[PDF] Bechuana Fireside Tales eBook

Bechuana Fireside Tales Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Bechuana Fireside Tales book. This book definitely worth reading, it is an incredibly well-written.

Bechuana Fireside Tales

Author : Phyllis Savory
Publisher :
Page : 92 pages
File Size : 22,1 MB
Release : 1965
Category : Bantu-speaking peoples
ISBN :

GET BOOK

Bechuana Fireside Tales

Author : Phyllis Savory
Publisher :
Page : 90 pages
File Size : 26,44 MB
Release : 1965
Category : Bantu-speaking peoples
ISBN :

GET BOOK

Swazi Fireside Tales

Author : Phyllis Savory
Publisher :
Page : 170 pages
File Size : 29,46 MB
Release : 1972
Category : Folklore
ISBN :

GET BOOK

Fireside Tales from the North

Author : Phyllis Savory
Publisher :
Page : 94 pages
File Size : 14,74 MB
Release : 1966
Category : Bantu-speaking peoples
ISBN :

GET BOOK

Eighteen African tales in which the virtues and vices of man are reflected in the behavior of wild creatures.

Is My Friend at Home?

Author :
Publisher : Farrar, Straus & Giroux (BYR)
Page : 32 pages
File Size : 29,36 MB
Release : 2001
Category : Juvenile Fiction
ISBN : 9780374335502

GET BOOK

A collection of traditional tales originally told in the Hopi pueblos of Arizona, featuring animal characters.

Tales from the Basotho

Author : Minnie Postma
Publisher : University of Texas Press
Page : 204 pages
File Size : 23,85 MB
Release : 2014-08-04
Category : Social Science
ISBN : 1477301712

GET BOOK

"They say that the eldest of the chief's daughters..." So begins a tale from the Basotho, unfolded by the meager light of a dung fire that burns smokily behind the reed screen sheltering the entrance of the hut. The old ones of the tribe wait until dark before telling their stories, for everyone knows horns will grow from the head of one who tells a story during daylight hours. Tales from the Basotho abounds with elements familiar to folk narrative. The heroes and heroines are the chiefs and their wives, their sons and their daughters. Fantastic creatures frequent the narratives. exhibiting their awful powers. Rustic peace and beauty pervade the stories, as Minnie Postma amply demonstrates in her versions of the tales. Something fearful may be occurring—the dreaded Koeoko pulling the only son of the chief under water—but, at the same time, girls with babies tied to their backs are searching for edible bulbs in the veld, and an old woman dreams in the gentle sunlight in front of the huts. These tales from the Basotho are for entertainment only. There is a tabu against telling tales while the sun shines, because daylight hours must be saved for work. The telling itself is the· reason the story exists, for the audience is already aware of the outcome of each tale. As Wm. Hugh Jansen emphasizes in his foreword, "text" and "context" are often easily interpreted and made accessible in a translation, but Tales from the Basotho is ultimately successful for its rendering of "texture." And texture is doubly hard to convey when the telling itself is of primary importance. Minnie Postma and Susie McDermid have transferred the art of the Basotho raconteur onto the printed page. All the simple, understandable formulas, exclamations, and repetitions used so skillfully by the native storyteller are present. Rhythm is an important element in the tales, and a word, a phrase, even a whole paragraph will be repeated until the rhythm satisfies the storyteller, in tum increasing the appreciation of the listeners.

Readings of the Particular

Author : Anne Holden Rønning
Publisher : Rodopi
Page : 278 pages
File Size : 45,93 MB
Release : 2007
Category : Art
ISBN : 9042021632

GET BOOK

The present collection aims at throwing light on transculturality and the identities and masks that people put on, in writing as much as in life, in an age of global levelling and the struggle for a particular place in a postcolonial world. Topics covered include: North African identity in France; cultural citizenship and the Asian diaspora; novels of beur self-identity by Maghrebi immigrants in France; Scottish fiction, Britain and Empire; memory, amnesia, and the re-invention of the past in South Africa, the Caribbean and elsewhere; borders, necrophilia and history in Southern African fiction; encodings of female control; spectating in black documentary cinema; theatre, performance, and the Western presence in Africa; masks, history, transtextuality, and other aspects of Irish poetry and drama; the masking and unmasking of identity in the African-American novel; violence and Titus Andronicus in black Nova Scotian poetry; notions of the national and of indigeneity in contemporary Canadian drama; Native Canadians, space, and the city. Authors and artists treated include: William Boyd; André Brink; George Elliott Clarke; David Dabydeen; Ralph Ellison; Bessie Head; Seamus Heaney; Tomson Highway; Isaac Julien; Daniel David Moses; Paul Muldoon; Albert Murray; Jean Rhys; Sir Walter Scott; Robert Louis Stevenson; Richard Wright; and W.B. Yeats.