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This book examines the trends, perspectives and changes witnessed in the previously undocumented communities of India’s northeast, emphasising the continuity and transformations of these societies. Each chapter questions the nature of change, and highlights issues which are not a matter of choice but of conviction of the society. This volume will be informative to students and researchers in area studies programmes, anthropology, sociology, history, political science, law, public administration, and ethnology.
Memories is an anthology, which includes biographical material about the author, her predecessors, her siblings and her children. Also included are many true stories collected over her lifetime, which have been told, retold and remembered. Some of these stories are rendered in the colloquial dialects of the times and locations. She describes moments of elation and triumph over difficulties and other times of overwhelming tragedy and sorrow. She includes a time line of all of the many places she has lived over her life of eighty-two years. You will marvel at her tremendous capacity to recall and narrate the details of events spanning so many years.
The first biography of the great black actor, activist, athlete--and tragic victim of the blacklist Imagine an actor as familiar to audiences as Denzel Washington and Morgan Freeman are today--who is then virtually deleted from public memory. Such is the story of Canada Lee. Among the most respected black actors of the forties and a tireless civil rights advocate, Lee was unjustly dishonored, his name reduced to a footnote in the history of the McCarthy era, his death one of a handful directly attributable to the blacklist. Born in Harlem in 1907, Lee was a Renaissance man. A musical prodigy on violin and piano at eleven, by thirteen he had become a successful jockey and by his twenties a champion boxer. After wandering into auditions for the WPA Negro Theater Project, Lee took up acting and soon shot to stardom in Orson Welles's Broadway production of Native Son, later appearing in such classic films as Lifeboat and the original Cry, the Beloved Country. But Lee's meteoric rise to fame was followed by a devastating fall. Labeled a Communist by the FBI and HUAC as early as 1943, Lee was pilloried during the notorious spy trial of Judith Coplon in 1949, then condemned in longtime friend Ed Sullivan's column. He died in 1952, forty-five and penniless, a heartbroken casualty of a dangerous and conflicted time. Now, after nearly a decade of research, Mona Z. Smith revives the legacy of a man who was perhaps the blacklist's most tragic victim.
#1 NEW YORK TIMES, WALL STREET JOURNAL, AND BOSTON GLOBE BESTSELLER • One of the most acclaimed books of our time: an unforgettable memoir about a young woman who, kept out of school, leaves her survivalist family and goes on to earn a PhD from Cambridge University “Extraordinary . . . an act of courage and self-invention.”—The New York Times NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW • ONE OF PRESIDENT BARACK OBAMA’S FAVORITE BOOKS OF THE YEAR • BILL GATES’S HOLIDAY READING LIST • FINALIST: National Book Critics Circle’s Award In Autobiography and John Leonard Prize For Best First Book • PEN/Jean Stein Book Award • Los Angeles Times Book Prize Born to survivalists in the mountains of Idaho, Tara Westover was seventeen the first time she set foot in a classroom. Her family was so isolated from mainstream society that there was no one to ensure the children received an education, and no one to intervene when one of Tara’s older brothers became violent. When another brother got himself into college, Tara decided to try a new kind of life. Her quest for knowledge transformed her, taking her over oceans and across continents, to Harvard and to Cambridge University. Only then would she wonder if she’d traveled too far, if there was still a way home. “Beautiful and propulsive . . . Despite the singularity of [Westover’s] childhood, the questions her book poses are universal: How much of ourselves should we give to those we love? And how much must we betray them to grow up?”—Vogue NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • O: The Oprah Magazine • Time • NPR • Good Morning America • San Francisco Chronicle • The Guardian • The Economist • Financial Times • Newsday • New York Post • theSkimm • Refinery29 • Bloomberg • Self • Real Simple • Town & Country • Bustle • Paste • Publishers Weekly • Library Journal • LibraryReads • Book Riot • Pamela Paul, KQED • New York Public Library
