[PDF] Art From The First World War eBook

Author : Robert Cozzolino
Publisher : Princeton University Press
Page : 320 pages
File Size : 30,4 MB
Release : 2016-11
Category : Art
ISBN : 0691172692

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-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---

Author : David M. Lubin
Publisher : Oxford University Press
Page : 380 pages
File Size : 45,3 MB
Release : 2016
Category : Art
ISBN : 0190218614

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War, modernism, and the academic spirit -- Women in peril -- Mirroring masculinity -- Opposing visions -- Opening the floodgates -- To see or not to see -- Being there -- Behind the mask -- Monsters in our midst.

Author : James Fox
Publisher : Cambridge University Press
Page : 259 pages
File Size : 39,35 MB
Release : 2015-07-30
Category : Art
ISBN : 1107105870

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Overturning decades of scholarly orthodoxies, James Fox makes a bold new argument about the First World War's cultural consequences.

Author : Ephraim Durnst
Publisher :
Page : 212 pages
File Size : 31,67 MB
Release : 2020-02-03
Category :
ISBN :

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A collection of full-color artwork from World War One that illustrates the immense destruction and human turmoil of The Great War. World War One raged from 1914 through 1918. Before the advent of modern video and photography, artists documented it using a variety of mediums for newspapers and magazines from the era. Using their imagination and technical skill, these talented illustrators and painters created something beautiful out of something terrible that gives a candid look at one humanity's greatest conflicts. The Art of World War 1 collects more than 100 brilliant pieces from the WW1-era depicting French, British, German, American troops, and more involved in the struggle. Stunning color illustrations from artists like Francois Flameng, Charles Hoffbauer, G. Koch, Georges Scott, Willy Stöwer, and more fill the pages with intimate scenes and epic shots of destruction. Included are prints featuring air combat, soldiers charging, tanks, boats, and the aftermath of battle. Using pens, pencils, paints, and brushes, they captured the action and emotion of The Great War in a way that film could not. In many cases, these brave individuals traveled to the front lines and sketched, drew, and painted what they saw. More than 100 years after its creation, their art is more vivid and impactful today than ever before.

Author : Alfred Emile Cornebise
Publisher : Texas A&M University Press
Page : 174 pages
File Size : 27,79 MB
Release : 2015-02-19
Category : History
ISBN : 1623492025

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Since ancient times, wars have inspired artists and their patrons to commemorate victories. When the United States finally entered World War I, American artists and illustrators were commissioned to paint and draw it. These artists’ commissions, however, were as captains for their patron: the US Army. The eight men—William J. Aylward, Walter J. Duncan, Harvey T. Dunn, George M. Harding, Wallace Morgan, Ernest C. Peixotto, J. Andre Smith, and Harry E. Townsent—arrived in France early in 1918 with the American Expeditionary Forces (AEF). Alfred Emile Cornebise presents here the first comprehensive account of the US Army art program in World War I. The AEF artists saw their role as one of preserving images of the entire aspect of American involvement in a way that photography could not.

Author : Jennifer Farrell
Publisher : Metropolitan Museum of Art
Page : 51 pages
File Size : 31,54 MB
Release : 2017-11-02
Category : History
ISBN : 1588396568

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Published on the occasion of the centenary of World War I, this Bulletin, which accompanies the related exhibition “World War I and the Visual Arts,” on view at The Met until January 7, 2018, explores the myriad and often contradictory ways in which artists responded to the world’s first modern war. Drawn primarily from The Met’s collection of works on paper and supplemented with loans from private collections, both presentations move chronologically from the initial mobilization in early August 1914 to the tumultuous decade that followed the armistice of November 1918. Ranging from expressions of bellicose enthusiasm to sentiments of regret, grief, and anger, the selected works—from prints, photographs, and drawings to propaganda posters, postcards, and commemorative medals—powerfully evoke the conflicting emotions of this complex period. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

Author : Steven Trout
Publisher : University of Alabama Press
Page : 342 pages
File Size : 11,14 MB
Release : 2010-09-02
Category : History
ISBN : 0817317058

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This work is a detailed study of how Americans in the 1920s and 1930s interpreted and remembered the First World War. Steven Trout asserts that from the beginning American memory of the war was fractured and unsettled, more a matter of competing sets of collective memories—each set with its own spokespeople— than a unified body of myth. The members of the American Legion remembered the war as a time of assimilation and national harmony. However, African Americans and radicalized whites recalled a very different war. And so did many of the nation’s writers, filmmakers, and painters. Trout studies a wide range of cultural products for their implications concerning the legacy of the war: John Dos Passos’s novels Three Soldiers and 1919, Willa Cather’s One of Ours, William March’s Company K, and Laurence Stallings’s Plumes; paintings by Harvey Dunn, Horace Pippin, and John Steuart Curry; portrayals of the war in The American Legion Weekly and The American Legion Monthly; war memorials and public monuments like the Tomb of the Unknown Soldier; and commemorative products such as the twelve-inch tall Spirit of the American Doughboy statue. Trout argues that American memory of World War I was not only confused and contradictory during the ‘20s and ‘30s, but confused and contradictory in ways that accommodated affirmative interpretations of modern warfare and military service. Somewhat in the face of conventional wisdom, Trout shows that World War I did not destroy the glamour of war for all, or even most, Americans and enhanced it for many.

Author : Emma Chambers
Publisher : Tate
Page : 0 pages
File Size : 10,73 MB
Release : 2018-09-25
Category : History
ISBN : 9781849765671

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Examines the memorialisation and the social and aesthetic impact of the First World War through the visual arts in Britain, Germany and France

Author : Monica Cioli
Publisher : Campus Verlag
Page : 223 pages
File Size : 43,16 MB
Release : 2019-05-15
Category :
ISBN : 3593510308

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Traces of Modernism surveys the competing social and political visions that marked the transition from the nineteenth century to the twentieth, and the complex relationships and connections between these visions. A host of international contributors consider an extensive range of philosophical and artistic ideologies--from Bauhaus and Italian futurism to plans for totalitarian state-building--that bloomed in the wake of the World War One and the ensuing worldwide revolutions. These ideologies developed amid the uneasy backdrop of new kinds of international cooperation that were periodically punctuated by sharp bursts of fervid nationalism. At the center of each essay in Traces of Modernism stands the image of the machine, a metaphor for technological innovation and new systems of order that stood unfortunately ready for corruption by forces of authoritarianism.