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From pre-war years in Paris to the end of the 1920s in Kyiv, Ukrainians or artists from Ukraine produced some of the world's greatest avant-garde art and made major contributions to painting, sculpture, theatre, and film-making. This book tells their story and explores the roots of their inspiration.
Many of the greatest avant-garde artists of the early twentieth century were Ukrainians or came from Ukraine. Whether living in Paris, St. Petersburg or Kyiv, they made major contributions to painting, sculpture, theatre, and film-making. Because their connection to Ukraine has seldom been explored, English-language readers are often unaware that figures such as Archipenko, Burliuk, Malevich, and Exter were inspired both by their country of origin and their links to compatriots. This book traces the avant-garde development from its pre-war years in Paris to the end of the 1920s in Kyiv. It includes chapters on the political dilemmas faced by this generation, the contribution of Jewish artists, and the work of several emblematic figures: Mykhailo Boichuk, David Burliuk, Kazimir Malevich, Vadym Meller, Ivan Kavaleridze, and Dziga Vertov.
An in-depth overview of Ukrainian art from the dawn of modernism in the late nineteenth century to the start of the Russian invasion in winter 2022. This new volume in the World of Art series provides an overview of Ukrainian art, artists, and art movements from the dawn of modernism and the 1900s to the Soviet period, to post-Soviet times and the beginning of the Russian invasion in February 2022. Ukrainian art and artists are discussed within historical and political contexts as well as how they have contributed to, and interacted with, Ukrainian culture and identity. Filled with rich illustrations, each chapter explores a different art period or movement. We are at a historical moment where Ukraine and its cultural identity are in grave danger, and author Alisa Lozhkina offers a powerful opportunity to connect curious and empathetic readers with the Ukrainian art tradition.
This book examines four dramatic periods that have shaped not only Ukrainian, but also Soviet and Russian history over the last hundred years: the revolutionary struggles of 1917-20, Stalin’s "second" revolution of 1928-33, the mobilization of revolutionary nationalists during the Second World War, and the Euromaidan protests of 2013-14. The story is told from the perspective of "insiders." It recovers the voice of Bolshevik historians who first described the 1917-21 revolution in Ukraine; citizens who were accused of nationalist conspiracies by Stalin; Galician newspapers that covered the 1933-34 famine; nationalists who fomented revolution in the 1940s; and participants in the Euromaidan protests and Revolution of 2013-14. In each case the narrative reflects current "memory wars" over these key moments in history. The discussion of these flashpoints in history in a balanced, insightful and illuminating. It introduces recent research findings and new archival materials, and provides a guide to the heated controversies that have today focused attention scholarly and public attention on the issues of nationalism and Russian-Ukrainian relations. The Euromaidan protesters declared that "Ukraine is not Russia," but the slogan was already current in 1917. This volume describes the process that led to its reappearance in the present day.
In 2022, Russia heightened its initial 2014 assault and launched its imperialist full-scale war against Ukraine. The Kremlin continued to perpetrate its denial of Ukrainians as a nation distinct from the Russians. Russia’s Denial of Ukraine: Letters and Contested Memory explores the gradual and long-lasting integration of contested memory in the cultural memory of Ukraine. It emphasizes how narratives, which formed the contested memory in the nineteenth century, appeared to come to the fore with the onset of the Russo-Ukrainian War. At the same time, it offers the theoretical premise for exploring contested memory, social forgetting, and remembering. The ambivalent nature of contested memory manifests in weakening national aspirations and strengthening resilience and resistance against violence. Contested memory nuances the discussion of undermining a metropolitan center and dismantling oppression. Letters reveal public discourses shaped by cultural and political developments centering on the Ukrainians’ endeavors to remember themselves as a nation distinct from the Russians. Epistolary expressions by Mykola Hohol, Taras Shevchenko, Lesia Ukrainka, Ivan Franko, and Volodymyr Vynnychenko illustrate the circulation of contested memory sponsored and supported in many ways by Russia. Writers comment on their Ukrainianness and situate themselves in Ukraine’s entangled past in which empires clash and fall apart.
Even more than thirty years after the dissolution of the Soviet Union, the role of the secret police in shaping culture and society in communist USSR has been difficult to study, and defies our complete understanding. In the last decade, the opening of non-Russian KGB archives, notably in Ukraine after 2015, has allowed scholars to explore state security organizations in ways not previously possible. Moving beyond well-known cases of high-profile espionage and repression, this study is the first to showcase research from a wide range of secret police archives in former Soviet republics and the countries of the former Soviet bloc—some of which are rapidly closing or becoming inaccessible once again. Rather than focusing on Soviet leadership, The Secret Police and the Soviet System integrates the secret police into studies of information, technology, economics, art, and ideology. The result is a state-of-the-art portrait of one of the world’s most notorious institutions, the legacies of which are directly relevant for understanding Vladimir Putin’s Russia today.
Mediating Historical Responsibility brings together leading scholars and new voices in the interdisciplinary fields of memory studies, history, and cultural studies to explore the ways culture, and cultural representations, have been at the forefront of bringing the memory of past injustices to the attention of audiences for many years. Engaging with the darkest pages of twentieth-century European history, dealing with the legacy of colonialism, war crimes, genocides, dictatorships, and racism, the authors of this collection of critical essays address Europe’s ‘difficult pasts’ through the study of cultural products, examining historical narratives, literary texts, films, documentaries, theatre, poetry, graphic novels, visual artworks, material heritage, and the cultural and political reception of official government reports. Adopting an intermedial approach to the study of European history, the book probes the relationship between memory and responsibility, investigating what it means to take responsibility for the past and showing how cultural products are fundamentally entangled in this process.
Volume 10 examines how the innovative impulses that came from Italy were creatively merged with indigenous traditions and how many national variants of Futurism emerged from this fusion. Ten essays investigate various aspects of Italian Futurism and its links to Austria, Georgia, France, Hungary and Portugual and in fields such as Typography, Olfaction, Photography. Section 2 examines seven examples of caricatures and satires of Futurism in the contemporary press, followed by Section 3, reporting on the Archiv der Avantgarden (AdA) in Dresden. Section 4 communicates bibliographic details of 120 book publications on Futurism in the period 2017-2020, including exhibition catalogues, conference proceedings and editions.
This collection of articles breaks new ground in Holodomor scholarship, presenting archival sources that in many cases are little known or completely unexplored. The articles are organized in four sections: new explorations of archival collections; responses of Western governments to events in Ukraine in 1932-33; the international response to the Famine; and perspectives for future exploration. Researchers share their knowledge of the archives of foreign affairs ministries in countries that maintained diplomatic relations with the Soviet Union in the 1930s, including Japan and the United States. Other researchers report on the archives of immigrant and diaspora communities that emigrated from Soviet Ukraine to Western Europe and North America. The Ukrainian, Jewish, and Mennonite communities in particular maintained contact with individuals in Soviet Ukraine, and surviving materials cast new light on the events of 1932–33. A number of articles describe newspaper coverage in France, Canada, and the United States, and several explore overlooked collections of oral interviews. The volume builds upon and augments research already accomplished and indicates promising future avenues of investigation.