Forget the 10,000 hour rule— what if it’s possible to learn the basics of any new skill in 20 hours or less? Take a moment to consider how many things you want to learn to do. What’s on your list? What’s holding you back from getting started? Are you worried about the time and effort it takes to acquire new skills—time you don’t have and effort you can’t spare? Research suggests it takes 10,000 hours to develop a new skill. In this nonstop world when will you ever find that much time and energy? To make matters worse, the early hours of practicing something new are always the most frustrating. That’s why it’s difficult to learn how to speak a new language, play an instrument, hit a golf ball, or shoot great photos. It’s so much easier to watch TV or surf the web . . . In The First 20 Hours, Josh Kaufman offers a systematic approach to rapid skill acquisition— how to learn any new skill as quickly as possible. His method shows you how to deconstruct complex skills, maximize productive practice, and remove common learning barriers. By completing just 20 hours of focused, deliberate practice you’ll go from knowing absolutely nothing to performing noticeably well. Kaufman personally field-tested the methods in this book. You’ll have a front row seat as he develops a personal yoga practice, writes his own web-based computer programs, teaches himself to touch type on a nonstandard keyboard, explores the oldest and most complex board game in history, picks up the ukulele, and learns how to windsurf. Here are a few of the simple techniques he teaches: Define your target performance level: Figure out what your desired level of skill looks like, what you’re trying to achieve, and what you’ll be able to do when you’re done. The more specific, the better. Deconstruct the skill: Most of the things we think of as skills are actually bundles of smaller subskills. If you break down the subcomponents, it’s easier to figure out which ones are most important and practice those first. Eliminate barriers to practice: Removing common distractions and unnecessary effort makes it much easier to sit down and focus on deliberate practice. Create fast feedback loops: Getting accurate, real-time information about how well you’re performing during practice makes it much easier to improve. Whether you want to paint a portrait, launch a start-up, fly an airplane, or juggle flaming chainsaws, The First 20 Hours will help you pick up the basics of any skill in record time . . . and have more fun along the way.
This edition of EPILOGUE - The Dark Duet features a new cover that when combined with the other books in DARK DUET - Platinum Edition series makes a lovely addition to any bookshelf. It is NO DIFFERENT in content from previous editions of the series. CAPTIVE IN THE DARK (BOOK 1): Caleb is a man with a singular interest in revenge. Kidnapped as a young boy and sold into slavery by a power-hungry mobster, he has thought of nothing but vengeance. For twelve years he has immersed himself in the world of pleasure slaves searching for the one man he holds ultimately responsible. Finally, the architect of his suffering has emerged with a new identity, but not a new nature. If Caleb is to get close enough to strike, he must become the very thing he abhors and kidnap a beautiful girl to train her to be all that he once was. Eighteen-year-old Olivia Ruiz has just woken up in a strange place. Blindfolded and bound, there is only a calm male voice to welcome her. His name is Caleb, though he demands to be called Master. Olivia is young, beautiful, naïve and willful to a fault. She has a dark sensuality that cannot be hidden or denied, though she tries to accomplish both. Although she is frightened by the strong, sadistic, and arrogant man who holds her prisoner, what keeps Olivia awake in the dark is her unwelcome attraction to him. SEDUCED IN THE DARK (BOOK 2): What is the price of redemption? Rescued from sexual slavery by a mysterious Pakistani officer, Caleb carries the weight of a debt that must be paid in blood. The road has been long and fraught with uncertainty, but for Caleb and Livvie, it's all coming to an end. Can he surrender the woman he loves for the sake of vengeance? Or will he make the ultimate sacrifice? EPILOGUE - THE DARK DUET (BOOK 3): It didn't happen exactly as Livvie said. She's been very kind to me in the retelling of our story. The truth is far more...complicated. DARK DUET - THE BONUS MATERIAL (BOOK 4): 1) The NEW 32,000 word novella DETERMINED TO OBEY, featuring secondary characters Kid, Felipe, and Celia. 