and Ralph Eggleston and Craig Foster (Pixar). Typeset in the Future is an obsessively geeky study of how classic sci-fi movies draw us in to their imagined worlds.