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They said she was a tyrant, a murderer and the most wicked woman in history. She kicked her way into the male spaces of politics and demanded to be recognised as an equal and a leader. For her audacity, she was murdered by her son and reviled by history. She was the sister, niece, wife and mother of emperors. She was an empress in her own right. And she was a nuanced, fearless trailblazer in the Roman world. The story of Agrippina – the first empress of Rome – is the story of an empire at its bloody, extravagant, chaotic, ruthless height.
Sister of Caligula. Wife of Claudius. Mother of Nero. The story of Agrippina, at the center of imperial power for three generations, is the story of the Julio-Claudia dynasty—and of Rome itself, at its bloody, extravagant, chaotic, ruthless, and political zenith. In her own time, she was recognized as a woman of unparalleled power. Beautiful and intelligent, she was portrayed as alternately a ruthless murderer and helpless victim, the most loving mother and the most powerful woman of the Roman empire, using sex, motherhood, manipulation, and violence to get her way, and single-minded in her pursuit of power for herself and her son, Nero. This book follows Agrippina as a daughter, born in Cologne, to the expected heir to Augustus’s throne; as a sister to Caligula who raped his sisters and showered them with honors until they attempted rebellion against him and were exiled; as a seductive niece and then wife to Claudius who gave her access to near unlimited power; and then as a mother to Nero—who adored her until he had her assassinated. Through senatorial political intrigue, assassination attempts, and exile to a small island, to the heights of imperial power, thrones, and golden cloaks and games and adoration, Agrippina scaled the absolute limits of female power in Rome. Her biography is also the story of the first Roman imperial family—the Julio-Claudians—and of the glory and corruption of the empire itself.
In this dynamic new biography - the first on Agrippina in English - Professor Barrett uses the latest archaeological, numismatic and historical evidence to provide a close and detailed study of her life and career. He shows how Agrippina's political contribution to her time seems in fact to have been positive, and that when she is judged by her achievements she demands admiration. Revealing the true figure behind the propaganda and the political machinations of which she was capable, he assesses the impact of her marriage to the emperor Claudius, on the country and her family. Finally, he exposed her one real failing - her relationship with her son, the monster of her own making to whom, in horrific and violent circumstances, she would eventually fall victim.
In her own time, she was recognized as a woman of unparalleled power. Beautiful and intelligent, she was portrayed as alternately a ruthless murderer and helpless victim, the most loving mother and the most powerful woman of the Roman empire, using sex, motherhood, manipulation, and violence to get her way, and single-minded in her pursuit of power for herself and her son, Nero.This book follows Agrippina as a daughter, born in Cologne, to the expected heir to Augustus’s throne; as a sister to Caligula who raped his sisters and showered them with honors until they attempted rebellion against him and were exiled; as a seductive niece and then wife to Claudius who gave her access to near unlimited power; and then as a mother to Nero—who adored her until he had her assassinated.Through senatorial political intrigue, assassination attempts, and exile to a small island, to the heights of imperial power, thrones, and golden cloaks and games and adoration, Agrippina scaled the absolute limits of female power in Rome. Her biography is also the story of the first Roman imperial family—the Julio-Claudians—and of the glory and corruption of the empire itself.
Agrippina the Younger ranks as one of the most powerful women in the history of the Roman Empire. Judith Ginsburg's book provides a fresh look at both the literary and material representations of Agrippina. Her incisive study exposes both the contrivances of the commissioned artists whose idealized portraits served to buttress the image of the regime and the contrasting designs of the historians whose rhetorical stereotypes and negative depictions aimed to undermine it.
Discusses all basic principles of ballet, grouping movement by fundamental types. Diagrams show clearly the exact foot, leg, arm, and body positions for the proper execution of many steps and movements. 118 illustrations.
Seminar paper from the year 2008 in the subject World History - Early and Ancient History, grade: A, Indiana University, language: English, abstract: Agrippina the younger seems to fascinate not only for modern authors or movie makers, but also ancient writers and artists. Not only was Agrippina minor widely used as model for statues or images on coins, she also used to play often a major role in the stories of ancient authors like Tacitus, Suetonius or Cassius Dio. She stands out in the description of those authors, characterized mainly as evil and greedy for power, interfering the businesses of the emperors and therefore totally un-female, if not even totally male in her character. The paper covers biographical facts as well as Agrippina’s depiction in literary sources, her relations to the emperors of her family as well as her commemoration on coins. Furthermore, Agrippina’s actions, especially her political actions are described and the impact which they had on Roman society and on her characterization by Tacitus.
Author : Guy De la Bédoyère Publisher : Yale University Press Page : 421 pages File Size : 45,78 MB Release : 2018-01-01 Category : History ISBN : 0300230303
A captivating popular history that shines a light on the notorious Julio-Claudian women who forged an empire Augustus, Tiberius, Caligula, Claudius, and Nero--these are the names history associates with the early Roman Empire. Yet, not a single one of these emperors was the blood son of his predecessor. In this captivating history, a prominent scholar of the era documents the Julio-Claudian women whose bloodline, ambition, and ruthlessness made it possible for the emperors' line to continue. Eminent scholar Guy de la Bédoyère, author of Praetorian, asserts that the women behind the scenes--including Livia, Octavia, and the elder and younger Agrippina--were the true backbone of the dynasty. De la Bédoyère draws on the accounts of ancient Roman historians to revisit a familiar time from a completely fresh vantage point. Anyone who enjoys I, Claudius will be fascinated by this study of dynastic power and gender interplay in ancient Rome.
From the end of the Roman Republic to the death of the last Julio-Claudian emperor, portraits of women - on coins, public monuments, and private luxury objects - became an increasingly familiar sight throughout the empire. These women usually represented the distinguished bloodlines of the head of the state, or his hopes for succession, but in every case, their images were freighted with political significance. These objects also communicated social messages about the appropriate roles, behavior, and self-presentation of women. This volume traces the emergence and development of the public female portrait, from Octavia, the first Roman woman to be represented in propria persona on coinage, to the formidable and ambitious Agrippina the Younger, whose assassination demonstrated to later women the limits of official power they could demand.
Agrippina's grandmother goes awol for a few days, only to be discovered in her own home, hiding away from the world while she recovers from a facelift. And all because she's found out that her own mother has gone into a retirement home. The latter, having made herself a fortune in her savvy investments in stocks and shares, decides to buy herself a computer... but not just any old computer...! Meanwhile, Agrippina is, as usual, busy seeking out any opportunity to get easy money and easy boys. This is a side-splitting snapshot of the complex relationships between four generations of women.