2) Eight scorching-hot fan-written Dark Duet short stories hand-selected by the author. 3) CJ's favorite interviews & Reviews Author Endorsements: "'This series is the most incredible mindf**k I've ever experienced.' Or something along those lines. Write whatever you want and slap my name on it. I loved it that much.' - Colleen Hoover, #1 New York Times Bestselling Author "I have never had an author move me to the point that I felt I needed to get in my car and go after someone who was fictional." --Tina Reber, NYT and USA Today Bestselling Author of the LOVE series "Absolutely amazing! I have not been this captivated by a book, by a series, in years! Thank you to everyone who told me to read these." -- Aleatha Romig, NYT Bestselling Author of the Consequences series "I'm very stingy with five stars. I usually only give those to modern classics or books that I am absolutely crazy about. Here is why I think CID deserves five...." -- Tarryn Fisher, USA Today Bestselling Author of the Love Me With Lies series "Just know that I think it was an exhilarating (albeit somewhat exhausting) reading experience and I LOVED it. And... I appreciated it even more once I was done. I felt mostly... complete. Crazy right? Ahhh but sometimes, it just is what it is. It was rich, well rounded, uncomfortable, exciting and scary (in multiple ways). Emotionally affecting. I lived it, I didn't just read it, although I was VERY happy to be on this side of the book. *phew* I may enjoy the fictional thrill and I may like it crazy at times, but I'm very content on the "safe" side of life." -- Maryse, Maryse's Book Blog
"With its gentle affirmations, inspirational quotes, fill-in-the-blank lists and tasks — write yourself a thank-you letter, describe yourself at 80, for example — The Artist’s Way proposes an egalitarian view of creativity: Everyone’s got it."—The New York Times "Morning Pages have become a household name, a shorthand for unlocking your creative potential"—Vogue Over four million copies sold! Since its first publication, The Artist's Way phenomena has inspired the genius of Elizabeth Gilbert and millions of readers to embark on a creative journey and find a deeper connection to process and purpose. Julia Cameron's novel approach guides readers in uncovering problems areas and pressure points that may be restricting their creative flow and offers techniques to free up any areas where they might be stuck, opening up opportunities for self-growth and self-discovery. The program begins with Cameron’s most vital tools for creative recovery – The Morning Pages, a daily writing ritual of three pages of stream-of-conscious, and The Artist Date, a dedicated block of time to nurture your inner artist. From there, she shares hundreds of exercises, activities, and prompts to help readers thoroughly explore each chapter. She also offers guidance on starting a “Creative Cluster” of fellow artists who will support you in your creative endeavors. A revolutionary program for personal renewal, The Artist's Way will help get you back on track, rediscover your passions, and take the steps you need to change your life.
New Essays on Plato assembles nine original papers on the language and thought of the Athenian philosopher. The collection encompasses issues from the Apology to the Laws and includes discussions of topics in ethics, political theory, psychology, epistemology, ontology, physics and metaphysics, and ancient literary criticism. The contributions by an international team of scholars represent a spectrum of diverse traditions and approaches, and offer new solutions to a selection of specific problems. Themes include the Happiness and Nature of the Philosopher-Kings, Law and Justice, the Tripartition of the Soul, Appearance and Belief, Conditions of Recognition, Ousia or What Something Is, the Reality of Change and Changelessness, Time and Eternity, and Aristotle on Plato.
This book visits the occult in literature from the 1880s to the 20th century, analyzing work by women occultists such as Alice Bailey, Dion Fortune, and Starhawk, and revisiting texts with occult motifs by canonical authors. It covers movements such as Theosophy, Spiritualism, Golden Dawn, Wicca, and Goddess spirituality, engaging with how literature creates occult worlds and identities, namely the female Lucifer, witch, priestess, and Goddess. The occult in literature incorporates topical discourses including psychoanalysis, feminism, pacifism, and ecology, hence this book will be of interest to scholars of literary and cultural studies, religious studies, sociology, and gender studies.