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A brilliant, unforgettable novel from bestselling author Ruth Ozeki, author of The Book of Form and Emptiness Finalist for the Booker Prize and the National Book Critics Circle Award “A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be.” In Tokyo, sixteen-year-old Nao has decided there’s only one escape from her aching loneliness and her classmates’ bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who’s lived more than a century. A diary is Nao’s only solace—and will touch lives in ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future. Full of Ozeki’s signature humor and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.
Winner of the UK Independent Bookseller Award and the LA Times Book Prize for Fiction, 2013. Nao lives in Tokyo. She is sixteen, and has decided to write a diary before she kills herself. She has plenty of material - school bullies, depressed parents - but she particularly wants to chronicle the life of her great-grandmother, Jiko, a Buddhist nun. And eventually, Nao thinks, her diary will find its reader. Ruth lives with her husband on the Pacific coast of Canada. A few months after the 2010 tsunami she finds a Hello Kitty lunchbox washed up on the shore. It contains a diary... Ruth Ozeki was born and raised in Connecticut by an American father and a Japanese mother. She has lived in Japan, where among other things she worked as a bar hostess and studied flower arrangement, Noh drama and mask carving. Ruth practises Zen Buddhism and was ordained as a priest in 2010. She is the bestselling author of My Year of Meats and All Over Creation. 'A Tale for the Time Being is a timeless story. Ruth Ozeki beautifully renders not only the devastation of the collision between man and the natural world, but also the often miraculous results of it. She is a deeply intelligent and humane writer who offers her insight with a grace that beguiles. I truly love this novel.' Alice Sebold 'A Tale for the Time Being is an extraordinary novel about a courageous young woman, riven by loneliness, by Time and (ultimately) by Tsunami. Nao is an inspired narrator and her quest to tell her great grandmother's story, to connect with her past, with the world is both aching and true. Ozeki is one of my favorite novelists and here she is at her absolute best - bewitching intelligent hilarious and heartbreaking, often on the same page...A Tale for the Time Being is one of those novels that will renew your faith in literature.' Junot Diaz 'Ingenious and touching, A Tale for the Time Being is also highly readable. And interesting: the contrast of cultures is especially well done. I greatly look forward to Ruth Ozeki's next book.' Philip Pullman 'A Tale for the Time Being is equal parts mystery and meditation. The mystery is a compulsive, gritty page-turner. The meditation-on time and memory, on the oceanic movement of history, on impermanence and uncertainty, but also resilience and bravery-is deep and gorgeous and wise. A completely satisfying, continually surprising, wholly remarkable achievement, this is a book to be read and reread.' Karen Joy Fowler 'Ozeki's magnificent third novel (All Over Creation, 2003, etc.) brings together a Japanese girl's diary and a transplanted American novelist to meditate on everything from bullying to the nature of conscience and the meaning of life...The novel's seamless web of language, metaphor and meaning can't be disentangled from its powerful emotional impact: These are characters we care for deeply, imparting vital life lessons through the magic of storytelling. A masterpiece, pure and simple.' Kirkus Reviews 'A Tale for the Time Being achieves an impressive balancing act: it's a book that is profound but never earnest.' Weekend Australian
In the wake of the 2011 tsunami, Ruth discovers a Hello Kitty lunchbox washed up on the shore of her beach home in British Columbia. Within it lies a diary that expresses the hopes, heartbreak and dreams of a young girl desperate for someone to understand her. Each turn of the page pulls Ruth deeper into the mystery of Nao’s life, and forever changes her in a way neither could foresee. Weaving across continents and decades, A Tale for the Time Being is an extraordinary novel about our shared humanity and the search for home.
Winner of the Women’s Prize for Fiction “No one writes like Ruth Ozeki—a triumph.” —Matt Haig, New York Times bestselling author of The Midnight Library “Inventive, vivid, and propelled by a sense of wonder.” —TIME “If you’ve lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home.” —David Mitchell, Booker Prize-finalist author of Cloud Atlas A boy who hears the voices of objects all around him; a mother drowning in her possessions; and a Book that might hold the secret to saving them both—the brilliantly inventive new novel from the Booker Prize-finalist Ruth Ozeki One year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house—a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous. At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world. He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many. And he meets his very own Book—a talking thing—who narrates Benny’s life and teaches him to listen to the things that truly matter. With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki—bold, wise, poignant, playful, humane and heartbreaking.
Twenty-five years after running away from her family’s farm in Idaho, Yumi Fuller returns home to care for her ailing parents and to confront her best friend and her conflicted past. She finds a world changed beyond recognition; and with the arrival of a group of young anti-GM activists, she finds herself caught up in a new revolution. All Over Creation is an exploration of the dichotomies of love and responsibility and a celebration of the capacity for renewal that resides within us all.
A thrilling story by the legendary Diana Wynne Jones—with an introduction by Ursula K. Le Guin. London, 1939. Vivian Smith thinks she is being evacuated to the countryside, because of the war. But she is being kidnapped - out of her own time. Her kidnappers are Jonathan and Sam, two boys her own age, from a place called Time City, designed especially to oversee history. But now history is going critical, and Jonathan and Sam are convinced that Time City's impending doom can only be averted by a twentieth-century girl named Vivian Smith. Too bad they have the wrong girl. . . .
