[PDF] Authority And Imitation eBook

Author : Mark Kauntze
Publisher : Brill Academic Publishers
Page : 224 pages
File Size : 25,80 MB
Release : 2014-05-08
Category : History
ISBN : 9789004256910

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In Authority and Imitation Mark Kauntze presents a new reading of the twelfth-century Cosmographia of Bernard Silvestris, showing how this allegory of creation adapted ancient authorities to contemporary debates about natural philosophy.

Author : Mark Kauntze
Publisher : BRILL
Page : 233 pages
File Size : 12,30 MB
Release : 2014-05-08
Category : History
ISBN : 9004268359

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The Cosmographia is one of the most inventive and enigmatic works of medieval literature. Mark Kauntze argues that this allegory of creation is best understood as a product of the vibrant intellectual culture of twelfth-century France. Bernard Silvestris established the authority of his treatise by imitating those ancient philosophers and poets who were assiduously studied in the contemporary schools. But he also revised and updated them, to develop a compelling intervention into twelfth-century debates about man's place in nature and the relationship between theology and natural science. Using a wealth of manuscript evidence, Kauntze reconstructs the school context in which Bernard worked, and shows how the Cosmographia itself became an object of scholarly annotation and imitation in the later Middle Ages.

Author : Elizabeth Anne Castelli
Publisher : Westminster John Knox Press
Page : 184 pages
File Size : 36,12 MB
Release : 1991-01-01
Category : Religion
ISBN : 9780664252342

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What does it mean to imitate another person? What relationships are possible and necessary, or unthinkable, because of exhortation advising people to imitate Paul? What are the effects of giving special status to likeness? Questions such as these are posed in this thought-provoking book that addresses the notion of mimesis (imitation) and how it functions in Paul's letters as a strategy of power. The Literary Currents in Biblical Interpretation series explores current trends within the discipline of biblical interpretation by dealing with the literary qualities of the Bible: the play of its language, the coherence of its final form, and the relationships between text and readers. Biblical interpreters are being challenged to take responsibility for the theological, social, and ethical implications of their readings. This series encourages original readings that breach the confines of traditional biblical criticism.

Author : Jason Richards
Publisher : University of Virginia Press
Page : 313 pages
File Size : 35,68 MB
Release : 2017-12-26
Category : Literary Criticism
ISBN : 0813940656

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How did early Americans define themselves? The American exceptionalist perspective tells us that the young republic rejected Europeans, Native Americans, and African Americans in order to isolate a national culture and a white national identity. Imitativeness at this time was often seen as antithetical to self and national creation, but Jason Richards argues that imitation was in fact central to such creation. Imitation Nation shows how whites simultaneously imitated and therefore absorbed the cultures they so readily disavowed, as well as how Indians and blacks emulated the power and privilege of whiteness while they mocked and resisted white authority. By examining the republic’s foundational literature--including works by Washington Irving, James Fenimore Cooper, Harriet Beecher Stowe, Herman Melville, and Martin Delany--Richards argues that the national desire for cultural uniqueness and racial purity was in constant conflict with the national need to imitate the racial and cultural other for self-definition. The book offers a new model for understanding the ways in which the nation’s identity and literature took shape during the early phases of the American republic.

Author : Patricia A. Rosenmeyer
Publisher : Cambridge University Press
Page : 310 pages
File Size : 38,50 MB
Release : 1992
Category : History
ISBN : 9780521410441

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Western literature knows the anacreontic poems best in the translations or adaptations of such poets as Ronsard, Herrick and Goethe. This collection of poems, once assumed to be the work of Anacreon himself, was considered unworthy of serious attention after the poems were proved to be late Hellenistic and early Roman imitations by anonymous writers. This full-length treatment of the anacreontic corpus, first published in 1992, explores the complex poetics of imitation which inspired anacreontic composition for so many centuries in antiquity. The author reassesses Anacreon's own oeuvre, and then discusses the system of selective imitation practised by the anacreontic poets. The book explores what light the corpus can shed on ancient literary genres, intertextual influences, and the literary manifestations of symposiastic and erotic ideals in a post-classical society which looks back to an archaic model as its guiding force.A full translation of the anacreontic collection is included as an appendix and all Greek and Latin is translated.

Author : James S. Ackerman
Publisher : MIT Press
Page : 356 pages
File Size : 39,61 MB
Release : 2002-03-29
Category : Art
ISBN : 9780262011860

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Twelve studies by eminent art historian James S. Ackerman. This collection contains studies written by art historian James Ackerman over the past decade. Whereas Ackerman's earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism. In this book he explores the tension between the authority of the past—which may act not only as a restraint but as a challenge and stimulus—and the potentially liberating gift of invention. He examines the ways in which artists and writers on art have related to ancestors and to established modes of representation, as well as to contemporary experiences. The "origins" studied here include the earliest art history and criticism; the beginnings of architectural drawing in the Middle Ages and Renaissance; Leonardo Da Vinci's sketches for churches, the first in the Renaissance to propose supporting domes on sculpted walls and piers; and the first architectural photographs. "Imitation" refers to artistic achievements that in part depended on the imitation of forms established in practices outside the fine arts, such as ancient Roman rhetoric and print media. "Conventions," like language, facilitate communication between the artist and viewer, but are both more universal (understood across cultures) and more fixed (resisting variation that might diminish their clarity). The three categories are closely linked throughout the book, as most acts of representation partake to some degree of all three.

Author : Caroline Eisner
Publisher : University of Michigan Press
Page : 278 pages
File Size : 47,29 MB
Release : 2008-03-10
Category : Education
ISBN : 0472050346

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DIVA timely intervention in national debates about what constitutes original or plagiarized writing/div

Author : Wade Jacoby
Publisher : Cornell University Press
Page : 244 pages
File Size : 45,82 MB
Release : 2001
Category : History
ISBN : 9780801487699

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Following World War II, a poorly funded, piecemeal effort to transfer British and American institutions into West Germany resulted in many positive changes for that nation's citizens. After reunification, however, a more ambitious, well-funded, and systematic effort to establish West German institutions in the former GDR has been less effective. Through a close analysis of these two cases, Wade Jacoby explores the conditions under which one society can serve as a model for the reshaping of another. In the initial transfer, Jacoby finds, Allied occupying forces sought to build institutions in Germany that were the functional equivalents of ones they valued at home. They encouraged the development of selected German organizations that became co-architects of the postwar society. Several decades later, by contrast, policymakers in Bonn used exact rather than functional imitation, and they ignored regional interests when redesigning East German society. For both cases, Jacoby focuses on attempts to reform industrial relations and secondary education. For innovations to be "pulled in" from abroad, Jacoby argues, local civic groups must participate in and benefit from the institution-building process. In addition, the state imposing the transfer must have a flexible strategy. By looking at international examples, Jacoby provides further evidence that political imitation is at heart a process of coalition building.