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"This book shows how the Bible decisively shaped American national history even as that history decisively influenced the use of Scripture. It explores the rise of a strongly Protestant Bible civilization in the early United States that was then fractured by debates over slavery, contested by growing numbers of non-Protestant Americans (Catholics, Jews, agnostics), and torn apart by the Civil War. Scripture survived as a significant, though fragmented, force in the more religiously plural period from Reconstruction to the early twentieth century. Throughout, the book pays special attention to how the same Bible shone as hope for black Americans while supporting other Americans who justified white supremacy"--
A blockbuster illustrated book that captures what Americans love to read, The Great American Read: The Book of Books is the gorgeously-produced companion book to PBS's ambitious summer 2018 series. What are America's best-loved novels? PBS will launch The Great American Read series with a 2-hour special in May 2018 revealing America's 100 best-loved novels, determined by a rigorous national survey. Subsequent episodes will air in September and October. Celebrities and everyday Americans will champion their favorite novel and in the finale in late October, America's #1 best-loved novel will be revealed. The Great American Read: The Book of Books will present all 100 novels with fascinating information about each book, author profiles, a snapshot of the novel's social relevance, film or television adaptations, other books and writings by the author, and little-known facts. Also included are themed articles about banned books, the most influential book illustrators, reading recommendations, the best first-lines in literature, and more. Beautifully designed with rare images of the original manuscripts, first-edition covers, rejection letters, and other ephemera, The Great American Read: The Book of Books is a must-have book for all booklovers.
In this groundbreaking work, leading historian Felipe Fernández-Armesto tells the story of our hemisphere as a whole, showing why it is impossible to understand North, Central, and South America in isolation without turning to the intertwining forces that shape the region. With imagination, thematic breadth, and his trademark wit, Fernández-Armesto covers a range of cultural, political, and social subjects, taking us from the dawn of human migration to North America to the Colonial and Independence periods to the “American Century” and beyond. Fernández-Armesto does nothing less than revise the conventional wisdom about cross-cultural exchange, conflict, and interaction, making and supporting some brilliantly provocative conclusions about the Americas’ past and where we are headed.
The author, an expert on business interests in Latin America, examines U.S. efforts, spanning two centuries, to impose economic dominance on the peoples of the Americas and the Latin American responses to these policies.
In this completely revised and updated edition, Langley covers the long period from the colonial era into the twenty-first century, providing an interpretive introduction to the history of U.S. relations with Latin America, the Caribbean, and Canada and discusses the formal structures and diplomatic postures underlying U.S. policy making.
Each government engaged in the European War has issued a White, Green, Blue or Yellow Book, explaining the causes which led to its entry into the great conflict. These books are all interesting, and are full of valuable documentary information; but, if the busy people of America are to understand the reasons for their own participation in the war, some shorter cut to the desired end must be devised. We, therefore, offer a BLACK AND WHITE BOOK, in which our nation's reasons for going to war are set forth in pictures, a universal language which can be read at a glance by any one who has eyes to see. On August 1st, 1914, we were at peace with all the world. We were bound by ties of blood to every race on earth. Particularly close and intimate were our relations with the German people, whom we welcomed to our shores as among our most desirable citizens. Then, far away from us, apart from our interests or concerns—like a tragedy being played on the other side of the footlights—broke the frightful war of 1914. We looked on fascinated, but not convinced of the reality of its cruelty. For a little over eight months we watched it, when, on April 22nd, 1915, there appeared in the New York papers an advertisement stating that the great passenger ship “LUSITANIA” would sail on the 7th of May for Liverpool. In the next column, in equally conspicuous type, appeared a sinister warning to Americans, telling them to keep off the seas at peril of their lives. This was signed, “IMPERIAL GERMAN EMBASSY, Washington, D. C.” On May 7th came the fulfilment of the threat, and we awoke to the fact that we were not an audience looking at a tragedy, but the victims of the tragedy itself. Not until then was it brought home to us that our good German friends, whom we thought we knew so well, had been inoculated with the virus of a Junker madness, and that we were dealing with a people who had cast from them every restraint of fair fighting and had become the outlaw nation of the world. In the following pictures the Artist has attempted to show “Why we are at war.”