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George Scithers published AMRA, a leading sword and sorcery fanzine, beginning in 1959. The term "swords and sorcery" first appeared there, and AMRA became a leading proponent of the subgenre. Several of the articles originally published in AMRA were later re-printed as part of two volumes about Conan the Barbarian, which Scithers co-edited with L. Sprague de Camp. Contributors to the magazine included all the leading fantasists of the day—Poul Anderson, L. Sprague de Camp, Fritz Leiber, and many more. This issue includes work by: L. Sprague de Camp, E. Hoffmann Price, Fritz Leiber, John Pocsik,and more.
George Scithers published AMRA, a leading sword and sorcery fanzine, beginning in 1959. The term "swords and sorcery" first appeared there, and AMRA became a leading proponent of the subgenre. Several of the articles originally published in AMRA were later re-printed as part of two volumes about Conan the Barbarian, which Scithers co-edited with L. Sprague de Camp. Contributors to the magazine included all the leading fantasists of the day: Poul Anderson, L. Sprague de Camp, Fritz Leiber, and many more.
George Scithers published AMRA, a leading sword and sorcery fanzine, beginning in 1959. The term "swords and sorcery" first appeared there, and AMRA became a leading proponent of the subgenre. Several of the articles originally published in AMRA were later re-printed as part of two volumes about Conan the Barbarian, which Scithers co-edited with L. Sprague de Camp. Contributors to the magazine included all the leading fantasists of the day: Poul Anderson, L. Sprague de Camp, Fritz Leiber, and many more.
George Scithers published AMRA, a leading sword and sorcery fanzine, beginning in 1959. The term "swords and sorcery" first appeared there, and AMRA became a leading proponent of the subgenre. Several of the articles originally published in AMRA were later re-printed as part of two volumes about Conan the Barbarian, which Scithers co-edited with L. Sprague de Camp. Contributors to the magazine included all the leading fantasists of the day. This issue includes contributions by: Poul Anderson, Michael Moorcock, John Boardman, and Dick Eney.
From World Fantasy Lifetime Achievement Award winner Michael Moorcock comes the final installment of the Elric of Melnibone series, brought to vivid new life with stunning illustrations. In one of the most well-known and well-loved fantasy epics of the 20th century, Elric is the brooding, albino emperor of the dying Kingdom of Melnibone. After coming into an unnatural, devastating power that felled his enemy Yrkoon and destroyed an entire city, Elric is haunted by the many deaths he caused and sets out on a quest for redemption and renewed purpose. The White Wolf is the final volume in Michael Moorcock’s incredible series, which created fantasy archetypes that have echoed through the genre for generations. Originally published in the 1970s, this book is brought to vivid new life with stunning illustrations from magnificent artists in the fantasy field.
“The stories here are the raw heart of Michael Moorcock. They are the spells that first drew me and all the numerous admirers of his work with whom I am acquainted into Moorcock’s luminous and captivating web.” –from the Foreword by Alan Moore, creator of V for Vendetta When Michael Moorcock began chronicling the adventures of the albino sorcerer Elric, last king of decadent Melniboné, and his sentient vampiric sword, Stormbringer, he set out to create a new kind of fantasy adventure, one that broke with tradition and reflected a more up-to-date sophistication of theme and style. The result was a bold and unique hero–weak in body, subtle in mind, dependent on drugs for the vitality to sustain himself–with great crimes behind him and a greater destiny ahead: a rock-and-roll antihero who would channel all the violent excesses of the sixties into one enduring archetype. Now, with a major film in development, here is the first volume of a dazzling collection of stories containing the seminal appearances of Elric and lavishly illustrated by award-winning artist John Picacio–plus essays, letters, maps, and other material. Adventures include “The Dreaming City,” “While the Gods Laugh,” “Kings in Darkness,” “Dead God’s Homecoming,” “Black Sword’s Brothers,” and “Sad Giant’s Shield.” An indispensable addition to any fantasy collection, Elric: The Stealer of Souls is an unmatched introduction to a brilliant writer and his most famous–or infamous–creation. “The most significant UK author of sword and sorcery, a form he has both borrowed from and transformed.” –The Encyclopedia of Fantasy From the Trade Paperback edition.
From World Fantasy Lifetime Achievement Award winner Michael Moorcock comes the second installment in is famous Elric of Melnibone series, brought to vivid new life with stunning illustrations. In one of the most well-known and well-loved fantasy epics of the 20th century, Elric is the brooding, albino emperor of the dying Kingdom of Melnibone. After defeating his nefarious cousin and gaining control over the epic sword, Stormbringer, Elric, prince of ruins, must decide what he’s willing to sacrifice in a fight against Armageddon. Stormbringer is the second in Michael Moorcock’s incredible series, which has transformed the fantasy genre for generations. Perfect for fans new and old, this book is brought to life once more with stunning illustrations from the most lauded artists in fantasy.
Foreword by Tad Williams Feared by enemies and friends alike, Elric of Melniboné walks a lonely path among the worlds of the Multiverse. The destroyer of his cruel and ancient race, as well as its final ruler, Elric is the bearer of a destiny as dark and cursed as the vampiric sword he carries—the sentient black blade known as Stormbringer. Del Rey is proud to present the sixth and concluding installment of its definitive omnibus editions featuring fantasy Grand Master Michael Moorcock’s most famous—or infamous—creation. Here is the full text of the novel The Revenge of the Rose, a screenplay for the novel Stormbringer, the novella Black Petals, the conclusion to Moorcock’s influential “Aspects of Fantasy” essay series and other nonfiction, and an indispensable reader’s guide by John Davey. Sumptuously illustrated by John Picacio, with a Foreword by Tad Williams, Elric: Swords and Roses is a fitting tribute to the most unique fantasy hero of all time.
Speculative modernists--that is, British and American writers of science fiction, fantasy and horror during the late 19th and early 20th centuries--successfully grappled with the same forces that would drive their better-known literary counterparts to existential despair. Building on the ideas of the 19th-century Gothic and utopian movements, these speculative writers anticipated literary Modernism and blazed alternative literary trails in science, religion, ecology and sociology. Such authors as H.G. Wells and H.P. Lovecraft gained widespread recognition--budding from them, other speculative authors published fascinating tales of individuals trapped in dystopias, of anti-society attitudes, post-apocalyptic worlds and the rapidly expanding knowledge of the limitless universe. This book documents the Gothic and utopian roots of speculative fiction and explores how these authors played a crucial role in shaping the culture of the new century with their darker, more evolved themes.
Lists citations with abstracts for aerospace related reports obtained from world wide sources and announces documents that have recently been entered into the NASA Scientific and Technical Information Database.