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Based on fieldwork conducted among middle-class university students primarily at the national university (UNAM) in Mexico City, this study explores gender relations as reflected in the words macho and machismo. The author concludes that the students use them to denote aspects of their families of origin that they consider unfavorable and aspects of the cultural past that they wish to leave behind in their own lives. In capturing the lively and revealing conversations of these young voices, the author offers a compelling analysis of how gender concepts and identities are changing in contemporary Mexico City.
Based on fieldwork conducted among middle-class university students primarily at the national university (UNAM) in Mexico City, this study explores gender relations as reflected in the words macho and machismo. The author concludes that the students use them to denote aspects of their families of origin that they consider unfavorable and aspects of the cultural past that they wish to leave behind in their own lives. In capturing the lively and revealing conversations of these young voices, the author offers a compelling analysis of how gender concepts and identities are changing in contemporary Mexico City. Josué Ramirez received his PhD in anthropology from Brown University. He was a Teaching Fellow at Harvard, an instructor at MIT, and a lecturer in anthropology at Northeastern University. He is currently an Assistant Professor at the University of Massachusetts Dartmouth.
Long considered a pervasive value of Latino cultures both south and north of the US border, machismo—a hypermasculinity that obliterates any other possible influences on men’s attitudes and behavior—is still used to define Latino men and boys in the larger social narrative. Yet a closer look reveals young, educated Latino men who are going beyond machismo to a deeper understanding of women’s experiences and a commitment to ending gender oppression. This new Latino manhood is the subject of Beyond Machismo. Applying and expanding the concept of intersectionality developed by Chicana feminists, Aída Hurtado and Mrinal Sinha explain how the influences of race, class, ethnicity, sexuality, and gender shape Latinos’ views of manhood, masculinity, and gender issues in Latino communities and their acceptance or rejection of feminism. In particular, the authors show how encountering Chicana feminist writings in college, as well as witnessing the horrors of sexist oppression in the United States and Latin America, propels young Latino men to a feminist consciousness. By focusing on young, high-achieving Latinos, Beyond Machismo elucidates this social group’s internal diversity, thereby providing a more nuanced understanding of the processes by which Latino men can overcome structural obstacles, form coalitions across lines of difference, and contribute to movements for social justice.
An intergenerational dialogue on the meaning of feminist antifascism. Anti-Fascism Against Machismo collects & continues a conversation begun by Tammy Kovich (as "Petronella Lee") in 2019. Four feminist, antifascist revolutionaries jump off from each other's reflections & bring the particularities of their varied contexts to bear on one central problem: What has & will a women's war against fascism look like? Kovich kicks things off with a probing look at the central importance of gender to fascism, & its particular formulations in today's far right. She continues by examining the historic role of women as partisans in three antifascist wars of the 1930s & 40s-Ethiopia, Spain, & Yugoslavia-contrasting this with the restrictive image of "antifa" as a young, Euro man of a particular subcultural aesthetic & antifascist activity as not much broader than street fights. Finally, she builds on this to propose what an antifascism that takes a fight against patriarchal domination-on the right & the left-seriously. Butch Lee, a white woman who worked in support of Black revolutionary movements & who sought to elaborate a vision of what a women's revolutionary movement must be, responded to Kovich's zine a few months later. The 80-year-old Amazon theorist brings her life of experience & study to bolster Kovich's main points, while asking questions about some limits she sees in the work. From 1950s white, small town New Jersey to the civil rights struggle in Southside Chicago, refugees from Tsarist pogroms to the fighters of the Black Liberation Army, Lee's most autobiographical public writing-the last before her death in 2021-questions Kovich's framing of antifascism as a limited struggle that must expand to meet the needs of a properly revolutionary politics. While Kovich's work focuses on the position of revolutionary women, stuck between misogynist fascists & macho antifascism, Butch Lee reframes the discussion around the position of white women: the reproducers of the "white race," colonized for the role, yet so often participants, willing collaborators in the extension & preservation of white supremacy. Lee asks what it means to see today's fascists as transcending their previous role as fringe cosplayers, now becoming something more intractable & more deeply rooted in the changes occurring in global patriarchal capitalism. Veronica L. then offered her own contribution, advancing the conversation by seeing the ways in which the analyses of fascism offered by Lee & Kovich each illuminated different aspects of what they all see as profoundly inter-related phenomena. She also applies the earlier works to her own experiences as a white woman organizing without cis men & to the new context made by the experiences of the COVID-19 pandemic & the mass antiracist & anticolonial reverberations of #ShutDownCanada & the George Floyd rebellion, which had each reshaped the political context since Kovich & Lee's 2019 writings. The book also features a new introduction by El Jones, which continues & frames the discussion through her own experiences as a Black antifascist, antiracist, abolitionist organizer & educator on occupied Mi'kmaq land on Canada's east coast. In these times of rising instability, fracturing identities, & a resultant rise in challenges to & defences of white supremacist patriarchy, Antifascism Against Machismo makes a powerful contribution to the understanding needed for a revolutionary resistance at the same time as it offers a model for political discussion. Women building revolutionary theory together, between different contexts, across borders & generations, & beyond the stale fences of political sects.
