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This book is a collection of 13 essays centering on supernatural serials such as television programs, video games, anime, and manga, featuring teen protagonists and marketed to teen audiences. These essays provide discussions of characters in teen supernatural serials who disrupt white, cisgender social narratives, and addresses possible ways that the on-screen depictions of these characters, who may be POC or LGBTQIA+, can lead to additional discussions of more accurate representations of the Other in the media. This collection explores depictions of characters of color and/or LGBTQ characters in teen supernatural serials who were/are marginalized and examines the possible issues that these depictions can raise on a social level and, possibly, a developmental level for audience members who belong to these communities. The essays included in this collection thoroughly examine these characters and their narratives while providing nuanced examinations of how the media chooses to represent teens of color and LGBTQIA+ teens.
“A Demon-Haunted Land is absorbing, gripping, and utterly fascinating... Beautifully written, without even a hint of jargon or pretension, it casts a significant and unexpected new light on the early phase of the Federal Republic of Germany’s history. Black’s analysis of the copious, largely unknown archival sources on which the book is based is unfailingly subtle and intelligent.” —Richard J. Evans, The New Republic In the aftermath of World War II, a succession of mass supernatural events swept through war-torn Germany. A messianic faith healer rose to extraordinary fame, prayer groups performed exorcisms, and enormous crowds traveled to witness apparitions of the Virgin Mary. Most strikingly, scores of people accused their neighbors of witchcraft, and found themselves in turn hauled into court on charges of defamation, assault, and even murder. What linked these events, in the wake of an annihilationist war and the Holocaust, was a widespread preoccupation with evil. While many histories emphasize Germany’s rapid transition from genocidal dictatorship to liberal democracy, A Demon-Haunted Land places in full view the toxic mistrust, profound bitterness, and spiritual malaise that unfolded alongside the economic miracle. Drawing on previously unpublished archival materials, acclaimed historian Monica Black argues that the surge of supernatural obsessions stemmed from the unspoken guilt and shame of a nation remarkably silent about what was euphemistically called “the most recent past.” This shadow history irrevocably changes our view of postwar Germany, revealing the country’s fraught emotional life, deep moral disquiet, and the cost of trying to bury a horrific legacy.
Just two weeks before his death in January 1999, George L. Mosse, one of this century's great historians, finished writing his memoir, a fascinating and fluent account of a remarkable life that spanned three continents and many of the major events of the twentieth century. Writing about the events of his life through a historian's lens, Mosse gives us a personal history of our century. This is a story told with the clarity, passion, and verve that entranced thousands of Mosse's students and that countless readers have found, and will continue to find, in his scholarly books. This book describes Mosse's opulent childhood in Weimar Berlin; his exile in Parts and England, including boarding school and study at Cambridge University; his second exile in the U.S. at Haverford, Harvard, Iowa, and Wisconsin; and his extended stays in London and Jerusalem. Mosse also deals with matters of personal identity. He discusses being a Jew and his attachment to Israel and Zionism. He addresses has gayness, his coming out, and his growing scholarly interest in issues of sexuality. This touching memoir, sometimes harrowing, often humorous, is guided in part by Mosse's belief that "what man is, only history tells," and by his constant themes of the fate of liberalism, the defining events that can bring about the generational political awakenings of youth (from the anti-fascism struggles of the 1930s to the campus anti-war movement of the 1960s, the meanings of masculinity and racial and sexual stereotypes, the enigma of exile, and - most of all - the importance of finding one's self through the pursuit of truth, and through an honest and unflinching analysis of one's place in the context of the times
'Gripping . . . You won't put it down' Sunday Telegraph A shocking collection of dark stories, ranging from chilling contemporary fairytales to disturbing supernatural fiction. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child's day out is undercut by chilling footnotes. These dark tales explore women's fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. 'A brilliant collection of stories . . . All will burrow their way into your brain and not let go' Stylist 'Shimmers with menace . . . Fans of Angela Carter and Shirley Jackson take note' i Newspaper KIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019
The relationship between nation and queer sexuality has long been a fraught one, for the sustaining myths of the former are often at odds with the needs of the latter. This collection of essays introduces readers to important historical and cultural figures and moments in queer life, and it addresses some of the urgent questions of queer belonging that face Wales today.
