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Tells the stories of Australia's best known pop and rock songs. Aussie Rock Anthems names the top 40 classic Australian songs and tells the stories behind them – many unknown. From Hunters & Collectors' 'Throw Your Arms Around Me' to INXS's 'Don't Change' and Redgum's 'I Was Only 19', author Glen Humphries unearths hidden gems and surprising back stories about the bands. It's a celebration of great Australian music that will have you reaching for old vinyl or phone apps to give some of these classics another listen. Chances are, each song is not what you had assumed..
The Hottest 100 is a national institution. For 30 years, triple j has held an annual countdown of its listeners' 100 favourite songs of the year, as voted by the public. It has evolved into the single most anticipated musical event of every year for millions of Australians. The Hottest 100 is so much more than music. It's beaches, barbeques, and bonfires. It's joy and despair, drama and debate, friendship and community. This book is a celebration of everything that makes the world's greatest musical democracy so damn iconic. Shoulda Been Higher is the definitive account of the Hottest 100 - a comedic chronicle and love letter. It's the complete picture from Augie March to Ziggy Alberts, 'Amazing' to 'Zombie'.
Australian music has a proud, colourful and successful history. In 2008, Australian rock and roll turned 50. This book names the best Australian albums of the last 50 years. It places each album in order (from 1 u 100) and discusses why each album deserves its place. It tells the story behind the making of the album, where the album fits in the artist's career and the album's impact on the local and world stage etc. The entries will feature new interviews with the artists and the producers/managers involved in the recording and the release of the album. It wouldn't be a good list if it didn't polarise people and we hope that this list will. We also hope that it will get people sitting around comparing their favourites and discovering or re-discovering these great albums and others. With 70 years of loving and writing about Australian music between us, we shamelessly believe we've earned the right to write this book. And we think we've got it right. Let the debate begin.o u John O'Donnell, April 2010 Finally, here is a much-needed list of argument-starting top 100 seminal/ influential/essential Australian albums of all time. Let the fight begin!
Australian Rock Chronicles 1955-1964 retraces the evolution of Australian rock music during the first ten years or what is commonly referred to as the 'first wave’. The book tells the story of how rock music in Australia grew from its early troubled beginnings to what it is today - readily accepted by society as a part of a thing called ‘pop culture’. It is as much about the people – the artists, the promoters, the generation of teenagers who ensured its survival and the adults who tried in vain to quell the revolution – as it is about the music. It also touches briefly on the birth of rock ‘n’ roll, Australian music scene during and after World War II, American entrepreneur Lee Gordon’s arrival in Australian and his impact on the local entertainment business and the birth of the ‘teenager’. Read all about the artists from the early pioneers of Alan Dale, Johnny O’Keefe and Col Joye to the early Sixties stars like The Atlantics, The Denvermen, Little Pattie and Billy Thorpe and The Aztecs.
The National Geographic Traveler guidebooks are in tune with the growing trend toward experiential travel. Each book provides inspiring photography, insider tips, and expert advice for a more authentic, enriching experience of the destination. These books serve a readership of active, discerning travelers, and supply information, historical context, and cultural interpretation not available online. The spectacular variety of landscapes that make Australia a unique continent attracts a growing number of visitors every year. With the invaluable experience of Roff Smith, award-winning journalist and writer, they can enjoy the most significant and authentic experiences. His profound knowledge of the Australian Outback makes him the ideal guide to accompany the reader from Sydney's famous Bondi Beach to Ayer's Rock, through the desert hinterland all the way to Western Australia and toward the colorful underwater scenery of the Great Barrier Reef. With its 175 photos and 30 detailed maps, the guide provides all the necessary tools to plan a trip to such a unique destination on the other side of the world. It takes readers to every corner of the country with information on Australia's history, food, and culture. Smith relies on the suggestions of local experts who recommend hotels and restaurants in all parts of the country and for all budgets. This guide offers all the information a traveler needs to have an unforgettable trip with unique experiences like dolphin watching off the western coast, hiking in the Outback desert, and scuba diving on the Great Barrier Reef.
Popular music has traditionally served as a rallying point for voices of opposition, across a huge variety of genres. This volume examines the various ways popular music has been deployed as anti-establishment and how such opposition both influences and responds to the music produced. Implicit in the notion of resistance is a broad adversarial hegemony against which opposition is measured. But it would be wrong to regard the music of popular protest as a kind of dialogue in league against 'the establishment'. Convenient though they are, such 'us and them' arguments bespeak a rather shop-worn stance redolent of youthful rebellion. It is much more fruitful to perceive the relationship as a complex dialectic where musical protest is as fluid as the audiences to which it appeals and the hegemonic structures it opposes. The book's contemporary focus (largely post-1975) allows for comprehensive coverage of extremely diverse forms of popular music in relation to the creation of communities of protest. Because such communities are fragmented and diverse, the shared experience and identity popular music purports is dependent upon an audience collectivity that is now difficult to presume. In this respect, The Resisting Muse examines how the forms and aims of social protest music are contingent upon the audience's ability to invest the music with the 'appropriate' political meaning. Amongst a plethora of artists, genres, and themes, highlights include discussions of Aboriginal rights and music, Bauhaus, Black Sabbath, Billy Bragg, Bono, Cassette culture, The Capitol Steps, Class, The Cure , DJ Spooky, Drum and Bass, Eminem, Farm Aid, Foxy Brown, Folk, Goldie, Gothicism, Woody Guthrie, Heavy Metal, Hip-hop, Independent/home publishing, Iron Maiden, Joy Division, Jungle, Led Zeppelin, Lil'Kim, Live Aid, Marilyn Manson, Bob Marley, MC Eiht, Minor Threat, Motown, Queen Latifah, Race, Rap, Rastafarianism, Reggae, The Roots, Diana Ross, Rush, Salt-n-Pepa, 7 Seconds, Roxanne Shanté, Siouxsie and the Banshees, The Sisters of Mercy, Michelle Shocked, Bessie Smith, Straight edge Sunrize Band, Bunny Wailer, Wilco, Bart Willoughby, Wirrinyga Band, Zines.
This volume examines the various ways popular music has been deployed as anti-establishment and how such opposition both influences and responds to the music produced. The book's contemporary focus (largely post-1975) allows for comprehensive coverage of extremely diverse forms of popular music in relation to the creation of communities of protest. The Resisting Muse examines how the forms and aims of social protest music are contingent upon the audience's ability to invest the music with the 'appropriate' political meaning.