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Art of the American West

Author : Tacoma Art Museum
Publisher : Yale University Press
Page : 0 pages
File Size : 14,25 MB
Release : 2014
Category : ART
ISBN : 9780300207606

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"With the expertise of Director Emeritus and Senior Scholar of the Buffalo Bill Center of the West Peter H. Hassrick and newly appointed Haub Curator of Western American Art Laura F. Fry, the Haub Family Collection was shaped into a gift of artworks spanning more than 200 years of American history. In finding a home here, the collection establishes the only major museum collection of western American art in the Pacific Northwest, offering a new dimension of artistic discovery to Tacoma, the State of Washington, and beyond. In selecting their artwork, the Haubs have been guided by love of nature and interest in western history. From the shores of Puget Sound to the sagebrush of Wyoming, they have found inspiration, adventure, and peace in the landscapes of the western United States. It is their hope that this collection at Tacoma Art Museum will continue to inspire others in the years to come"--

The American West in Art: Selections from the Denver Art Museum

Author : Thomas Brent Smith
Publisher : 5 Continents Editions
Page : 244 pages
File Size : 32,74 MB
Release : 2020-09-16
Category : Art
ISBN : 9788874399369

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- Presents a selection of works in the Petrie Institute of Western American Art collectionThis volume collects a selection of works of art produced in the western United States belonging to the collection of the Petrie Institute of Western American Art housed in the Denver Art Museum. This collection is one of the richest and most substantial in the world on this subject, thanks to its outstanding bronze sculptures, early modern works, and contributions from the artistic communities of Taos and Santa Fe. The central theme of the book is the period stretching from the beginning of the 19th century to the mid-20th century. More than 200 pages of portraits, genre scenes, landscapes, and depictions of a still-intact wilderness make evident the diversity of the collection. The narrative proceeds chronologically, presenting early luminaries such as Albert Bierstadt, Frederic Remington, and Charles M. Russell; Robert Henri and the artists of the TAO community; and prominent modernist painters, including Maynard Dixon, Marsden Hartley, and Raymond Jonson. Numerous illustrations and expert interpretations chronicle the artistic, cultural, and identarian climate in the western United States during this period. A prologue by historian Dan Flores and an epilogue by art historian Erika Doss describe the vaster context in which to view this rich history of American art.

Painters and the American West

Author : Joan Carpenter Troccoli
Publisher :
Page : 0 pages
File Size : 13,62 MB
Release : 2000
Category : Painting
ISBN : 9780988177406

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Re-imagining the Modern American West

Author : Richard W. Etulain
Publisher : University of Arizona Press
Page : 276 pages
File Size : 43,57 MB
Release : 1996-09
Category : History
ISBN : 9780816516834

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Describes changes in how the West has been seen, from a male-dominated frontier, to a region with a powerful sense of place, to a modern center of both genders, ethnic groups, and environmental interests

Branding the American West

Author : Marian Wardle
Publisher : University of Oklahoma Press
Page : 241 pages
File Size : 13,60 MB
Release : 2016-02-17
Category : Art
ISBN : 0806154128

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Artists and filmmakers in the early twentieth century reshaped our vision of the American West. In particular, the Taos Society of Artists and the California-based artist Maynard Dixon departed from the legendary depiction of the “Wild West” and fostered new images, or brands, for western art. This volume, illustrated with more than 150 images, examines select paintings and films to demonstrate how these artists both enhanced and contradicted earlier representations of the West. Prior to this period, American art tended to portray the West as a wild frontier with untamed lands and peoples. Renowned artists such as Henry Farny and Frederic Remington set their work in the past, invoking an environment immersed in conflict and violence. This trademark perspective began to change, however, when artists enamored with the Southwest stamped a new imprint on their paintings. The contributors to this volume illuminate the complex ways in which early-twentieth-century artists, as well as filmmakers, evoked a southwestern environment not just suspended in time but also permanent rather than transient. Yet, as the authors also reveal, these artists were not entirely immune to the siren call of the vanishing West, and their portrayal of peaceful yet “exotic” Native Americans was an expansion rather than a dismissal of earlier tropes. Both brands cast a romantic spell on the West, and both have been seared into public consciousness. Branding the American West is published in association with the Brigham Young University Museum of Art, Provo, Utah, and the Stark Museum of Art, Orange, Texas.

Land Arts of the American West

Author : Chris Taylor
Publisher :
Page : 434 pages
File Size : 39,70 MB
Release : 2009-04
Category : Art
ISBN :

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A wide-ranging exploration of human interactions with the land over thousands of years, as well as a model for teaching art and design in the field.

The Book of the American West

Author : Jay Monaghan
Publisher :
Page : 616 pages
File Size : 28,34 MB
Release : 1963
Category : West (U.S.)
ISBN :

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Presents folklore and legends, heroes and villains, wars and important events in the history of the Old West. Also includes examples of Western art and music.

Early Rock Art of the American West

Author : Ekkehart Malotki
Publisher : University of Washington Press
Page : 314 pages
File Size : 27,52 MB
Release : 2018-07-01
Category : Social Science
ISBN : 029574362X

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A CHOICE OUTSTANDING ACADEMIC TITLE The earliest rock art - in the Americas as elsewhere - is geometric or abstract. Until Early Rock Art in the American West, however, no book-length study has been devoted to the deep antiquity and amazing range of geometrics and the fascinating questions that arise from their ubiquity and variety. Why did they precede representational marks? What is known about their origins and functions? Why and how did humans begin to make marks, and what does this practice tell us about the early human mind? With some two hundred striking color images and discussions of chronology, dating, sites, and styles, this pioneering investigation of abstract geometrics on stone (as well as bone, ivory, and shell) explores its wide-ranging subject from the perspectives of ethology, evolutionary biology, cognitive archaeology, and the psychology of artmaking. The authors’ unique approach instills a greater respect for a largely unknown and underappreciated form of paleoart, suggesting that before humans became Homo symbolicus or even Homo religiosus, they were mark-makers - Homo aestheticus.

Life and Times of Jo Mora

Author : Peter Hiller
Publisher : Gibbs Smith
Page : 457 pages
File Size : 48,86 MB
Release : 2021-04-20
Category : Biography & Autobiography
ISBN : 1423657365

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An essential addition to any collection of Western art and Americana, The Life and Times of Jo Mora provides an in-depth biography of this gifted illustrator, painter, writer, cartographer, and sculptor. Jo Mora (1876–1947) lived the Western life he depicted in his prolific body of visual art, comprising sculpture, paintings, architectural adornments, dioramas, and maps. He explored California Missions, the natural glories of Yosemite, California’s ranch life, and eventually the culture of the Hopi and Navajo in Arizona. During his travels, Mora documented observations that became the source material and inspiration for much of his later artwork. The magnitude of Mora’s insights into his life and work, as described in his own words—many presented here in this book—cannot be underestimated. Jo Mora’s many diaries, journals, and literary efforts reveal an intellectual discernment, originality, and humor that enhance our appreciation of his work. Remarkably, throughout his life Mora supported his family solely through a series of art commissions that ranged from restaurant murals to heroic-scale sculpture. He welcomed risks and challenges, was unafraid of hard work, and did nearly everything well, from writing children’s stories to commanding an army battalion-in-training to shooting mountain lions. Ever modest, he seemed to think that this versatility was nothing extraordinary. Peter Hiller’s thoughtful presentation of Jo Mora’s life is seen here in all of its creative glory.