[PDF] Aubrey Bright In Stories That Connect Us eBook
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Aubrey Bright in Stories That Connect Us is a heart-warming tale of intergenerational connection and the first book in a new series focusing on how relationships are strengthened through storytelling and the power technology has to connect us. Aubrey, a young precocious girl, has a strong relationship with her Gramma which is anchored in a love of storytelling. When her Gramma gets sick, Aubrey shows her that technology can be a powerful tool for modern storytelling and connection. We are thrilled to feature the artwork of a talented student, whose beautiful illustrations inspired the character, and whose voice helped us craft our narrative. Aubrey Bright is sure to engage K-8 teachers and students in conversations around digital citizenship and the positive uses of technology in our daily lives.
Fiction. Get ready. These are not your mother's bedtime stories. In this mesmerizing debut collection, Aubrey Hirsch will lead you into the darkest recesses of human life, where hope and longing and love and loss look all too much like one another. Each of these sixteen stories may be filled with its own kind of despair, but they are not despairing as Hirsch enters with deep sympathy into the souls of lonely women, broken men, young recruits, and dutiful daughters. With a hard intelligence, Hirsch considers the toll of heartache and loss, and the simple cost of longing. Taut and tension filled, these stories will transport you into the heart of what it means to be human. But be careful. Hirsch's compassion arrives on a knife blade. And you just may find your own heart cut open. "In WHY WE NEVER TALK ABOUT SUGAR, Aubrey Hirsch posits an uncertain world, offering us her characters at their most confused, frightened, obsessed. As protection against their troubles, these men and women cling often to science, and also to story and if these two ways of seeing cannot always save them, then still they might provide some comfort, some necessary and sustaining faith, the mechanisms of what greatest mysteries might await us all, when all else is stripped away." --Matt Bell "Aubrey Hirsch is a bright shining star of a writer and the stories in her flawless debut collection, WHY WE NEVER TALK ABOUT SUGAR, are a little disturbing and a little strange and a little sweet but always a lot to hold on to. Hirsch shows us the charm of her imagination and how carefully she will break your heart. This is a book you will keep coming back to, the one you won't be able to stop talking about because it's that damn good."--Roxane Gay "Each story in WHY WE NEVER TALK ABOUT SUGAR is a Petri dish, a distinct world in which a particle is discovered, a lake vanishes, but the narrative microscope never forgets that what really matters are the characters. This fiction is lyrical and wicked smart, reminiscent of Aimee Bender and Miranda July. So, here's my hypothesis: Aubrey Hirsch is a bright new voice in American fiction."--Cathy Day
The Next Africa, an Axiom Best Business Book Award winner, will change the way people think about the continent. The old narrative of an Africa disconnected from the global economy, depicted by conflict or corruption, and heavily dependent on outside donors is fading. A wave of transformation driven by business, modernization, and a new cadre of remarkably talented Africans is thrusting the continent from the world's margins to the global mainstream. In the coming decades the magnitude of Africa's markets and rising influence of its people will intersect with other key trends to shape a new era, one in which Africa's progress finally overshadows its challenges, transforming an emerging continent into a global powerhouse. The Next Africa captures this story. Authors Jake Bright and Aubrey Hruby pair their collective decades of Africa experience with several years of direct research and interviews. Packed with profiles; personal stories, research and analysis, The Next Africa is a paradigm-shifting guide to the events, trends, and people reshaping Africa's relationship to the world. Bright and Hruby detail the cross-cutting trends prompting Silicon Valley venture capital funds and firms like GE, IBM, and Proctor & Gamble to make major investments in African economies, while describing how Africans are stimulating Milan runways, Hollywood studios, and London pop charts. The Next Africa introduces readers to the continent's burgeoning technology movement, rising entrepreneurs, groundbreaking philanthropists, and cultural innovators making an impact in music, fashion, and film. Bright and Hruby also connect Africa's transformation to its contemporary immigrant diaspora, illustrating how this increasingly affluent group will serve as the thread that pulls the continent's success together. Finally, The Next Africa suggests a fresh framework for global citizens, public policy-makers, and CEOs to approach Africa. It will no longer be "The Hopeless Continent", nor will it become an overnight utopia. Bright and Hruby offer a more nuanced, net-sum, and data-rich approach to analyzing an increasingly complex continent, reconciling its continued challenges with rapid progress. The Next Africa describes a future of a more globally-connected Africa where its leaders and citizens wield significant economic, cultural, and political power--a future in which Americans will be more likely to own African stocks, work for companies doing business in Africa, buy African hits from iTunes, see Nigerian actors win Oscars, and learn new African names connected to tech moguls and billionaires.
