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Collects Uncanny X-Men (2018) #11-16. Cyclops and Wolverine are together again and theyre mutantkinds only hope! After the devastating events of X-Men Disassembled, it falls to Scott Summers to rebuild the X-Men in the face of overwhelming hatred. Thankfully, hes not the only X-Man to have just returned from oblivion. Drawing together a new team from the ashes, Cyclops and Wolverine turn their eyes to setting an all-new agenda. Cyclops has a list of matters the X-Men must address but the Mutant Liberation Front has its own plans! Led by one of the X-Mens own, the MLF is willing to do whatever it takes to stop the oppression of Homo superior even if that means killing any mutant who stands in their way! Writer Matthew Rosenberg and returning superstar X-artist Salvador Larroca lead the X-Men into their darkest hour and beyond!
4 KIDS WALK INTO A BANK is the darkly comedic story of four burgeoning child criminals and their elaborate plans. When a group of bumbling criminals show up in her father's life looking to pull one last job, young Paige has two choices - let her father get caught up in their criminal hijinks or enlist her three best friends to do the job first. Paige picks the bad one. 200ish pages of full color comic-booking about friendship, family, growing up, and grand larceny from rising star writer Matthew Rosenberg (WE CAN NEVER GO HOME, KINGPIN, SECRET WARRIORS) and equally rising star artist Tyler Boss (LAZARUS, CALEXIT, Vice Magazine). This vollume collects the complete series that Kieron Gilled (THE WICKED + THE DIVINE, DARTH VADER) described as "Imagine Tarantino does Goonies. And excellent." and Brian K. Vaughan (SAGA, Y THE LAST MAN) said was "Exploding with ambition and love of the medium!" Collects issues 1-5.
This is the story of the winter of 1980. In the shadow of the days following John Lennon's murder, a strange preteen, dressed inexplicably in a spacesuit, wanders the wastelands of suburban Ohio struggling with the nameless forces that surround him and the seemingly well meaning but ultimately sinister adults he encounters every day. He numbly navigates the universe around him and within him, obsessed with comicbook heroes like Mr. Incompleto, ROM, and Zero Sum, who seem to occupy a void only he is aware of. His name is Seth but everyone calls him THETH.
The Furry Trap contains 11 short stories, varying in length from one to 30 pages, as well as a number of “extras” that will flesh out the reader’s experience. From the title creatures in “Night of the Jibblers,” to the witches and ogres of “Cockbone,” to the Godzilla-sized, centaur-bodied depiction of the title character in “Jesus Christ,” to the disarmingly cute yet terrifying demons of “Demonwood,” to the depraved, caped crusading antihero in “Mark of the Bat,” Simmons is a master of creating terrifying beasties that inspire and inflict nightmarish horrors, usually taken to unforgettable extremes. The individual stories in The Furry Trap stand on their own as mini-masterpieces of skin-crawling terror, but collectively complement each other in a way that only heightens the anxiety and dread pouring from page to page. Just remember: You've been warned.
In a plague-ravaged medieval city, survival is a harsher fate than death. As corpses accumulate around her, Agnes, a young widow possessed of supernatural strength, must weigh her obligations to the dead and dying against her desire to protect what little remains. Laid Waste is a graphic novella about love and kindness among vermin in the putrid miasma at the end of the world. As with her evocative debut book, Black is the Color, Julia Gfrörer's delicate, gothic drawing style perfectly complements the period era of the book’s setting, bringing the lyricism and romanticism of her prose to the fore.
Black is the Color begins with a 17th-century sailor abandoned at sea by his shipmates, and as it progresses he endures, and eventually succumbs to, both his lingering death sentence and the advances of a cruel and amorous mermaid. The narrative also explores the experiences of the loved ones he leaves behind, on his ship and at home on land, as well as of the mermaids who jadedly witness his destruction. At the heart of the story lie the dubious value of maintaining dignity to the detriment of intimacy, and the erotic potential of the worst-case scenario. Julia Gfrörer’s delicate drawing style perfectly complements the period era of Black is the Color, bringing the lyricism and romanticism of Gfrörer’s prose to the fore. Black is the Color is a book as seductive as the sirens it depicts.