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Excerpt from American Folksongs of Protest The Ludlow Massacre The 1913 Massacre The davidson-wilder Strike Miscellaneous Songs from the Coal Fields. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
American Folk Songs of Protest is a comprehensive collection of traditional American folk songs that were written and performed during times of social and political unrest. Compiled by John Greenway, a renowned folklorist and musicologist, this book features over 50 songs that were sung by activists, laborers, and ordinary people during the 19th and 20th centuries.The songs in this collection cover a wide range of topics, from the struggles of the working class to the fight for civil rights and social justice. Some of the most iconic protest songs of all time are included, such as ""This Land Is Your Land"" by Woody Guthrie, ""We Shall Overcome"" by Pete Seeger, and ""Blowin' in the Wind"" by Bob Dylan.Each song is accompanied by a brief introduction that provides historical context and explains the song's significance. The book also includes sheet music and lyrics for each song, as well as notes on the song's origins and variations.American Folk Songs of Protest is a valuable resource for anyone interested in American history, folk music, or social justice movements. With its rich collection of songs and insightful commentary, this book provides a unique window into the struggles and triumphs of the American people.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
This state-by-state collection of folksongs describes the history, society, culture, and events characteristic of all fifty states. Unlike all other state folksong collections, this one does not focus on songs collected in the particular states, but rather on songs concerning the life and times of the people of that state. The topics range from the major historical events, such as the Boston Tea Party, the attack on Fort Sumter, and the California Gold Rush, to regionally important events such as disasters and murders, labor problems, occupational songs, ethnic conflicts. Some of the songs will be widely recognized, such as Casey Jones, Marching Through Georgia, or Sweet Betsy from Pike. Others, less familiar, have not been reprinted since their original publication, but deserve to be studied because of what they tell about the people of these United States, their loves, labors, and losses, and their responses to events. The collection is organized by regions, starting with New England and ending with the states bordering the Pacific Ocean, and by states within each region. For each state there are from four to fifteen songs presented, with an average of 10 songs per state. For each song, a full text is reprented, followed by discussion of the song in its historical context. References to available recordings and other versions are given. Folksongs, such as those discussed here, are an important tool for historians and cultural historians because they sample experiences of the past at a different level from that of contemporary newspaper accounts and academic histories. These songs, in a sense, are history writ small. Includes: Away Down East, The Old Granite State, Connecticut, The Virginian Maid's Lament, Carry Me Back to Old Virginny, I'm Going Back to North Carolina, Shut up in Cold Creek Mine, Ain't God Good to Iowa?, Dakota Land, Dear Prairie Home, Cheyenne Boys, I'm off for California, and others.
American Folksongs of Protestby Greenway, John Published 1953Topics Folk songs, English, Ballads, English, Protest songsSHOW MORE "Musical transcriptions [unacc. melodies] by Edmund F. Soule." "Songs of social and economic protest on records": pages 311-327. Bibliography: p. 329-338 Publisher Philadelphia, University of Pennsylvania Press Pages 372 Language English Call number b1405229 Digitizing sponsor Boston Library Consortium Member Libraries Book contributor Wellesley College Library Collection Wellesley_College_Library; blc; americana Full catalog record MARCXML.
This state-by-state collection of folksongs describes the history, society, culture, and events characteristic of all fifty states. Unlike all other state folksong collections, this one does not focus on songs collected in the particular states, but rather on songs concerning the life and times of the people of that state. The topics range from the major historical events, such as the Boston Tea Party, the attack on Fort Sumter, and the California Gold Rush, to regionally important events such as disasters and murders, labor problems, occupational songs, ethnic conflicts. Some of the songs will be widely recognized, such as "Casey Jones," "Marching Through Georgia," or "Sweet Betsy from Pike." Others, less familiar, have not been reprinted since their original publication, but deserve to be studied because of what they tell about the people of these United States, their loves, labors, and losses, and their responses to events. The collection is organized by regions, starting with New England and ending with the states bordering the Pacific Ocean, and by states within each region. For each state there are from four to fifteen songs presented, with an average of 10 songs per state. For each song, a full text is reprented, followed by discussion of the song in its historical context. References to available recordings and other versions are given. Folksongs, such as those discussed here, are an important tool for historians and cultural historians because they sample experiences of the past at a different level from that of contemporary newspaper accounts and academic histories. These songs, in a sense, are history writ small.