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Excellence in Nonfiction for Young Adults Finalist! The gripping true story of the only women to fly in combat in World War II—from Elizabeth Wein, award-winning author of Code Name Verity In the early years of World War II, Josef Stalin issued an order that made the Soviet Union the first country in the world to allow female pilots to fly in combat. Led by Marina Raskova, these three regiments, including the 588th Night Bomber Regiment—nicknamed the “night witches”—faced intense pressure and obstacles both in the sky and on the ground. Some of these young women perished in flames. Many of them were in their teens when they went to war. This is the story of Raskova’s three regiments, women who enlisted and were deployed on the front lines of battle as navigators, pilots, and mechanics. It is the story of a thousand young women who wanted to take flight to defend their country, and the woman who brought them together in the sky. Packed with black-and-white photographs, fascinating sidebars, and thoroughly researched details, A Thousand Sisters is the inspiring true story of a group of women who set out to change the world, and the sisterhood they formed even amid the destruction of war.
The founder of the organization Run for Congo Women describes her visit to Congo and recounts the extreme hardships and tragic events in the lives of the women she meets there.
A Thousand Miles of Dreams is an evocative and intimate biography of two Chinese sisters who took very different paths in their quests to be independent women. Ling Shuhao arrived in Cleveland in 1925 to study medicine in the middle of a U.S. crackdown on Chinese immigrant communities, and her effort to assimilate began. She became an American named Amy, while her sister Ling Shuhua burst onto the Beijing literary scene as a writer of short fiction. Shuhua's tumultuous affair with Virginia Woolf's nephew during his years in China eventually drew her into the orbit of the Bloomsbury group. The sisters were Chinese "modern girls" who sought to forge their own way in an era of social revolution that unsettled relations between men and women and among nations. Daughters of an imperial scholar-official and a concubine, they followed trajectories unimaginable to their parents' generation. Biographer Sasha Su-Ling Welland stumbled across their remarkable stories while recording her grandmother's oral history. She discovered the secret Amy had jealously hidden from family in the United States—her sister's fame as a Chinese woman writer—as well as intriguing discrepancies between the sisters' versions of the past. Shaped by the social history of their day, the journeys of these extraordinary women spanned the twentieth century and three continents in a saga of East-West cultural exchange and personal struggle. Visit the author's website for more information and upcoming events. http://www.sashawelland.com/index.html
When a beautiful princess refuses to marry the prince her father has chosen, her father is furious and locks her in a tower. She has seven long years of solitude to think about her insolence. But the princess is not entirely alone - she has her maid, Dashti. Petulant and spoilt, the princess eats the food in their meagre store as if she were still at court, and Dashti soon realises they must either escape or slowly starve. But during their captivity, resourceful Dashti discovers that there is something far more sinister behind her princess's fears of marrying the prince, and when they do break free from the tower, they find a land laid to waste and the kingdom destroyed. They were safe in the tower, now they are at the mercy of the evil prince with a terrible secret. Thrilling, captivating, and a masterful example of storytelling at its best. The princess's maid is a feisty and thoroughly modern heroine, in this wonderfully timeless story.
Lo-Melkhiin killed three hundred girls before he came to her village, looking for a wife. When she sees the dust cloud on the horizon she knows he has arrived. She knows he will want the loveliest girl: her sister. She vows she will not let her be next. And so she is taken in her sister's place, and she believes death will soon follow. But back in their village her sister is mourning. Through her pain, she calls upon the desert winds, conjuring a subtle unseen magic, and something besides death stirs the air in it's place. Lo-Melkhiin's court is a dangerous palace filled with pretty things: intricate statues with wretched eyes, exquisite threads to weave the most beautiful garments. She sees everything as if for the last time. But the first sun sets and rises, and she is not dead. Night after night Lo-Melkhiin comes to her, and listens to the stories she tells and day after day she is awoken by the sunrise. Exploring the palace, she begins to unlock years of fear that have tormented and silenced a kingdom. Lo-Melkhiin was not always a cruel ruler. Something went wrong. The words she speaks to him every night are given strange life of their own. She makes things appear. Little things, at first: a dress from home, a vision of her sister. With each tale she spins, her power grows. Soon she dreams of bigger, more terrible magic: power enough to save a king, if she can put an end to rule of a monster.