Equipping students for their future begins by helping them become digital leaders now. Students need to learn how to leverage social media to connect to people, passions, and opportunities to grow and make a difference. Social LEADia offers insight and engaging stories to help you shift the focus from digital citizenship to digital leadership.
"I had everything I needed to run a household: a house, food, and a new family. From now on it would just be me and Sammy–the two of us, and no one else." A tragic accident has turned eleven-year-old Aubrey’s world upside down. Starting a new life all alone, Aubrey has everything she thinks she needs: SpaghettiOs and Sammy, her new pet fish. She cannot talk about what happened to her. Writing letters is the only thing that feels right to Aubrey, even if no one ever reads them. With the aid of her loving grandmother and new friends, Aubrey learns that she is not alone, and gradually, she finds the words to express feelings that once seemed impossible to describe. The healing powers of friendship, love, and memory help Aubrey take her first steps toward the future. Readers will care for Aubrey from page one and will watch her grow until the very end, when she has to make one of the biggest decisions of her life. Love, Aubrey is devastating, brave, honest, funny, and hopeful, and it introduces a remarkable new writer, Suzanne LaFleur. No matter how old you are, this book is not to be missed.
'Bryan’s writing pops and zings like a Basquiat painting' – NOEL FIELDING In Bright Stars, Kate Bryan examines the lives and legacies of 30 great artists who died too young, celebrating their inspirational stories and extraordinary talent. Some of the world’s greatest and most-loved artists died under the age of forty. But how did they turn relatively short careers into such long legacies? What drove them to create, against all the odds? And how can we use these stories to re-evaluate artists lost to the shadows, or whose legacies are not yet secured? Most artists have decades to hone their craft, win over the critics and forge their reputation, but that’s not the case for the artists in this book. Art heavyweights Vincent van Gogh and Jean-Michel Basquiat have been mythologised, with their early deaths playing a key role in their posthumous fame. Others, such as Aubrey Beardsley and Noah Davis, were driven to create, knowing their time was limited. For some, premature death, compounded by gender and racial injustice, meant being left out of the history books – as was the case with Amrita Sher-Gil, Charlotte Salomon and Pauline Boty, now championed by Kate Bryan in this important re-appraisal. And, as Caravaggio and Vermeer’s stories show us, it can take centuries for forgotten artists to be given the recognition they truly deserve. With each artist comes a unique and often surprising story about how lives full of talent and tragedy were turned into brilliant legacies that still influence and inspire us today. This is a celebration of talent so great it shines on. Beautifully illustrated with portraits of the artists, as well as reproductions of some of their most famous works, this important and timely work makes a crucial contribution to our understanding of the lives of some of the most talented artists throughout history. **************** 'Bryan’s writing pops and zings like a Basquiat painting – and reminds us why truly great artists are immortal.' –NOEL FIELDING 'Bright Stars is a compelling reflection on the concept of legacy. Bryan’s wide ranging assessment of artists we lost too soon proves that longevity in art is rewarded to the stars that burn the brightest, however fleeting their lives and careers.' – MARIA BALSHAW, DIRECTOR OF TATE 'Kate Bryan marshalls a wealth of fascinating detail about artists’s lives cut sadly short … and in sprightly prose brings their work vividly to life.' – JOAN BAKEWELL **************** The Artists Keith Haring, Jean-Michel Basquiat, Caravaggio, Dash Snow, Vincent van Gogh, Amedeo Modigliani, Francesca Woodman, Ana Mendieta, Félix González-Torres, Raphael, Yves Klein, Gordon Matta-Clark, Robert Mapplethorpe, Egon Schiele, Paula Modersohn-Becker, Amrita Sher-Gil, Johannes Vermeer, Robert Smithson, Henri de Toulouse-Lautrec, Aubrey Beardsley, Noah Davis, Eva Hesse, Charlotte Salomon, Umberto Boccioni, Gerda Taro, Joanna Mary Boyce, Pauline Boty, Helen Chadwick, Khadija Saye, Bartholomew Beal.
