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First published in 1892, this classic explores the symbolism of classical architecture. A milestone in relating mysticism to design, it shows the correlation between mythology and the design of St. Paul's Cathedral, the Taj Mahal, the Palace of Versailles, and other architectural masterpieces. 30 black-and-white illustrations.
This classic explores the symbolism of classical architecture. A milestone in relating mysticism to design, it shows the correlation between mythology and the design of St. Paul's Cathedral, the Taj Mahal, the Palace of Versailles, and other architectural masterpieces. This delightful book describes the symbolism of real-world architecture, as well as architecture described in fiction, myth and folklore. Lethaby believed that architecture reflected the macrocosm. He speculated that many of the seemingly ornamental details of classical buildings actually represented aspects of the land, the sea and the sky. This is one of those books like the Golden Bough or the White Goddess (albeit shorter and a less challenging read) that will turn you on to the mythopoetic side of reality, no matter whether you agree with its conclusions.
A highly original architectural history of Solomon’s Temple and Islam’s Dome of the Rock that doubles as a social and cultural history of the region The most extensive study of the interrelated history of two monuments, Solomon’s Temple and The Dome of the Rock, drawing on an exhaustive review of all the visual and textual evidence Relayed as a gripping narrative, allowing readers to re-enter and experience the emotions and the visceral reality of the major events in its history Integrates illustration with the text to offer a highly detailed and accurate portrait of the major structures and figures involved in the history of the temple Opens up a fascinating line of questioning into the conventional interpretation of events, particularly Christ’s actions in the Temple Reproduces rarely seen detailed drawings of the subterranean passages beneath Temple Mount as part of the British survey in the 19th century
Excerpt from Architecture, Mysticism and Myth In such a wide field I have thought it well to con centrate my attention on some few definite points, and I fear, in doing this, there may be some unnecessary insistence and repetition a tendency to overprove, and an attempt to explain too much on the one hand to burden with what is obvious, on the other to weaken by unfounded conjecture. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"This book delves into the life and work of architect William Richard Lethaby (1857 - 1931) and his relationship with the occult and alchemy, in particular. Using detailed analysis of Lethaby's drawings and architecture, the research uncovers Lethaby's familiarity with occult concepts and ideology during the spiritual revolution of the 19th century. Throughout this time, countless individuals, particularly members of the avant-garde, rejected more traditional religious pathways and sought answers through experimental and mystical alternatives. William Lethaby, Symbolism and the Occult reveals how the architect was profoundly influenced by the Zeitgeist, which was saturated with references to spiritualism, mysticism and the occult, and explores the impact of occultism on his contemporaries and the wider Arts and Crafts Movement. This book is written for upper-level students, researchers and academics interested in architectural history, William Lethaby and 19th century culture and society"--
Author : Jason Ananda Josephson Storm Publisher : University of Chicago Press Page : 428 pages File Size : 24,4 MB Release : 2017-05-16 Category : History ISBN : 022640336X
A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines’ founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world. By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.