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Black and White Budget, Vol. 3

Author : W. J. P. Monckton
Publisher : Forgotten Books
Page : 342 pages
File Size : 46,93 MB
Release : 2017-07-16
Category : History
ISBN : 9780282403843

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Excerpt from Black and White Budget, Vol. 3: April 21, 1900 All communications regarding Pictures and Articles to be addressed to The Editor, black and white budget, 34, Bou'verie Street, London, E. C. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Black & White Budget

Author :
Publisher :
Page : 458 pages
File Size : 38,86 MB
Release : 1900
Category : South African War, 1899-1902
ISBN :

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Celebrating 1895

Author : John Fullerton
Publisher : Indiana University Press
Page : 310 pages
File Size : 31,86 MB
Release : 1998
Category : History
ISBN : 9781864620153

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Includes 27 of the finest papers presented at The Centenary of Cinema conference in June 1995

Catalogue. Supplement

Author : British Museum. Dept. of Printed Books
Publisher :
Page : 292 pages
File Size : 39,10 MB
Release : 1905
Category : English literature
ISBN :

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Young and Innocent?

Author : Andrew Higson
Publisher :
Page : 436 pages
File Size : 46,78 MB
Release : 2002
Category : History
ISBN : 9780859897174

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In-depth study of the development of British cinema in the early years of the twentieth century.

Guilty but Insane

Author : James W.Taylor
Publisher : Mercier Press Ltd
Page : 296 pages
File Size : 16,80 MB
Release : 2016-09-03
Category : History
ISBN : 1781174229

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Captain J.C. Bowen-Colthurst, originally from Cork, served with the British Army in the Boer War, in Tibet and in the Great War. Having been wounded, he returned to Ireland and was caught up in the 1916 rebellion where he was responsible for the deaths of six unarmed civilians, including the pacifist Francis Sheehy Skeffington. The resulting outrage was one of the key factors in turning the tide of Irish public opinion towards independence. Having been tried for murder, he was deemed 'guilty but insane' and spent eighteen months in Broadmoor Criminal Lunatic Asylum before being released under medical supervision for another year. He was then allowed to travel to Canada on condition that he not return to Ireland. This has been portrayed as a perversion of justice perpetrated by the British authorities, but Taylor's unprecedented access to both army and Bowen-Colthurst's personal papers have revealed that he was probably suffering from what we now know as PTSD. This book corrects many published errors, debunks some myths and reveals the personal side to a much-maligned historical character. The author has also worked with the family of both Bowen-Colthurst and Sheehy Skeffington, who have praised his unbiased research.

Literature

Author :
Publisher :
Page : 640 pages
File Size : 25,58 MB
Release : 1901
Category : English literature
ISBN :

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The Man Who Made Movies

Author : Paul Spehr
Publisher : Indiana University Press
Page : 713 pages
File Size : 12,38 MB
Release : 2008-11-17
Category : Biography & Autobiography
ISBN : 0861969367

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The story of W.K.L. Dickson—assistant to Edison, inventor, and key figure in early cinematography: “Valuable and comprehensive.” —Communication Booknotes Quarterly W.K.L. Dickson was Thomas Edison’s assistant in charge of the experimentation that led to the Kinetoscope and Kinetograph—the first commercially successful moving image machines. In 1891–1892, he established what we know today as the 35mm format. Dickson also designed the Black Maria film studio and facilities to develop and print film, and supervised production of more than one hundred films for Edison. After leaving Edison, he became a founding member of the American Mutoscope Company, which later became the American Mutoscope & Biograph, then Biograph. In 1897, he went to England to set up the European branch of the company. Over the course of his career, Dickson made between five hundred and seven hundred films, which are studied today by scholars of the early cinema. This well-illustrated book offers a window onto early film history from the perspective of Dickson’s own oeuvre.