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Far beyond its immediate image of robed choirs, Gospel - through its solo singers and quartets, its impresarios and recording companies - has helped to give voice to the history of black people in America as well as shaping more obviously secular musical forms such as blues and rock 'n' roll. In this compelling and lively study, Steve Turner tells the story of Gospel against the backdrop of the social and economic changes taking place in the USA over a century and a half. He traces its history from its earliest expressions on the plantations of the south to initial influences in churches, its movement into the mainstream of popular music and on to its major period of popularity and influence in the middle decades of the 20th century. The book also features original interviews conducted by the author with many of the legendary figures of Gospel and is illustrated with photographs throughout.
Reveals the birth of spirituals in the extraordinary collision of cultures that took place as English hymn met African shout within the terrible confines of slavery. It follows the music as it first sustained the black churches, as it evolved into gospel during the Depression, as it became the original soul music of America and as it blossomed into the digitally-recorded performing art it is today.
This title chronicles the mysterious history of sainthood, unravelling the myths and addressing such issues as martyrdom, relics, patronage and canonisation. It discusses what a saint is and explains the selection and confirmation process, and covers subjects such as feast days, pilgrimage, and how sainthood is depicted in art.
An Illustrated History of the Church is for anyone fascinated by history, for anyone curious about the role of Christianity throughout the centuries, and for anyone who loves art. This stunning book will present a new way to learn?through two parallel pathways of reading and seeing, of words and images. Together, the author's lucid and engaging text and the 566 illustrations with explanatory captions provide not simply a history, but a vivid, multi-dimensional experience of the Church from early Christian times to the present day.
The rich and colorful story of America's most popular music and the singers and songwriters who captivated, entertained, and consoled listeners throughout the twentieth century--based on the upcoming eight-part film series to air on PBS in September 2019 This gorgeously illustrated and hugely entertaining history begins where country music itself emerged: the American South, where people sang to themselves and to their families at home and in church, and where they danced to fiddle tunes on Saturday nights. With the birth of radio in the 1920s, the songs moved from small towns, mountain hollers, and the wide-open West to become the music of an entire nation--a diverse range of sounds and styles from honky tonk to gospel to bluegrass to rockabilly, leading up through the decades to the music's massive commercial success today. But above all, Country Music is the story of the musicians. Here is Hank Williams's tragic honky tonk life, Dolly Parton rising to fame from a dirt-poor childhood, and Loretta Lynn turning her experiences into songs that spoke to women everywhere. Here too are interviews with the genre's biggest stars, including the likes of Merle Haggard to Garth Brooks to Rosanne Cash. Rife with rare photographs and endlessly fascinating anecdotes, the stories in this sweeping yet intimate history will captivate longtime country fans and introduce new listeners to an extraordinary body of music that lies at the very center of the American experience.
The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and one of our most important voices on the African American experience comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.
The Gospels of the New Testament describing the life of Jesus Christ have provided a rich source of inspiration to artists throughout the centuries. Mark's Gospel was the first to be written and tells the remarkable story of the life of Christ: Jesus' baptism by John the Baptist, and his temptation in the wilderness by Satan; the calling of the twelve apostles, and Jesus' preaching through parables; the many miracles of Jesus, from the feeding of the five thousand to walking on water and healing the sick; and the story of the Passion of Christ, from Judas' betrayal of Jesus with a kiss, to Christ's crucifixion and resurrection.
The Illustrated Gospels combines the finest elements of modern book design with the beauty of the great illuminated manuscripts of the past. 48 five-color illustrations.
In youthful yet tasteful comic-book style, Jesus comes alive for young readers with vibrant and expressive four-color illustrations and simple but engaging text. The moving story of the life, death and resurrection of Jesus is told in a way young readers will find both attractive and challenging; the Gospel is simplified without losing any of its saving power. "And what about you, who do you say that I am?"