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Author : Bill Creevy
Publisher : Watson-Guptill
Page : 180 pages
File Size : 14,70 MB
Release : 1999-03-01
Category : Art
ISBN : 9780823032747
Without equal anywhere in print today, this is the most complete guide to oil painting materials, and how to use them to derive best results from the medium.
Author : Jean François Léonore MÉRIMÉE
Publisher :
Page : 432 pages
File Size : 20,71 MB
Release : 1839
Category :
ISBN :
Author : Virgil Elliott
Publisher : Watson-Guptill
Page : 0 pages
File Size : 38,95 MB
Release : 2007
Category : Oils and fats
ISBN : 9780823030668
"Traditional Oil Painting is that rare sourcebook that comprehensively covers the most advanced techniques and concepts of oil painting"--P. [2] of cover.
Author : Walter Foster Creative Team
Publisher : Walter Foster Publishing
Page : 146 pages
File Size : 33,71 MB
Release : 2004
Category : Art
ISBN : 1560107510
The reader is introduced to the techniques of oil painting.
Author : Anita Marie Giddings
Publisher : John Wiley & Sons
Page : 325 pages
File Size : 41,80 MB
Release : 2011-02-09
Category : Art
ISBN : 1118051998
Nobody ever said that oil painting was easy. But it gets much easier and a lot more fun when you follow a step-by-step approach that starts you off on the right foot, helps you build your skills one at a time, and gives you plenty of exercises to develop your craft. That’s what you’ll find in Oil Painting For Dummies. Completely free of arty jargon, this full-color guide has all the hands-on instruction you need to master the basics. You’ll see how to plan a painting, build an image in layers, mix colors, and create stunning compositions. You’ll also find everything you need to know about oil paints, solvents, and pigments; brushes, palettes, and painting surfaces; and how to keep costs down at the art supply store. Discover how to: Choose the right supplies Set up your studio and care for your equipment Handle your materials safely Develop your design and composition skills Make practice sketches and studies Use broken stroke, dry brush, glazing, scraffito and other brush strokes Try out different compositions Mix any color you want Simplify tricky still-life subjects Paint landscapes and common objects out doors Paint portraits and the human form Complete with handy color chart, basic materials list, and a very useful viewing square, Oil Painting For Dummies is the fun and easy way to discover your inner artist!
Author : Anita Hampton
Publisher : Walter Foster Publishing
Page : 64 pages
File Size : 43,52 MB
Release : 2002-01-01
Category : Art
ISBN : 1610598709
Aspiring oil painters can take a journey with four accomplished oil artists as they follow along with step-by-step demonstrations that feature a variety of techniques and a range of subject matter. Artists of all skill levels will appreciate the appeal of each approach as they learn to paint tropical seascapes, pastoral landscapes, dynamic still lifes, captivating animal portraits, and more. Oil Painting Step by Step walks you through concepts and techniques including underpainting, composition, plein air, and special effects, assuring you a solid foundation in this wonderful art form.
Author : Joanna Barnes
Publisher : University of Pennsylvania Press
Page : 191 pages
File Size : 31,34 MB
Release : 1994
Category : Art
ISBN : 9780812232752
The Academie Royale de Peinture et de Sculpture, founded in Paris in 1648 as an alternative to the old guild system, was the center for art instruction through the end of the nineteenth century, and the most skilled practitioners of oil painting - and the majority of artists included in the catalogue - belonged to the Academie. Membership in the Academie provided artists with the only opportunity to exhibit their work and was, therefore, crucial for professional success. Because the oil sketch played an important role in the planning and execution of finished works, these artists were well-versed in the practice of oil sketching. This catalogue explores the diversity and evolution of the oil sketch within the French academic tradition, with detailed discussions of 127 works, all of which are drawn from a private collection currently on loan to the University Art Museum of the University of New Mexico, Albuquerque. Among the artists whose works are included are Francois Boucher, Henri Fantin-Latour, Jean-Baptiste Hilaire, Adelaide Labille-Guiard, Jean-Baptiste Leprince, Jacques Sablet, and Simon Vouet.
Author : Asher Ethan Miller
Publisher : Metropolitan Museum of Art
Page : 50 pages
File Size : 39,99 MB
Release : 2013
Category : Painting, French
ISBN : 1588394840
Author : Dan McCaw
Publisher : International Artist Publishing
Page : 136 pages
File Size : 36,33 MB
Release : 2002
Category : Art
ISBN :
Dan McCaw is one of America's most respected artists, and with this book he reveals his oil-painting approach for creating great art, from thumbnail ideas to finishing touches. Readers will gain an understanding on the principles of light, the two basic ways to design a painting, an explanation of colour, his 5-stage development process, the art of seeing, outdoor painting, troubleshooting, and ways to broaden their thinking. Full-length, step-by-step demonstrations with generous captions, examples and explanatory sidebars ensure its value as a teaching aid for artists of all levels of ability.
Author : Gregg Kreutz
Publisher : Watson-Guptill
Page : 148 pages
File Size : 29,47 MB
Release : 1997-04-01
Category : Art
ISBN : 9780823040971
Finally - a book to help you solve all your painting problems! Inside you'll learn how to study a painting and correct problematic areas. Study topics include: Ideas - Is there a good abstract idea underlying the picture? - What details could be eliminated to strengthen the composition? - Does the painting have a focus? - Are the unessential parts subbordinated? - Does the painting "read"? - Could you finish any part of the painting? Shapes - Are the dominant shapes as strong and simple as possible? - Are the shapes too similiar? Value - Could the value range be increased? - Could the number of values be reduced? Light - Is the subject effectively lit? - Is the light area big enough? - Would the light look stronger with a suggestion of burnout? - Do the lights have a continuous flow? - Is the light gradiated? Shadows - Do the shadow shapes describe the form? - Are the shadows warm enough? Depth - Would the addition of foreground material deepen the space? - Does the background recede far enough? - Are the halftones properly related to the background? Solidity - Is the underlying form being communicated? - Is the symmetry in perspective? Color - Is there a color strategy? - Could a purer color be used? - Do the whites have enough color in them? - Are the colors overbended on the canvas? - would the color look brighter if it were saturated into its adjacent area? Paint - Is your palette efficiently organized? - Is the painting surface too absorbent? - Are you using the palette knife as much as you could? - Are you painting lines when you should be painting masses? - Are the edges dynamic enough? - Is there enough variation in the texture of the paint?