Gallery catalog for Queer Paranormal (an exhibition concerning Shirley Jackson and "The Haunting of Hill House"), on view at Usdan Gallery, Bennington College, October-December 2019. With essays by the Two Chairs collective, which curated the exhibition, and Usdan Gallery Director Anne Thompson. Queer Paranormal presented a range of artistic practices "haunted" by historical, political and sexual difference. Taking Jackson's gothic horror classic and its 1963 film version as jumping-off points, the exhibition identifies queerness in themes including witchcraft, the uncanny and the stranger, as well as the haunted house as an undiscovered country and object of desire. Site-specifically located in North Bennington, where Jackson wrote The Haunting of Hill House, Queer Paranormal installed artworks in indoor and outdoor locations across the Bennington campus, including the Jennings music building-a former mansion believed to be haunted and said to have partly influenced Jackson's portrait of Hill House. Participating artists: Peggy Ahwesh; the APRIORI techno-botanical coven; Anna Campbell; Tony Do; Lana Lin; Susan MacWilliam; Senem Pirler; Macon Reed; Zoe Walsh; and Sasha Wortzel.
There are witches in the world…some are good and some of them are downright evil. Amanda Givens is careful how she uses her benevolent powers. She doesn't want the people of Canaan, Connecticut to know they have a witch among them…even a good white witch. For years, she's lived quietly in a remote cabin with Amadeus, her quirky feline familiar. At first with her husband, Jake, the love of her life, until a car accident; but now alone after his death. But when she's wrongly blamed for a rash of ritualistic murders committed by a satanic cult, she knows she can no longer hide. She's the one the cult is after and she is the only one who can stop them and prove her innocence. Yet as punishment for fighting and destroying the cult, she's drawn back in time by the ghost of the dark witch, Rachel Coxe, who was drowned for practicing black magic in the 17th century. Now, as Amanda tries to rehabilitate Rachel's reputation in an effort to save lives, as well as her own, and falls in love all over again with Joshua, her reincarnated dead husband from the future, she has to rely on a sister's love and magical knowledge, and a powerful sect of witches named the Guardians, to help her get home safely.
Two Witch books in one: Witches: There are witches in the world…some are good and some of them are downright evil. Amanda Givens is careful how she uses her benevolent powers. She doesn't want the people of Canaan, Connecticut to know they have a witch among them…even a good white witch. For years, she's lived quietly in a remote cabin with Amadeus, her quirky feline familiar. At first with her husband, Jake, the love of her life, until a car accident; but now alone after his death. But when she's wrongly blamed for a rash of ritualistic murders committed by a satanic cult, she knows she can no longer hide. She's the one the cult is after and she is the only one who can stop them and prove her innocence. Yet as punishment for fighting and destroying the cult, she's drawn back in time by the ghost of the dark witch, Rachel Coxe, who was drowned for practicing black magic in the 17th century. Now, as Amanda tries to rehabilitate Rachel's reputation in an effort to save lives, as well as her own, and falls in love all over again with Joshua, her reincarnated dead husband from the future, she has to rely on a sister's love and magical knowledge, and a powerful sect of witches named the Guardians, to help her get home safely. *** Witches II: Apocalypse: The long-awaited sequel to my 1993 best-selling paperback novel Witches is finally HERE! Yes, witches exist…the good and the bad ones…and one day the two ancient adversaries of good and evil will join the fight for control of the world. Amanda has been told her ten year old witch-child, Lizzy, is fated to someday become one of the planet’s most powerful witches. If she lives. If the world survives. Because the world is being threatened by an anti-Christ called Reuben who is prophesied to bring the end of the world by destroying everyone and everything good–including the white witches and warlocks of the world–unless he can be stopped. The Guardians, a secret society of those white wiccans who protect others of their kind and the world from great evil, along with the powerful good witch, Amanda Givens, and her gifted daughter, Lizzy, must battle Reuben and his demonic followers. They must somehow change the outcome of the prophesied end times, aid a possible child of God, help the earth’s people to resist the black witches, demons and the soulless, which the times have brought forth and who are trying to bring hell to earth. Good and evil will be brought together for the final battles. Will Amanda, Lizzy, and the Guardians defeat evil or will it defeat them as they fight with all their strength and powers to save the people, the lives and the world they love. Who will win?***