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In poems that are by turns witty, lush, and unflinching, Acts of Contortion explores the gestures of both hurtfulness and compassion. Whether set in a shelter for battered women, in the midst of a political demonstration, or at the center of an orchestra, the poems pursue the place of language in an injurious world. The political conscience at work is feminist, pacifist, and at odds with itself. Anna George Meek finds that the brutal and the compassionate are sometimes indistinguishable, born of our need to make contact outside of ourselves. These gestures--of music, of touch, of poetry--appear in the poems as the violin, domestic abuse, and words to comfort a woman in pain. The poems argue: difficult yet imperative, the attempt to gesture beyond ourselves is an act of contortion.
Ever watch the circus and wonder, "how do they do that?" Find the answers in this book! Readers will learn about some of the most mind-bending circus acts, from contortionists to human pyramids, and the science that makes them possible. Short, simple activities help demonstrate the science for readers.
Sosina Wogayehu learned to do flips and splits at the age of six, sitting on the floor of her parents' living room in Addis Ababa, watching a German variety show on the only television channel in the land. She sold cigarettes on the Ethiopian streets at the age of eight, and she played table soccer with her friends who made money from washing cars, barefoot in the dust. And, she dreamed of being a circus performer. Twenty-five years later, Sosina has conjured herself a new life in a far-off country: Australia. Along the way, she helped rescue one brother, yet she lost another. Sosina has traveled the world as a professional contortionist, capable of bounce-juggling eight balls on a block of marble. She performed with Circus Oz (Australia's premier circus company) from 2002-2009, and she appeared in Peter Jackson's 2005 remake of King Kong. Sosina was also a 2007 nominee for the Australian of the Year Award. Additionally, Sosina has been able to juggle worlds and stories, and, by luck - which is something she is not short of - she is friends with author David Carlin. Following his acclaimed memoir Our Father Who Wasn't There, David Carlin brings us his 'not-me' book, traveling to Addis Ababa where he discovers ways of living so different from his own and where he confronts his Western fantasies and fears. Through Sosina's story, David shows us that, with risk and enough momentum, life's circumstances are never predictable: whom we befriend, where we end up, and how we come to see ourselves. *** "...Carlin is a master storyteller who is well-equipped for the challenge of capturing the life of a woman about whose culture, at the outset, he knows practically nothing. The subject of The Abyssinian Contortionist is clearly a remarkable person of unusual social mobility and ability, yet Carlin manages to navigate the high-wire act of astute observation without falling into hagiography....his writing is so crisp and vivid that, on reading its final pages, I felt a deep satisfaction and a longing for more. - Andrew McMillen, The Australian, May 2015Ã?Â?Ã?Â?Ã?Â?Ã?Â?[Subject: Biography, African Studies, Australian Studies, Women's Studies, Refugee Studies, Diaspora Studies]
As a veteran in the art of circus with more than 50 years of experience in training, performing, and instructing Mongolian contortion, this book will prove itself important for many contortion coaches and a handy manual for students. In this book, the author has shared her extensive background, providing detailed warm-ups, step-by-step stretch exercises, and key techniques that are required for executing complex movements. The book also imparts guidance for injury prevention and encourages everyone with simple exercises to remind us, at all ages, to practice contortion to maintain a healthy level of flexibility. Not only does the book feature scientific research and discussion of body mobility pertinent to contortionists, it is also an excellent historical account of the Mongolian national circus and fascinating aspects of success that led contortion to where it is today.
Ever watch the circus and wonder, “how do they do that?” Find the answers in this book! Readers will learn about some of the most mind-bending circus acts, from contortionists to human pyramids, and the science that makes them possible. Short, simple activities help demonstrate the science for readers.
In this leadership memoir, take a step backstage at Cirque du Soleil. Vice Chairman Daniel Lamarre shares his experiences leading the awe-inspiring organization, and teaches readers what it takes for anyone, regardless of position or industry, to embrace the value of creative leadership. Without creativity, there is no business. At the core of Cirque du Soleil’s lavish, multi-million-dollar productions is Vice Chairman Daniel Lamarre, who has mastered the ability to bring business and creativity together across multiple languages and cultures in a way that has never been seen before. The secrets he shares in Balancing Acts are rooted in tremendous faith in your own creative skills, even if you are convinced you have none, and those of the sharpest minds within your organization. In this book, Daniel shares the untold stories behind Cirques biggest shows, including Beatles Love, Michael Jackson One, the aquatic marvel, O, and many more. Through these tales of triumph and trials, he will teach you: How to shatter the perceived limitations standing in the way of your ability to think creatively and innovatively; When to step up and when to step back so that your team can create a masterpiece that doesn’t break the bank; How in using the methods Daniel has uncovered, modern companies with entrenched bureaucracies can bring creativity and business together to foster innovation; and How to use creative thinking to lead your organization to new heights. Whether you work for one of the most creative organizations on the planet like Cirque du Soleil, in a stuffy corporate job, or somewhere in between—Balancing Acts is filled with principles that can strengthen and accelerate any business on the planet.
Digital technologies have transformed archives in every area of their form and function, and as technologies mature so does their capacity to change our understanding and experience of material and performative cultural production. There has been an exponential explosion in the production and consumption of video online and yet there is a scarcity of knowledge and cases about video and the digital archive. This book seeks to address that through the lens of the project Circus Oz Living Archive. This project provides the case study foundation for the articulation of the issues, challenges and possibilities that the design and development of digital archives afford. Drawn from eight different disciplines and professions, the authors explore what it means to embrace the possibilities of digital technologies to transform contemporary cultural institutions and their archives into new methods of performance, representation and history.
Author : Robert J. Zimmer Publisher : University of Chicago Press Page : 659 pages File Size : 12,56 MB Release : 2011-04-15 Category : Mathematics ISBN : 0226237893
The study of group actions is more than 100 years old but remains a widely studied topic in a variety of mathematic fields. A central development in the last 50 years is the phenomenon of rigidity, whereby one can classify actions of certain groups. This book looks at rigidity.
Following a near fatal overdose of painkillers, Daniel Fletcher is resuscitated in a Los Angeles trauma centre and detained for psychiatric evaluation. However, what the psychiatrist doesn't know is that 'Daniel Fletcher' is actually John Dolan Vincent, a young forger who continually reinvents himself to evade capture. Originally published: London.