Anthropology Theatre And Development Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Anthropology Theatre And Development book. This book definitely worth reading, it is an incredibly well-written.
The contributors explore diverse contexts of performance to discuss peoples' own reflections on political subjectivities, governance and development. The volume refocuses anthropological engagement with ethics, aesthetics, and politics to examine the transformative potential of political performance, both for individuals and wider collectives.
In performances by Euro-Americans, Afro-Americans, Native Americans, and Asians, Richard Schechner has examined carefully the details of performative behavior and has developed models of the performance process useful not only to persons in the arts but to anthropologists, play theorists, and others fascinated (but perhaps terrified) by the multichannel realities of the postmodern world. Schechner argues that in failing to see the structure of the whole theatrical process, anthropologists in particular have neglected close analogies between performance behavior and ritual. The way performances are created—in training, workshops, and rehearsals—is the key paradigm for social process.
Author : Frank J. Korom Publisher : John Wiley & Sons Page : 505 pages File Size : 31,47 MB Release : 2013-01-17 Category : Social Science ISBN : 1118493095
The Anthropology of Performance is an invaluable guide to this exciting and growing area. This cutting-edge volume on the major advancements in performance studies presents the theories, methods, and practices of performance in cultures around the globe. Leading anthropologists describe the range of human expression through performance and explore its role in constructing identity and community, as well as broader processes such as globalization and transnationalism. Introduces new and advanced students to the task of studying and interpreting complex social, cultural, and political events from a performance perspective Presents performance as a convergent field of inquiry that bridges the humanities and social sciences, with a distinctive cross-cultural perspective in anthropology Demonstrates the range of human expression and meaning through performance in related fields of religious & ritual studies, folkloristics, theatre, language arts, and art & dance Explores the role of performance in constructing identity, community, and the broader processes of globalization and transnationalism Includes fascinating global case studies on a diverse range of phenomena Contributions from leading scholars examine verbal genres, ritual and drama, public spectacle, tourism, and the performances embedded in everyday selves, communities and nations
This book considers the relevance of ritual theatre in contemporary life and describes how it is being used as a highly cathartic therapeutic process. With contributions from leading experts in the field of dramatherapy, the book brings together a broad spectrum of approaches to ritual theatre as a healing system.
Improvised Theatre as a form of performance has blanketed the globe. From New York City to Hong Kong to Mumbai, there are performers who share a common philosophy and vocabulary of action that allows them to create stories and relationships that move and entertain people. In this book of essays, Fortier explores this art as a tool for reflection, a means of cross-cultural communication, and a window into a way of being that may be our key to survival as a species. Fortier's interdisciplinary approach to the subject brings together the fields of anthropology, performance, evolutionary biology, and neuroscience to help expand the view of improvised theater beyond trite games into a grass-roots form of social rebooting. These essays are relevant to anyone who is curious about new approaches to personal, professional, and group development. This book may also be the beginning of the conversation on how we can transform away from disparate cultures of fear to a more unified Culture of Play.
Western aid is in decline. Non-traditional development actors from the developing countries and elsewhere are in the ascendant. A new set of global economic and political processes are shaping the twenty-first century. Anthropology and Development is a completely rewritten new edition of the best-selling Anthropology, Development and the Post-Modern Challenge (1996). Published to a set of excellent reviews and strong sales, it, along with the new book, serves as both an innovative reformulation of the field, and as a textbook for many undergraduate and graduate courses at leading universities in Europe and North America. For the new book, the authors Katy Gardner and David Lewis engage with nearly two decades of continuity and change in the development industry. In particular, they argue that while the world of international development has expanded since the 1990s, it has become more rigidly technocratic. Anthropology and Development therefore insists on a focus upon the core anthropological issues surrounding poverty and inequality, and thus sharply criticises the contemporary perceived problems in the field.
This book elucidates how learning from actors enables an intense education of attention for anthropologists. Actors perform the perception of sunshine, the sensation of pain, affects such as shock and emotions such as happiness; they act quarrels, erotic attraction, leadership and submission on stage. In order to achieve that, they undergo an education of attention, allowing them to develop skills that are also useful for anthropologists, particularly when doing research on phenomena that often elude academic procedures. Drawing on her own acting experiences and ongoing research with actors from Africa and Europe, Cassis Kilian takes up Tim Ingold’s manifold proposals to reconfigure anthropological research. She introduces approaches actors use to explore the complexity of human life and its bodily, sensual and emotional dimensions, which can be difficult for academics to grasp when examining topics such as everyday practices, traumatic experiences and power relations. Though the book discerns pitfalls in anthropological research and suggests artistic approaches to overcome them, it values anthropology as a discipline whose radical self-reflexive approach allows for such experiments. Including exercises and practical approaches, this is valuable reading for scholars interested in anthropological methods, sensory anthropology, perception and materiality, and theatre anthropology.