When documentary maker Jane Takagi-Little finally lands a job producing a Japanese television show that just happens to be sponsored by an American meat-exporting business, she uncovers some unsavoury truths about love, fertility, and a dangerous hormone called DES. Soon she will also cross paths with Akiko Ueno, a beleaguered Japanese housewife struggling to escape her overbearing husband. And the battle with 'big beef' will be on in earnest. Ruth Ozeki's much-loved debut novel, winner of the Kirayama Prize for Literature of the Pacific Rim, represents the entertaining face of ecological activism. It will delight fans of Michael Pollan, Margaret Atwood and Barbara Kingsolver. Ruth Ozeki was born and raised in Connecticut by an American father and a Japanese mother. She has lived in Japan, where among other things she worked as a bar hostess and studied flower arrangement, Noh drama and mask carving. Ruth practises Zen Buddhism and was ordained as a priest in 2010. She is the bestselling author of A Tale for the Time Being and All Over Creation. textpublishing.com.au 'Ruth Ozeki masks a deeper purpose a light tone...A comical-satirical-farcical-epical-tragical-romantical novel.' Jane Smiley, Chicago Tribune 'A joy to read.' Elle 'Wonderfully wild and bracing...A feast that leaves you hungry for whatever Ozeki cooks up next.' Newsweek 'Romance, agri-business, self-discovery, cross-cultural misunderstanding - it takes a talent like Ruth Ozeki's to blend all these ingredients beautifully together. My Year of Meats is a sensitive and compelling portrait of two modern women.' Arthur Golden, author of Memoirs of a Geisha
An easy-to-follow guidebook. This is the ultimate collection of fun and thought provoking writing inspirations, exercises, reflections, and prompts for story writers and poets alike. This book includes prompts, examples, and helpful nuggets of creative power to set you on your way to writing the best work of your life.Your mind is like your attic -- it's already filled with everything you need to write your story or poem -- a lifetime's worth of material. We're here to help you take your memories along with the wealth of words that are already part of your life and assemble them into stories, poems, and essays. Organized around items you might find in an attic, the prompts in this book will help you find inspiration in everyday objects and experiences.
NEW YORK TIMES BESTSELLER • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY MICHIKO KAKUTANI, THE NEW YORK TIMES • NAMED ONE OF THE TEN BEST NONFICTION BOOKS OF THE YEAR BY TIME NAMED ONE OF THE BEST BOOKS OF THE YEAR BY MORE THAN 45 PUBLICATIONS, INCLUDING The New York Times Book Review • The Washington Post • NPR • The New Yorker • San Francisco Chronicle • The Economist • The Atlantic • Newsday • Salon • St. Louis Post-Dispatch • The Guardian • Esquire (UK) • GQ (UK) After three acclaimed novels, Gary Shteyngart turns to memoir in a candid, witty, deeply poignant account of his life so far. Shteyngart shares his American immigrant experience, moving back and forth through time and memory with self-deprecating humor, moving insights, and literary bravado. The result is a resonant story of family and belonging that feels epic and intimate and distinctly his own. Born Igor Shteyngart in Leningrad during the twilight of the Soviet Union, the curious, diminutive, asthmatic boy grew up with a persistent sense of yearning—for food, for acceptance, for words—desires that would follow him into adulthood. At five, Igor wrote his first novel, Lenin and His Magical Goose, and his grandmother paid him a slice of cheese for every page. In the late 1970s, world events changed Igor’s life. Jimmy Carter and Leonid Brezhnev made a deal: exchange grain for the safe passage of Soviet Jews to America—a country Igor viewed as the enemy. Along the way, Igor became Gary so that he would suffer one or two fewer beatings from other kids. Coming to the United States from the Soviet Union was equivalent to stumbling off a monochromatic cliff and landing in a pool of pure Technicolor. Shteyngart’s loving but mismatched parents dreamed that he would become a lawyer or at least a “conscientious toiler” on Wall Street, something their distracted son was simply not cut out to do. Fusing English and Russian, his mother created the term Failurchka—Little Failure—which she applied to her son. With love. Mostly. As a result, Shteyngart operated on a theory that he would fail at everything he tried. At being a writer, at being a boyfriend, and, most important, at being a worthwhile human being. Swinging between a Soviet home life and American aspirations, Shteyngart found himself living in two contradictory worlds, all the while wishing that he could find a real home in one. And somebody to love him. And somebody to lend him sixty-nine cents for a McDonald’s hamburger. Provocative, hilarious, and inventive, Little Failure reveals a deeper vein of emotion in Gary Shteyngart’s prose. It is a memoir of an immigrant family coming to America, as told by a lifelong misfit who forged from his imagination an essential literary voice and, against all odds, a place in the world. Praise for Little Failure “Hilarious and moving . . . The army of readers who love Gary Shteyngart is about to get bigger.”—The New York Times Book Review “A memoir for the ages . . . brilliant and unflinching.”—Mary Karr “Dazzling . . . a rich, nuanced memoir . . . It’s an immigrant story, a coming-of-age story, a becoming-a-writer story, and a becoming-a-mensch story, and in all these ways it is, unambivalently, a success.”—Meg Wolitzer, NPR “Literary gold . . . bruisingly funny.”—Vogue “A giant success.”—Entertainment Weekly