War tears the galaxy apart, power tests the limits of family, and violence gives way to freedom in this exhilarating sequel to Empress of a Thousand Skies. Empress With a revolution brewing, Rhee is faced with a choice: make a deal with her enemy, Nero, or denounce him and risk losing her crown. Fugitive Framed assassin Alyosha has one goal in mind: kill Nero. But to get his revenge, Aly may have to travel back to the very place he thought he’d left forever—home. Princess Kara knows that a single piece of technology located on the uninhabitable planet Wraeta may be the key to remembering—and erasing—the princess she once was. Madman Villainous media star Nero is out for blood, and he’ll go to any means necessary to control the galaxy. Vicious politics and high-stakes action culminate in an epic showdown that will determine the fate of the universe.
When Cristina García's first novel, Dreaming in Cuban, was published in 1992, The New York Times called the author "a magical new writer...completely original." The book was nominated for a National Book Award, and reviewers everywhere praised it for the richness of its prose, the vivid drama of the narrative, and the dazzling illumination it brought to bear on the intricacies of family life in general and the Cuban American family in particular. Now, with The Agüero Sisters, García gives us her widely anticipated new novel. Large, vibrant, resonant with image and emotion, it tells a mesmerizing story about the power of family myth to mask, transform, and, finally, reveal the truth. It is the story of Reina and Constancia Agüero, Cuban sisters who have been estranged for thirty years. Reina, forty-eight years old, living in Cuba in the early 1990s, was once a devoted daughter of la revolución; Constancia, an eager to assimilate naturalized American, smuggled herself off the island in 1962. Reina is tall, darkly beautiful, unmarried, and magnetically sexual, a master electrician who is known as Compañera Amazona among her countless male suitors, and who basks in the admiration she receives in her trade and in her bed. Constancia is petite, perfectly put together, pale skinned, an inspirationally successful yet modest cosmetics saleswoman, long resigned to her passionless marriage. Reina believes in only what she can grasp with her five senses; Constancia believes in miracles that "arrive every day from the succulent edge of disaster." Reina lives surrounded by their father's belongings, the tangible remains of her childhood; Constancia has inherited only a startling resemblance to their mother--the mysterious Blanca--which she wears like an unwanted mask. The sisters' stories are braided with the voice from the past of their father, Ignacio, a renowned naturalist whose chronicling of Cuba's dying species mirrored his own sad inability to prevent familial tragedy. It is in the memories of their parents--dead many years but still powerfully present--that the sisters' lives have remained inextricably bound. Tireless scientists, Ignacio and Blanca understood the perfect truth of the language of nature, but never learned to speak it in their own tongue. What they left their daughters--the picture of a dark and uncertain history sifted with half-truths and pure lies--is the burden and the gift the two women struggle with as they move unknowingly toward reunion. And during that movement, as their stories unfurl and intertwine with those of their children, their lovers and husbands, their parents, we see the expression and effect of the passions, humor, and desires that both define their differences and shape their fierce attachment to each other and to their discordant past. The Agüero Sisters is clear confirmation of Cristina García's standing in the front ranks of new American fiction.
A woman cop. A haunting memory.... The only female detective in the Miami PD's Homicide division, Joe Frye has memories that haunt her, and a past that not even her lover, detective Louis Kincaid, truly knows. It began when Joe was an ambitious rookie cop in a small Michigan town called Echo Bay.... The bones found in the woods were the first clue in a string of unimaginably brutal murders of young women. Plunged into a heated investigation -- and caught between the dictates of a reluctant local sheriff and the state police -- Joe soon uncovers the chilling truth: In the dead of winter in the Michigan woods, she must face down a predator who has chosen her as a worthy opponent -- or become his next victim.
The former first daughters share intimate stories and reflections from the Texas countryside to the storied halls of the White House and beyond. Born into a political dynasty, Jenna and Barbara Bush grew up in the public eye. As small children, they watched their grandfather become president; just twelve years later they stood by their father's side when he took the same oath. They spent their college years watched over by Secret Service agents and became fodder for the tabloids, with teenage mistakes making national headlines. But the tabloids didn't tell the whole story. In Sisters First, Jenna and Barbara take readers on a revealing, thoughtful, and deeply personal tour behind the scenes of their lives, as they share stories about their family, their unexpected adventures, their loves and losses, and the sisterly bond that means everything to them.