'Societal Constructions of Masculinity in Chicanx and Mexican Literature: From Machismo to Feminist Masculinity' demonstrates how masculinity has been constructed and deconstructed as a challenge or reinforcement of patriarchy in cultural works over the last 50 years. The discussion therein focuses on the cultural shift towards a feminist masculinity and how this change is represented in Chicanx and Mexican literature and Mexican telenovelas. The book begins with how violence, citizenship, and masculinity become intertwined as patriarchy fights, both literally and figuratively, to regain the ground it lost to women's agency during WWII. It explores the author's subversion of the status quo through imagining a new aesthetic based on a poetic masculinity which highlights new forms of social relations that validate new masculinities. This is followed by examining texts from the aftermath of the Mexican Revolution that demonstrate how, by pairing the successes and failures of the nation with masculinity, one can see that as time progresses the very definition of what it signifies to be a Mexican male has been adapting along with the State. The book also explains how fatherhood has been represented in Chicanx literature and considers masculine relationships more broadly. The analysis of the telenovelas in this volume indicates how homosexuality serves as the catalyst for a reconfiguring of gender narratives, ultimately leading to change and acceptance within Mexican society while providing an unequivocal look into the future of masculinity as it begins to overthrow its historical gender binaries. This book will appeal to advanced undergraduates, graduate students, and professionals, both specialists and generalists, in fields including Gender Studies, Women's Studies, Comparative Studies, Chicana/o Studies, Latina/o Studies, Latin and American Studies, and Cultural Studies. Feminists and activists for human rights will also find this an interesting and valuable text.
Machismo, the male ideal so specific to Hispanic culture, is complemented by its corollary marianismo, the female ideal. Both are examined in this careful study, along with the Post-Traumatic Stress Disorder that so often accompanies--and, in fact, overhangs--the lives of the women who have survived the abuse that machismo too often inflicts.
*Winner of the Lambda Literary Award for Gay Memoir/Biography* An Honor Book for the 2023 Stonewall Book Award—Israel Fishman Non-Fiction Book Award This witty memoir traces a touching and often hilarious spiralic path to embracing a gay, Latinx identity against a culture of machismo—from a cockfighting ring in Nicaragua to cities across the U.S.—and the bath houses, night clubs, and drag queens who help redefine pride I’ve always found the definition of machismo to be ironic, considering that pride is a word almost unanimously associated with queer people, the enemy of machistas . . . In a world desperate to erase us, queer Latinx men must find ways to hold on to pride for survival, but excessive male pride is often what we are battling, both in ourselves and in others. A debut memoir about coming of age as a gay, Latinx man, High-Risk Homosexual opens in the ultimate anti-gay space: Edgar Gomez’s uncle’s cockfighting ring in Nicaragua, where he was sent at thirteen years old to become a man. Readers follow Gomez through the queer spaces where he learned to love being gay and Latinx, including Pulse nightclub in Orlando, a drag queen convention in Los Angeles, and the doctor’s office where he was diagnosed a “high-risk homosexual.” With vulnerability, humor, and quick-witted insights into racial, sexual, familial, and professional power dynamics, Gomez shares a hard-won path to taking pride in the parts of himself he was taught to keep hidden. His story is a scintillating, beautiful reminder of the importance of leaving space for joy.
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