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"These often unexpected texts offer a provocative invitation to the hermeneutical challenges of the ever changing shape of the literature and theology canon. Students will be surprised and delighted by these carefully selected and powerful readings."---George Newlands, Professor Emeritus of Divinity, University of Glasgow --
Many influential conspiracy theories originated in Eastern Europe. This volume analyzes the history behind this widespread phenomenon as well as its relationship with representations of the present in Eastern European cultures and literatures.
Winner of the 2003 Trillium Book Award "Stories are wondrous things," award-winning author and scholar Thomas King declares in his 2003 CBC Massey Lectures. "And they are dangerous." Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The Indian of fact, as King says, bears little resemblance to the literary Indian, the dying Indian, the construct so powerfully and often destructively projected by White North America. With keen perception and wit, King illustrates that stories are the key to, and only hope for, human understanding. He compels us to listen well.
“An absorbing, generous, ravishing book by a high priestess of you-have-to-read-this prose." —Cheryl Strayed, author of Wild Pam Houston, an "early master of the art of rendering fiercely independent, brilliant women in love with the wrong men" (Sarah Norris, Barnes & Noble Review), delivers a novel that whisks us from one breathtaking precipice to the next. Along the way, we unravel the story of Pam (a character not unlike the author), a fearless traveler aiming to leave her metaphorical baggage behind as she seeks a comfort zone in the air. With the help of a loyal cast of friends, body workers, and a new partner who helps her to be at home, she finally finds something like ground under her feet.
This monograph examines truth in fiction by applying the techniques of a naturalized logic of human cognitive practices. The author structures his project around two focal questions. What would it take to write a book about truth in literary discourse with reasonable promise of getting it right? What would it take to write a book about truth in fiction as true to the facts of lived literary experience as objectivity allows? It is argued that the most semantically distinctive feature of the sentences of fiction is that they areunambiguously true and false together. It is true that Sherlock Holmes lived at 221B Baker Street and also concurrently false that he did. A second distinctive feature of fiction is that the reader at large knows of this inconsistency and isn’t in the least cognitively molested by it. Why, it is asked, would this be so? What would explain it? Two answers are developed. According to the no-contradiction thesis, the semantically tangled sentences of fiction are indeed logically inconsistent but not logically contradictory. According to the no-bother thesis, if the inconsistencies of fiction were contradictory, a properly contrived logic for the rational management of inconsistency would explain why readers at large are not thrown off cognitive stride by their embrace of those contradictions. As developed here, the account of fiction suggests the presence of an underlying three - or four-valued dialethic logic. The author shows this to be a mistaken impression. There are only two truth-values in his logic of fiction. The naturalized logic of Truth in Fiction jettisons some of the standard assumptions and analytical tools of contemporary philosophy, chiefly because the neurotypical linguistic and cognitive behaviour of humanity at large is at variance with them. Using the resources of a causal response epistemology in tandem with the naturalized logic, the theory produced here is data-driven, empirically sensitive, and open to a circumspect collaboration with the empirical sciences of language and cognition.
The Facts is a rigorously unfictionalized narrative that portrays Philip Roth unadorned--as young artist, as student, as son, as lover, as husband, as American, as Jew--and candidly examines how close the novels have been to, and how far from, autobiography. From his childhood in Newark, New Jersey, to his explosive success as a novelist, to his critics in the Jewish community who attacked his writing, and the divorce and death of his first wife, The Facts is a playful and harrowingly unconventional autobiography, bookended by letters written by his fictional alter-ego Nathan Zuckerman. "The Facts is a lively and serious version of a novelist's life." —New York Review of Books
"An intricate exploration of family and home, of mother and child, of friends, of women and written with both precision and style."—Weike Wang, author of Chemistry From a talented, powerful new voice in fiction comes a stunning novel about the intersection of three lives coming to grips with identity, family legacy, and what it means to make a house a true home. Cybil is a war child—the result of a brief affair between a young Japanese woman and a French soldier—who at a young age is transplanted to Tucson, Arizona, and raised by an American officer and his rigid wife. After a rebellious adolescence, she grows up to become a successful ob-gyn. Chloe, Cybil’s daughter, is adrift in an empty house in the hills of Virginia. Her marriage has fallen apart, and her estranged husband is dying of cancer. Room by room, Chloe makes her new house into a home, grappling always with the real and imagined boundaries that limit her as a single, childless woman in contemporary America. Beau, Chloe’s closest friend, is in love with a man he’s only met on the internet, who lives across the country. Shepherding Chloe through her grief, he is often called back to his loud, humid, chaotic childhood in Southwest Louisiana, where he first reckoned with the intricate ties between queerness, loneliness, and place. Through each of these characters Matalone weaves a moving, beautiful narrative of home, identity, and belonging. Home Making is a somber, yet hopeful, ode to the stories we tell ourselves in order to make a family.