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Author : Benedikt Paul Göcke
Publisher : Springer
Page : 403 pages
File Size : 17,59 MB
Release : 2014-09-29
Category : Philosophy
ISBN : 1137412828
A Theory of the Absolute develops a worldview that is opposed to the dominant paradigm of physicalism and atheism. It provides powerful arguments for the existence of the soul and the existence of the Absolute. It shows that faith is not in contradiction to reason.
Author : Benedikt Paul Göcke
Publisher : Springer
Page : 248 pages
File Size : 35,3 MB
Release : 2014-09-29
Category : Philosophy
ISBN : 1137412828
A Theory of the Absolute develops a worldview that is opposed to the dominant paradigm of physicalism and atheism. It provides powerful arguments for the existence of the soul and the existence of the Absolute. It shows that faith is not in contradiction to reason.
Author : William Desmond
Publisher : State University of New York Press
Page : 246 pages
File Size : 26,66 MB
Release : 1986-06-30
Category : Philosophy
ISBN : 1438400926
Art and the Absolute restores Hegel's aesthetics to a place of central importance in the Hegelian system. In so doing, it brings Hegel into direct relation with the central thrust of contemporary philosophy. The book draws on the astonishing scope and depths of Hegel's Lectures on Aesthetics, exploring the multifaceted issue of art and the absolute. Why does Hegel ascribe absoluteness to art? What can such absoluteness mean? How does it relate to religion and philosophy? How does Hegel's view of art illuminate the contemporary absence of the absolute? Art and the Absolute argues that these aesthetic questions are not mere theoretical conundrums for abstract analysis. It argues that Hegel's understanding of art can provide an indispensable hermeneutic relevant to current controversies. Art and the Absolute explores the intricacies of Hegel's aesthetic thought, communicating its contemporary relevance. It shows how for Hegel art illuminates the other areas of significant human experience such as history, religion, politics, literature. Against traditional, closed views, the result is a challenge to re-read Hegel's aesthetic philosophy.
Author : William Lane Craig
Publisher : Routledge
Page : 311 pages
File Size : 40,39 MB
Release : 2007-11-08
Category : Philosophy
ISBN : 1134003897
Presenting a collection of original essays from a team of international philosophers and physicists, this volume reassesses the contemporary paradigm of the relativistic concept of time. There is no other book like this currently available.
Author : Jason Ananda Josephson Storm
Publisher : University of Chicago Press
Page : 375 pages
File Size : 28,52 MB
Release : 2021-07-20
Category : Philosophy
ISBN : 022678665X
Opening -- Part I. Metarealism. How the real world became a fable, or, The realities of social construction -- Part II. Process social ontology. Concepts in disintegration & strategies for demolition ; Process social ontology ; Social kinds -- Part III. Hylosemiotics. Hylosemiotics : the discourse of things -- Part IV. Knowledge and value. Zetetic knowledge ; The revaluation of values -- Conclusion : becoming metamodern.
Author : Emily Thomas
Publisher : Oxford University Press
Page : 253 pages
File Size : 27,98 MB
Release : 2018
Category : Philosophy
ISBN : 0198807937
What is time? This is one of the most fundamental questions we can ask. Traditionally, the answer was that time is a product of the human mind, or of the motion of celestial bodies. In the mid-seventeenth century, a new kind of answer emerged: time or eternal duration is 'absolute', in the sense that it is independent of human minds and material bodies. Emily Thomas explores the development of absolute time or eternal duration during one of Britain's richest and most creative metaphysical periods, from the 1640s to the 1730s. She introduces an interconnected set of main characters - Henry More, Walter Charleton, Isaac Barrow, Isaac Newton, John Locke, Samuel Clarke, and John Jackson - alongside a large and varied supporting cast, whose metaphysical views are all read in their historical context and given a place in the seventeenth- and eighteenth-century development of thought about time. In addition to interpreting the metaphysics of these thinkers, Absolute Time advances two general, developmental theses. First, the complexity of positions on time (and space) defended in early modern thought is hugely under-appreciated. Second, distinct kinds of absolutism emerged in British philosophy, helping us to understand why some absolutists considered time to be barely real, whilst others identified it with the most real being of all: God.
Author : Drew M. Dalton
Publisher : Bloomsbury Publishing
Page : 174 pages
File Size : 20,48 MB
Release : 2018-08-23
Category : Philosophy
ISBN : 1350042056
Opening a new debate on ethical reasoning after Kant, Drew Dalton addresses the problem of the absolute in ethical and political thought. Attacking the foundation of European philosophical morality, he critiques the idea that in order for ethical judgement to have any real power, it must attempt to discover and affirm some conception of the absolute good. Without rejecting the essential role the absolute plays within ethical reasoning, Dalton interrogates the assumed value of the absolute. Dalton brings some of the most influential contemporary philosophical traditions into dialogue with each other: speculative realists like Badiou and Meillassoux; phenomenologists, including Husserl, Heidegger, and Levinas; German Idealists, especially Kant and Schelling; psychoanalysts Freud and Lacan; and finally, post-structuralists, specifically Foucault, Deleuze, and Ranciere. The relevance of these thinkers to concrete socio-political problems is shown through reflections on the Holocaust, suicide bombings, the rise of neo-liberalism and neo-nationalism, as well as rampant consumerism and racism. This book re-defines ethical reasoning as that which refuses absolutes and resists what Milton's devil in Paradise Lost called the “tyranny of heaven.” Against traditional ethical reasoning, Dalton sees evil not as a moral failure, but as the result of an all too easy assent to the absolute; an assent which can only be countered through active resistance. For Dalton, resistance to the absolute is the sole channel through which the good can be defined.
