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From a shallow grave in the desert to a life-and-death game at the top of the city, ALAS VEGAS is a four-part journey through a nightmare casino city. The book includes the Fugue mechanics, three additional campaigns, a stand-alone story game and contributions by outstanding RPG designers from around the world.
For more than eight years, I lived and worked in the dark underworld of Las Vegas as an exotic dancer. Some things are worth repeating--others you try to forget. Unfortunately, you never forget. I decided it was time that somebody told the truth about what really happens in Las Vegas strip clubs and their VIP rooms. Is there "sex in the champagne room?" With the right dancer and for right price, there is anything you want in the champagne room! This book gives a lot of insight into what really happens when men are turned loose on the Las Vegas scene. I think men and women alike will be interested in reading about what really happens in Vegas. See what the dark twenty-four-hour world of Vegas is really like. See what an insider has to say about the life of an exotic dancer.
HASSIE CALHOUN, the first book of a trilogy, is a modern bildungsroman about a lovely, determined and talented teenager from the late 1950s/early 60s rural Texas, who flees a difficult family situation to seek fame and fortune as an entertainer in Las Vegas. Her beauty opens doors immediately, but leads only to a sybaritic lifestyle controlled by her brooding and dangerous lover, Jake, as well as drawing the attention of the powerful Frank Sinatra. Like the goddess Persephone, Hassie finds herself drawn alternately to the darkness and the light, finding joy and pain in both realms. When the road to stardom requires making some unacceptable compromises, Hassie must make the toughest decision of her life. The trilogy follows a good-hearted woman through her naive and mistake-ridden youth and culminates in a surprising old age in New York City and London.
The reckless heir to the Horseshoe Club fortune, fifty-five-year-old Vegas casino boss Ted Binionlived the high life constantly teetering on the edge—surrounding himself with guns, heroin, cash, babes and mobsters. But it was a beautiful ex-stripper and her new lover who gave him the final, fatal push over the side. The gripping true story of the fall of a powerful man that culminated in the most publicized murder in Las Vegas history—an almost perfect crime undone by the unbelievable greed of its perpetrators—Jeff German's Murder in Sin City is a stunning account of human deterioration and depravity, a neon-tinged view of the poisonous rot that festers beneath the Vegas glitter. Check out the original Lifetime movie, Sex and Lies in Sin City, based on the book Murder in Sin City by Jeff German, premiering on October 25, 2008 at 8 p.m. EST.
Under The Neon Sky is a gripping, true story about a Las Vegas doorman who works the graveyard shift at one of the major hotels on the Strip. The sights, smells, and page popping characters are unforgettable as we take a journey that will transform how we used to envision the city that never sleeps. We watch as this doorman begins to emotionally break and wonder if he will become broken seeing his friends, his wife, hotel guests, and himself cross too many boundries in this riveting, page turning story.
Mike Weatherford resurrects the mystique of Vegas's Golden Age--the '60s of history and legend--bringing the hipster legacy to new Vegasphiles. Meet '50s and '60s lounge greats the Treniers, the Mary Kaye Trio, and Louis Prima and Keely Smith; comedy legends Joe E. Lewis, Shecky Greene, and Don Rickles; and Vegas babes Vampira, Lili St. Cyr, Ann-Margret, and Tempest Storm. Weatherford also covers nearly every offbeat movie ever made about Las Vegas, as well as Elvis and Frank's impact on the town. This gorgeous entertainment retrospective is packed with showroom esoterica, descriptions of near-forgotten corners of Vegas cult musicology, odd trivia, and unsung heroes of a bygone era. Cult Vegas chronicles the major moments--the camp, the extreme, the awful--in short, the magic of Las Vegas' half-century run as an entertainment mecca.
Imagine what it must have been like to be in Las Vegas during its most glamorous and eventful years: the 1950s, the 1960s, and the 1970s.Back then, "the boys" ran the town, dinner shows were a dollar, and vacant lots on what is now the Strip sold for $5 an acre. Tallulah played baccarat, Shecky shot dice, and Frank dealt blackjack.Fly on the Wall chronicles those times, as well as the men and women who shaped them.As a reporter for two of the city's most respected newspapers and a publicist for two of the city's most infamous casinos, Dick Odessky was in the thick of itthe proverbial fly on the wall. His recollections of Las Vegas' good old bad old days put you in the thick of it, too.
“Outstanding pop-culture history.” —Newsday The “smart and zippy account” (The Wall Street Journal) of how Las Vegas saved Elvis and Elvis saved Las Vegas in the greatest musical comeback of all time. Elvis’s 1969 opening night in Vegas was his first time back on a live stage in more than eight years. His career had gone sour—bad movies, mediocre pop songs that no longer made the charts—and he’d been dismissed by most critics as over-the-hill. But in Vegas he played the biggest showroom in the biggest hotel in the city, drawing more people for his four-week engagement than any other show in Vegas history. His performance got rave reviews; “Suspicious Minds,” the song he introduced there, gave him his first number-one hit in seven years; and Elvis became Vegas’s biggest star. Over the next seven years, he performed more than 600 shows there, and sold out every one. Las Vegas was changed, too. By the end of the ‘60s, Vegas’ golden age—when the Rat Pack led a glittering array of stars who made it the nation’s premier live-entertainment center—was losing its luster. Elvis created a new kind of Vegas show: an over-the-top, rock-concert extravaganza. He set a new bar for Vegas performers, with the biggest salary, the biggest musical production, and the biggest promotion campaign the city had ever seen. He opened the door to a new generation of pop/rock artists and brought a new audience to Vegas—not the traditional well-heeled older gamblers, but a mass audience from Middle America that Vegas depends on for its success to this day. At once “a fascinating history of Vegas as gambling capital, celebrity playground, mob hangout, [and] entertainment Valhalla” (Rolling Stone) and the incredible “tale of how the King got his groove back” (Associated Press), Elvis in Vegas is a classic feel-good story for the ages.