From the best-selling author of Bright Lights, Big City: a sexy, vibrant, cross-generational New York story--a literary and commercial triumph of the highest order. Even decades after their arrival, Corrine and Russell Calloway still feel as if they’re living the dream that drew them to New York City in the first place: book parties or art openings one night and high-society events the next; jobs they care about (and in fact love); twin children whose birth was truly miraculous; a loft in TriBeCa and summers in the Hamptons. But all of this comes at a fiendish cost. Russell, an independent publisher, has superb cultural credentials yet minimal cash flow; as he navigates a business that requires, beyond astute literary judgment, constant financial improvisation, he encounters an audacious, potentially game-changing—or ruinous—opportunity. Meanwhile, instead of chasing personal gain in this incredibly wealthy city, Corrine devotes herself to helping feed its hungry poor, and she and her husband soon discover they’re being priced out of the newly fashionable neighborhood they’ve called home for most of their adult lives, with their son and daughter caught in the balance. Then Corrine’s world is turned upside down when the man with whom she’d had an ill-fated affair in the wake of 9/11 suddenly reappears. As the novel unfolds across a period of stupendous change—including Obama’s historic election and the global economic collapse he inherited—the Calloways will find themselves and their marriage tested more severely than they ever could have imagined.
Five friends. Five cities. Two complicated love stories . . . The perfect read for fans of Jennifer E Smith and Sara Barnard. Aubrey and Rae have been planning their European tour since the moment they met. It was meant to be the perfect way to spend their last summer together before university, but now it's not just the two of them . . . There's Jonah, Aubrey's seemingly perfect boyfriend, and Gabe, who Aubrey may have accidentally kissed. Then there's Clara, the friend Rae is crushing on, hard, even though there's no hope because Clara is into guys, not girls. And on top of all that Aubrey and Rae's friendship appears to be falling apart. Things are more complicated at eighteen than they were at ten. Set off on a romantic adventure that embraces warm summer nights, the thrill of first kisses and the bittersweet ache of saying goodbye to the past.
The author takes the reader on a tour that covers such topics as computers, evolution, Descartes, Schrodinger, and the nature of perception, language, and invididuality. He argues that biology provides the key to understanding the brain. Underlying his argument is the evolutionary view that the mind arose at a definite time in history. This book ponders connections between psychology and physics, medicine, philosophy, and more. Frequently contentious, Edelman attacks cognitive and behavioral approaches, which leave biology out of the picture, as well as the currently fashionable view of the brain as a computer.
Lindsey Althorp, the only son of a wealthy baronet, has never worked a day in his life. Aubrey Warren was born in a workhouse and hasn't stopped working since. When Lindsey wins a textile mill in a game of cards, he falls at first sight for the assistant clerk, Aubrey. Lindsey is certain that Aubrey is the Achilles to his Patroclus, the David to his Jonathan. Yet Aubrey, unaccustomed to affection, refuses to be a kept man-though he isn't immune to Lindsey's considerable charm. Buoyed by Lindsey's optimism and fuelled by Aubrey's industry, the two men strive to overcome the class gulf between them. But a horrific accident reveals a betrayal that threatens to tear them apart forever.