Author : Dalia Nassar
Publisher : University of Chicago Press
Page : 354 pages
File Size : 45,77 MB
Release : 2013-12-24
Category : Philosophy
ISBN : 022608423X
The absolute was one of the most significant philosophical concepts in the early nineteenth century, particularly for the German romantics. Its exact meaning and its role within philosophical romanticism remain, however, a highly contested topic among contemporary scholars. In The Romantic Absolute, Dalia Nassar offers an illuminating new assessment of the romantics and their understanding of the absolute. In doing so, she fills an important gap in the history of philosophy, especially with respect to the crucial period between Kant and Hegel. Scholars today interpret philosophical romanticism along two competing lines: one emphasizes the romantics’ concern with epistemology, the other their concern with metaphysics. Through careful textual analysis and systematic reconstruction of the work of three major romantics—Novalis, Friedrich Schlegel, and Friedrich Schelling—Nassar shows that neither interpretation is fully satisfying. Rather, she argues, one needs to approach the absolute from both perspectives. Rescuing these philosophers from frequent misunderstanding, and even dismissal, she articulates not only a new angle on the philosophical foundations of romanticism but on the meaning and significance of the notion of the absolute itself.
Author : Mark Evan Bonds
Publisher : Oxford University Press
Page : 401 pages
File Size : 14,31 MB
Release : 2014-05-09
Category : Music
ISBN : 0199343659
What is music, and why does it move us? From Pythagoras to the present, writers have struggled to isolate the essence of "pure" or "absolute" music in ways that also account for its profound effect. In Absolute Music: The History of an Idea, Mark Evan Bonds traces the history of these efforts across more than two millennia, paying special attention to the relationship between music's essence and its qualities of form, expression, beauty, autonomy, as well as its perceived capacity to disclose philosophical truths. The core of this book focuses on the period between 1850 and 1945. Although the idea of pure music is as old as antiquity, the term "absolute music" is itself relatively recent. It was Richard Wagner who coined the term, in 1846, and he used it as a pejorative in his efforts to expose the limitations of purely instrumental music. For Wagner, music that was "absolute" was isolated, detached from the world, sterile. His contemporary, the Viennese critic Eduard Hanslick, embraced this quality of isolation as a guarantor of purity. Only pure, absolute music, he argued, could realize the highest potential of the art. Bonds reveals how and why perceptions of absolute music changed so radically between the 1850s and 1920s. When it first appeared, "absolute music" was a new term applied to old music, but by the early decades of the twentieth century, it had become-paradoxically--an old term associated with the new music of modernists like Schoenberg and Stravinsky. Bonds argues that the key developments in this shift lay not in discourse about music but rather the visual arts. The growing prestige of abstraction and form in painting at the turn of the twentieth century-line and color, as opposed to object-helped move the idea of purely abstract, absolute music to the cutting edge of musical modernism. By carefully tracing the evolution of absolute music from Ancient Greece through the Middle Ages to the twentieth-century, Bonds not only provides the first comprehensive history of this pivotal concept but also provokes new thoughts on the essence of music and how essence has been used to explain music's effect. A long awaited book from one of the most respected senior scholars in the field, Absolute Music will be essential reading for anyone interested in the history, theory, and aesthetics of music.
Author : Rebecca Comay
Publisher : MIT Press
Page : 193 pages
File Size : 28,83 MB
Release : 2018-05-04
Category : Philosophy
ISBN : 0262535351
An argument that what is usually dismissed as the “mystical shell” of Hegel's thought—the concept of absolute knowledge—is actually its most “rational kernel.” This book sets out from a counterintuitive premise: the “mystical shell” of Hegel's system proves to be its most “rational kernel.” Hegel's radicalism is located precisely at the point where his thought seems to regress most. Most current readings try to update Hegel's thought by pruning back his grandiose claims to “absolute knowing.” Comay and Ruda invert this deflationary gesture by inflating what seems to be most trivial: the absolute is grasped only in the minutiae of its most mundane appearances. Reading Hegel without presupposition, without eliminating anything in advance or making any decision about what is essential and what is inessential, what is living and what is dead, they explore his presentation of the absolute to the letter. The Dash is organized around a pair of seemingly innocuous details. Hegel punctuates strangely. He ends the Phenomenology of Spirit with a dash, and he begins the Science of Logic with a dash. This distinctive punctuation reveals an ambiguity at the heart of absolute knowing. The dash combines hesitation and acceleration. Its orientation is simultaneously retrospective and prospective. It both holds back and propels. It severs and connects. It demurs and insists. It interrupts and prolongs. It generates nonsequiturs and produces explanations. It leads in all directions: continuation, deviation, meaningless termination. This challenges every cliché about the Hegelian dialectic as a machine of uninterrupted teleological progress. The dialectical movement is, rather, structured by intermittency, interruption, hesitation, blockage, abruption, and random, unpredictable change—a rhythm that displays all the vicissitudes of the Freudian drive.