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How does one dominant literary genre fall into decline, to be superseded by another? The classic instance is the rise of the novel in the nineteenth century, and how it came to embody the tragic vision of life which had previously been the domain of drama. Dr King focuses on three novelists, George Eliot. Thomas Hardy and Henry James. All three, while trying to offer a realistic picture of life in prose narrative, wrote with the concept of tragedy clearly in mind. The concern was widespread, and Victorian literary critics found themselves discussing the problem of how one might reconcile concepts as dissimilar as tragedy and realism. Their criticism provides Dr King with her starting point. Dr King examines the work of her three authors in relation to the large concepts of traditional tragic thought, and also examines how the form of specific novels was affected by their differing ideas of tragedy.
'Servants of Sin' is a romance novel written by John Bloundelle-Burton. The story begins with a man sitting in a comfortable room, surrounded by luxury and comfort. Despite his opulent wear and setting, his face looks more like one belonging to a military general than a member of the nobility. At the moment, he is thinking about his inheritance and his love, which was once far off but is now near and warm.
Sir Charles Dilke was born in 1843 and died in 1911. His career is one of the mysteries and tragedies of nineteenth-century history. In the summer of 1885 he was the youngest man in the outgoing cabinet and Gladstone's most likely successor as leader of the Liberal Party. But his great expectations were shattered when in July 1885 Donald Crawford, a Liberal candidate, began divorce proceedings against his twenty-two-year-old wife, citing Dilke as co-respondent. There were two hearings, during the second of which Mrs Crawford made the most sensational allegations and in the end Dilke lost. He maintained his innocence to his dying day and despite his public disgrace there were many who believed him. First published in 1958, Dilke is a story with a climax as exciting as it is mysterious and which bears continuing relevance to the private lives of public figures.
Being gifted with intelligence, musical ability, a sense of fashion, and classic beauty, Julia De la Forcez was not an ordinary woman of the Victorian Era. When Julia loses her father, her life takes on a destiny that she never dreamed of.
Author : Richard A. Kaye Publisher : University of Virginia Press Page : 258 pages File Size : 12,9 MB Release : 2002-05-29 Category : Literary Criticism ISBN : 0813922003
In the flirtation plots of novels by Jane Austen, Charlotte Brontë, and W. M. Thackeray, heroines learn sociability through competition with naughty coquette-doubles. In the writing of George Eliot and Thomas Hardy, flirting harbors potentially tragic consequences, a perilous game then adapted by male flirts in the novels of Oscar Wilde and Henry James. In revising Gustave Flaubert’s Sentimental Education in The Age of Innocence, Edith Wharton critiques the nineteenth-century European novel as morbidly obsessed with deferred desires. Finally, in works by D. H. Lawrence and E. M. Forster, flirtation comes to reshape the modernist representation of homoerotic relations. In The Flirt’s Tragedy: Desire without End in Victorian and Edwardian Fiction, Richard Kaye makes a case for flirtation as a unique, neglected species of eros that finds its deepest, most elaborately sustained fulfillment in the nineteenth-century and early twentieth-century novel. The author examines flirtation in major British, French, and American texts to demonstrate how the changing aesthetic of such fiction fastened on flirtatious desire as a paramount subject for distinctly novelistic inquiry. The novel, he argues, accentuated questions of ambiguity and ambivalence on which an erotics of deliberate imprecision thrived. But the impact of flirtation was not only formal. Kaye views coquetry as an arena of freedom built on a dialectic of simultaneous consent and refusal, as well as an expression of "managed desire," a risky display of female power, and a cagey avenue for the expression of dissident sexualities. Through coquetry, novelists offered their response to important scientific and social changes and to the rise of the metropolis as a realm of increasingly transient amorous relations. Challenging current trends in gender, post-gender, and queer-theory criticism, and considering texts as diverse as Darwin’s The Descent of Man and Gilbert and Sullivan’s The Mikado, Kaye insists that critical appraisals of Victorian and Edwardian fiction must move beyond existing paradigms defining considerations of flirtation in the novel. The Flirt’s Tragedy offers a lively, revisionary, often startling assessment of nineteenth-century fiction that will alter our understanding of the history of the novel.
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